Actor Stephen Graham is an English film and television actor and fellow scouser. Who is best known for his roles as Tommy in the film Snatch (2000), Andrew “Combo” Gascoigne in This Is England (2006), Billy Bremner in The Damned United (2009), notorious bank robber Baby Face Nelson in Public Enemies (2009), Scrum in the Pirates of the Caribbean films and he starred as Al Capone in the HBO series Boardwalk Empire.
Stephen accepted my invitation to sit for a portrait at the London Studio last week. I’ve admired his work for many years. Graham is a screen icon, exceptionally talented and known for playing no-nonsense gritty characters. I aimed to capture Stephens métier in my portraits, asking him to pose as emotionless, then changing to capture fierce and angry expressions.
William Shatner is best known for his role as Captain James T Kirk on the Starship Enterprise. I’ve had the honour and pleasure of having him in front of my lens on two occasions. In total my time spent photographing him has equated to 15 minutes. 15 minutes with Bill.
Being an ardent Star Trek fan, as well as prolific portrait photographer with a strong reputation for icons of stage and screen, this short time with the screen legend has amounted to an extraordinary experience. Yes I’m just a little star struck.
To meet one of your childhood heroes can be both awe-inspiring and utterly terrifying at the same time. Now try operating a camera under the pressure!
Where it All Began
My first sitting with William Shatner was back on 12th February 2015. At the time I was travelling to LA and wanted to take the opportunity to include Shatner in my Expressive Portraits exhibition.
Prior to my LA trip I had written to Shatner expressing my wish to include him in the project. I have to admit it was a stab in the dark. Nonetheless, the reply came that he would do me the honour of accepting my invitation.
In preparation for the shoot, I arrived at Shatner’s office at 10am feeling a mixture of nerves, apprehension, and barely-concealed excitement. As I approached the window I could see a large looming figure behind the blinds. It was him. There, right before me stood one of my childhood ‘greats’. Gulp.
The door was opened by Kathleen, Mr Shatner’s PA, who kindly informed me I had just 10 minutes to set up and 5 minutes to shoot as he was due to take a flight. No pressure then! I couldn’t let my nerves get the better of me, but how to shoot a living legend in just 5 minutes?
Fortunately experience prevailed and I was ready and waiting as Bill entered to take his seat on the stool. In my mind’s eye he was, until this point, a flamboyant character. As I took a deep breath and introduced myself I realised I was completely wrong. Rather than brash and larger than life, Shatner is a very quietly spoken man of only a few words.
As a portraitist I have learned to separate the individual’s character as an actor from the characters they have played. In the interests of simplicity (bearing in mind the 5 minute window) I opted straight for this method. However, my initial direction didn’t receive the response I’d hoped for. My request for a plain expression was met with “I don’t do plain!” I quickly took the opportunity to explain my reasoning: that as a character actor the viewer needed a blank canvas, an expressionless person, on which to hang their own thoughts. No good, no bad, no love, no hate, no character, just an opportunity to view and assume. In my experience it is this essence which makes an image thought-provoking and memorable.
With my explanation, Bill became more amiable. Deep breath again, using the word “emotionless” in preference to “plain”, this time he agreed. Mr Shatner took his own breath, closed his eyes, and then looked up directly in to the lens, clearly having cleared his mind of thought or question.
I clicked. The result was my first thought-provoking portrait of William Shatner. In 5 minutes magic had been created.
Second Time, Double Time
The second time I photographed Shatner was when I returned to LA in April 2016. Once more I got in touch to arrange a sitting. I had so much more I wanted to explore in the subject that is William Shatner. I was truly delighted to learn of his acceptance. Even more, Shatner himself was ecstatic with my first efforts. I’d done it, in just 5 minutes!
The sitting took place on 4th April 2016. Once again I turned up at the office to be greeted by Mr Shatner’s assistant. This time I met a more relaxed Shatner with nowhere to go, and a little more time on his hands. He was more casually dressed, wearing a black shirt as I had requested, and was available for the double the previous five minutes.
Preparation for a Portrait Sitting
Before any sitting I always spend time planning. This ‘behind the scenes’ time is invaluable for the ultimate portrait. In the case of Shatner I spent hours looking at material from both films and television programmes, as well as reviewing and assessing the other available portraits of Bill to date. There was a common theme running through 99% of them: Bill as the hero.
Speaking about this type casting, Bill has quipped: “I always play the hero and always get the girl.” To make a portrait of Bill that was different and unique I wanted to draw him out of his comfort zone. I wanted to polarise him away from the ‘hero’ and instead get him in the camp of the villain.
Take Robin Williams for example: a face well-documented in comedy and farce. Yet, when he was given the creepy and darker character named Sy in the psychological thriller One Hour Photo, we saw something utterly new, unnerving and compelling.
This became my impetus for the sitting with Shatner. I wanted this to be about Shatner the ‘bad guy’. I took the time to explain my reasoning and idea to Bill and he was very happy and compliant to give it a go.
In directing the screen icon, I drew on Shakespeare. I asked Bill to think about a Shakespearian villain and to assume this as his muse. This enticed Bill to gaze leeringly in to the lens as we transformed the heroic Shatner in to the evil alter-ego.
After 10 minutes, my sitting with Shatner came to an end. In total, I had experienced 15 minutes with one of my absolute screen heroes in front of my lens.
In order to direct an actor who you have admired for many years is an incredible opportunity. Photography is about so much more than merely clicking the shutter and getting some lighting tricks right. Successful photography, and successful portraiture, is about evoking a feeling. This process is impossible without direction. Direction is key.
When I teach photography workshops, students are frequently overawed by the number of different camera and lighting techniques available. This is the stuff of textbooks. However, what transforms you from someone who can operate the equipment to a talented photographer is what happens in that moment when the lights are set up and the camera is ready, and you are alone with the subject. This transcends the techniques and instead becomes about invention. A good photographer, therefore, is a good director.
Shakespeare, in Henry V, once penned:
“Oh, for a muse of fire that would ascend
The brightest heaven of invention!
A kingdom for a stage, princes to act,
And monarchs to behold the swelling scene!”
Emotive and powerful, and rousing to boot, in portrait photography is of utmost importance to set the scene. You must find your muse and use it to direct. You must think outside of the box, and take your inspiration from cinema, art, or simply by digging deep in to the wealth of your own experiences to find something new and original.
Renaissance portraiture and the use of chiaroscuro by the masters has been of immense inspiration to my photographic style. For those unfamiliar, chiaroscuro is an oil painting technique, developed during the Renaissance. The technique uses strong tonal contrasts between light and dark to model three-dimensional forms. Artists such as Caravaggio used chiaroscuro for dramatic effect. Painting vivid religious depictions of light and shadow.
Recently I captured a series of exceptionally detailed chiaroscuro portraits inspired by Caravaggio of actors René Auberjonois, Sir Patrick Stewart & Iain Glen. In these portraits I have attempted to emulate Caravaggio’s naturalism and dramatic lighting with photographic effect. Creating super detail of skin tone, texture and colour. Using inventive art direction I opted for vivid and stark expressions from the contemplation of René Auberjonois to the emotionless Sir Patrick Stewart and the wicked smile of Iain Glen.
June, I was back in Los Angeles for a few days to photograph a series of Portrait Sittings with three very talented actors. Bo Foxworth, Tony Amendola and Saul Rubinek.
Bo Foxworth is a wonderful stage Actor and recent star of screen and Stage Play All The Way in which Brian Cranston leads the cast as President Lyndon Johnson. My first Portrait sitting of the trip; Bo is a natural in front of the lens, a pleasure to photograph. My theme for the portrait sitting was ‘Expressive’. Directing Bo to assume extreme emotions. To achieve my goal I asked Bo to assume a Shakespearian Character. He obliged me with his favourite Richard III. To my astonishment, Bo became the Machiavellian King presenting me with the true theatrical talent.
Tony Amendola has an instantly recognisable face and was the subject of my second LA Portrait Sitting. I had the delightful pleasure of seeing Tony on stage, playing Judge Brack in Hedda Gabler at the LA Antaeus Theatre. Amendola is a wonderfully versatile actor appearing on screen in the Mask of Zorro and in the television series Stargate SG1.
Seeking once more, expressive and animated portraiture. I reverted again to the Bard. Tony obliged me with a unique performance of a soliloquy from Shakespeare’s Merchant of Venice. When working with exceptionally talented actors, truly great things can happen. As Tony performed I clicked away at the shutter; capturing a series of remarkably animated and expressive portraits. Movement is essential in portraiture, so many photographers keep their subjects static, whereas I prefer movement and animation.
My final Portrait Sitting was the most powerful. Actor Saul Rubinek has been a prolific presence on both the stage and screen for many years. Starring in films such as the Unforgiven to television series Warehouse 13. Saul was very familiar with my style of portraiture and when we sat down to discuss the sitting he had a very simple idea. Instead of Acting to the lens, he would tell me a story. The sitting was very profound as Saul regaled a tale about a traumatic time in his life, as he spoke I clicked the shutter and each frame I captured was emotional and thought-provoking.
Having been in the business of photography, with a strong focus on Actors Headshots, for over a decade, I’ve got an excellent understanding of what casting directors are looking for in your Actor Headshots. I’m not in the business of churning out uninventive passport-style pictures that don’t reflect who you are as a performer. I work to bring a dynamic and inspiring edge to the images you receive, and which go on to become an essential element of your portfolio.
I create shots that make you stand out from the crowd – essential when a casting director is potentially viewing thousands of different options available to them. You won’t be lost among the masses. With the right photoshoot and expertly handled images, your shots will grab the attention of the casting director and point directly to your talents and accomplishments whilst also reflecting the truth of the person you are.
Selecting Your Photographer – What to Look For
Knowing which photographer to use for your Actor Headshots can feel a little overwhelming. Can you trust them? How do they work? Do they have a proven track record? These are all valuable questions worth asking.
It may help to look at the portfolio of a photographer to see who they have photographed before now. Sir Ian McKellan, Sir Derek Jacobi, Sir Patrick Stewart, Brian Cox, Iain Glen, Natalie Dormer, David Warner and Julian Glover are just a handful of the famous names from the acting world that I have had the pleasure of working with.
Where to Look
With a schedule that is likely tough to manage – with you frequently being in different location – choosing a photographer who will be available where you are is also essential. Whilst some photographers have one base alone, Rory Lewis Photography can be found on home-turf in Liverpool but also across the UK in Manchester, Leeds and London. And if that doesn’t suit, then I’m frequently a pond-hopper and able to conduct shoots Stateside, most often in Los Angeles.
What Does the Headshot Represent?
In my experience of successful shooting, an Actor’s Headshot needs to represent one thing: energy. The energy that you will bring to the stage or screen and the character you are looking to play. To create and nurture this energy to come across in the photographs you need a relaxed session with expert guidance. Used to acting in movement, my job is to create that same energy in a still: sometimes a tricky achievement for actors used to a very different style of constant flux.
I pride myself on being able to get you to act for the camera and in so doing, teamed with my photographic knowledge, capture an image that is full of energy and dynamism. The result is a shot that will represent you as the actor or actress that you are.
What to Expect from a Headshot Shoot
When you’ve chosen me to undertake your headshots, you get direction in the same way that you are used to when working on stage or screen. Together we bring out your varied emotions, movement and characters spanning the breadth of your desired roles…from heroes to villains, hopeless romantics to cheeky comedians. Your portfolio will soon be varied and reflective of every approach you need for every casting situation.
As Edgar Alan Poe wrote, the eyes are the window to the soul, and with my direction we capitalise on this whether you’re looking for Shakespearean artistry to images expressing anger and villainy. Your acting talents will be captured in pure essence.
Staying Still for the Camera
I fully understand that actors are movers. Your energy feeds from movement and sittings aren’t necessarily naturally comfortable settings for such individuals. With my understanding and expertise we work in an improvisation class style to allow your acting talents to meet the stillness of the camera. Even if you hate having your photo taken (it is possible with actors too!) chances are you will soon come to forget that the camera is even there.
Taking Our Time
I pride myself on offering my clients one key thing: time. I will not rush a shoot. I believe time is what makes each and every shoot successful. There will be breaks, including coffee, for banter and relaxation, which is then reflected in the next stage of the shoot. Producing energy for the shots takes careful nurturing. We will be inside and outside as possible. You never know, you might even have fun.
Putting it All Together
Once the shoot is complete, with plenty of opportunities for feedback and adjustments along the way, I work on compiling a large selection of photos for you to browse and narrow down. I offer different packages depending on the number of costume changes you’re looking for, and the number of final headshots.
I offer student reductions, make-up options, and child actor options. You won’t find Rory Lewis Headshot photography nerve-wracking. You will get a portfolio reflecting your energy as an actor.
Actress Natalie Dormer, star of Game of Thrones, The Hunger Games and The Tudors sat for a portrait at the London Studio this several weeks ago. I wrote to Natalie inviting her to sit for my Expressive Portraits Project just over a year ago; it just goes to show how many letters and requests she receives. Natalie is exceptionally talented with an incredibly natural beauty. As a realist portrait photographer Natalie was a little apprehensive of my style. In the modern world people are obsessed with removing the detail through airbrushing.
My style is to preserve even line every mark every mole. I try to present my subjects as they really are, flaws and all, while allowing for moments of candidness and vulnerability. Less austere and more deliberate than a mug shot, my work often brings facial features into high relief, allowing expressiveness to recede and making the sitter seem somehow up-close and removed at the same time. Natalie indulged me, enabling me to capture a series of wonderful frames. Her apprehension turned to excitement when she viewed the final results which edified her unique and Natural Beauty.
Those of you who follow my blog and twitter feed, see me using Lastolite Collapsable Backdrops on the majority of my Portrait Sittings. As a travelling portraitist collapsible backgrounds are a quick and easy solution. They take seconds to set up and pack away making them equally convenient to pop-open in offices & clients homes.
I enjoy shooting portraits with the collapsible backdrops. As a one man band, I can easily accomplish the background set-ups by myself since they fold and unfold like a giant reflector. They are easy to carry on public transport, which is a blessing. The majority of my sittings take place in London. As a regular passinger on the London Underground they are easy to stow in a large suitcase.
As well as single sided backdrops, Lastolite offer reversible backdrops giving you more options. The backdrops I most frequently us are the Black/White, White/Light Gray. I also utilise the dyed/muslin backdrops Wyoming/Mississippi, Virginia /Kentucky. Muslin backdrops give you the choice of colours and patterns.
What are Dyed/Muslin backdrops you may ask; well they date back to the 17th century. They where mostly used in dressmaking back then, as it’s a breathable fabric that drapes niceley. But it also holds dye and paint very well, which moved it into the world of theater, and, eventually, photography. I know what you are thinking, your mind is going back to your days at school, when the school photographer would capture your portrait against an awful dyed backdrop. I thought the same thing, but after looking at the work of the portrait artists of old, Muslins where widely used. Utilising the right lighting and mood these backdrops can help unleash your creativity.
I mostly use the Black/White Collapsible, I love shooting on black so much and this makes my life very easy. The black is especially handy for when I want a completely dark background that has no light reflection. Most of the locations I shoot in are not ideal, sometimes their is a little too much daylight I can’t block out! I find the backdrop absorbs light from the strobe far better than seamless backdrop paper which in my experience seems to catch the light.
Lastolite also offer a selection of Urban Backgrounds bringing the outdoor look, indoors; with a wide selection available. Urban Backgrounds help to save time and costs especially when you trying to find the right location for you portrait photoshoot. (Left Lastolite Urban Collapsible 1.5 x 2.1m Tarnished Metal/Container) The uncontrollable weather and the risk of distractions in the background no longer present challenges. Whether in a studio, or a client’s home, you can create the outdoor look in any location. In conclusion, I couldn’t imagine going back to the days of carrying roles of seamless backdrop paper around, or hunting for a suitable location and in turn praying for good weather.
It is also worth mentioning if you are going to invest in Lastolite Collapsable backdrop system. Make sure you purchase the Magnetic Background Support Kit. The Kit enables photographers to quickly and easily attach any collapsible backgrounds with a steel rim to a traditional lighting stand. The background can be attached to the support at a comfortable height. It is also quick and easy to switch backgrounds; simply pull one off and snap another on.
April saw me spending three weeks back over the pond in Los Angeles, leading me to dub the city my second home. This avenue of photography has really taken off for my business. Back in 2014 it accounted for barely 2% of my work load. Now, in 2016, 15% of my assignments take place in the City of Angels.
On home turf it’s a similar story too. Whilst I will always remain true to my roots, Liverpool used to account for 75% of my work, whereas now 60% of my time is devoted to the capital. As my career has developed I’ve followed my heart, always seeking to let my passion see business sense. The combination seems to be working.
I’m an Englishman in… Los Angeles
Looking from the outside in has given me a different view of Los Angeles from the average LA dweller themselves. It took a bit of adjusting to the laid back surfer dude lifestyle. For a formal portrait photographer this poses one big shift in dynamics: out is the formal attire of military wear and the suited and booted, in comes the shorts, t-shirts and slip flop look. Quite a contrast.
This follows through to business attitudes too. I’m used to presenting my business persona, known to the Americans as the British Stiff Upper Lip. This is a strategy that works well in the corridors of Whitehall, or with eminent London actors, but does leave you feeling a little like a fish out of water in Los Angeles. I’ve had to become chameleon like and change my persona to suit a different brand of clients. In Los Angeles I’m likely to be grabbed en route to the shoot to go grab a taco, crack a few jokes. Shoots will frequently be finished up with a chance to go for dinner when I get quizzed about my works and exhibitions.
With a three week visit this time I wanted to head out and experience the real LA. With the convenience of AirBnB this wasn’t too hard as I could do it from a few different apartments and guest houses.
After 14 hours of flying I was grateful that my first stop-off was in the quiet hills of La Canada Flintridge. A perfect place to relax, unwind and find my feet. I highly recommend the Melrose Trading Post which is open every Sunday. This place is what we would call an antiques and vintage fair in the UK. It’s a delightful mish-mash of stalls with street food and live entertainment. If you want to enjoy some really good food and listen to live music, and buy something vintage make sure you pop along.
Down to Work in Los Angeles William Shatner was the subject of my first portrait sitting, once again in his offices in Studio City. The previous time I had photographed him I had needed to work fast – I had 5 minutes before he had to fly off to a film set. This time was a different affair. He was wonderfully relaxed, sporting linen trousers and sandals, the epitome of the Californian (even though he is Canadian). LA grows on everyone. I was able to direct several different looks and expressions, and was very pleased with the results as was William Shatner himself.
Heading downtown to a studio apartment, I moved in to the hustle and bustle of central LA. Welcome to the cultural melting pot. Downtown is unusually small, not at all like New York or London. Being able to walk these streets was a real pleasure knowing that just 20 years ago this was a No Go zone. Despite the compact downtown area, LA in fact spreads out as far as the eye can see into several cities and towns. Downtown has some wonderful quaint and bohemian places to visit, the Last Book Store is a must. But be careful – you will come out with a box of secondhand books as I did.
My second sitting of the trip was with legendary actor Richard Herd. Quietly renowned, he as starred in a diverse range of movies and television series, mainly in the 1980s. He starred in TJ Hooker & in the science fiction series ‘V’. You may have also seen him in the 1970’s film FIST.
It was a pleasure to be invited to Richard’s home for the sitting. I was delighted to have a look at his own art work, being a keen painter himself. He showed me one of his portraits of Rod Steiger who has starred with him in movies. It was an impressive sight. Richard is now 83 and constitutes my ideal subject for portraiture. He truly has a face that’s been lived in: his features tell the tale of his life, and his aged hands and features make for epic portraiture. His experience as an actor made him a joy to photograph. Richard was at natural ease with direction making my job easier. His poses and expressions were effortless. I donned my thick skin to have him swear at me to express anger, the results were worthwhile!
Sitting Number Three with actor Jonathan Frakes took place at his home way out in Tarzanna. Jonathan once played the role of Commander Riker in Star Trek the Next Generation. Anyone who follows my work knows that I’m a bit of a Trekkie, so this was a real treat for me.
Jonathan is now a director. He’s been responsible for directing many episodes of Marvels Agents of Shield, Falling Skies, and his latest project The Librarians. It was incredibly interesting to meet Jonathan. An exceptionally tall man, I took my wife Sasha with me to assist on the sitting. Sasha being 6’ 2” herself was still dwarfed by him. His stature combined with his natural portrait-ready face made a series of striking frames.
Los Angeles Welcomes My Fourth Sitting . This sitting almost certainly was my favourite. I had the pleasure of photographing actor Jeffry Combs, a true master of talent. Again he tickled my Trekkie fandom, but Combs is also known for his starring role in the 1980’s gore fest, The ReAnimator as well as other roles. I thoroughly enjoyed his performance in “Would You Rather” – it’s a horror movie with an interesting twist.
Meeting Jeff at the entrance of the apartment, we headed out for a taco and a chance to chat about his latest projects – and to get a sense of the man in the flesh ready for his shoot. Jeff is another epitome of Californian style and relaxed charm. His face is animated and expressive and he truly put on a performance for the shoot. I directed him to imagine being giving a parking ticket right after the shoot, the expression was worth it and broke free from the Californian laid back style. Every frame tells a different story. It was a privilege to see each element of my direction reflected in a unique expression, a moment in time caught in portrait. I just hope he didn’t in fact get a parking ticket!
Nearing the End, with My Second-to-Last LA Portrait Sitting
Actor Harry Groener was the star of my penultimate sitting. I was previously due to shoot Harry later in the second week of my visit. However, Harry texted me to say he had just been cast for a part, and the wonderful beard and slightly long hair he was sprouting would have to be cut off. With this in mind we moved the sitting forward. As a wonderful character actor, I wanted to capture Harry as the mammoth of the stage he is. One of the things you understand is that Character Actors enjoy the rugged look: The Stoop, as I like to call it.
Once again, a laid-back character greeted me at the apartment. We worked together to create several different looks and emotions to create a series of wonderful portraits that would challenge and inspire. Harry is an incredibly talented actor, absorbing my photography direction effortlessly.
My Last Photography Sitting in Los Angeles My final sitting of the trip took place at our final destination: The Sportsmen’s Lodge in Studio City. Without a doubt, The Sportsmen’s Lodge is by far our favourite hotel in LA. It is an icon of the 1950s. Incredibly , John Wayne once fished in the lake behind the hotel with his son. The hotel certainly hasn’t lost its charm and is well worth considering it if you’re planning a trip to LA.
Actress Kitty Swink was my final sitting of the trip. Kitty is the wife of my good friend, Armin Shimmerman. A superb actress, Kitty’s eyes are a striking combination of hazel and green. Kitty and Armin mirror my wife and I: one is tall and one is short, and we’re not looking at the usual gender stereotype! For Kitty and Armin this in fact helped the pair to gain a role as a married couple in Dudley Moore’s movie, “Like Father Like Son”. Let’s not forget that Dudley Moore himself would feel at ease with the stature of myself and Armin! Nonetheless, Kitty is generally more a native of the stage as an astounding actress. She is effortlessly expressive and a true talent indeed.
Rory Lewis, Back to Blighty All in all, the trip was a very successful. We were welcomed by this incredible city, and we spent three wonderful weeks exploring it. I completed six successful portrait sittings that have become essential parts of my portfolio and depict my love of portraiture.
I’m looking forward to returning to LA in June. This time the focus of the trip will be to teach a workshop with my new partner, Samy’s Camera. Nonetheless I already have several plans to complete more portrait sittings.
If you are looking for a photographer, notably a specialist in portraiture photography, in Los Angeles, then give me a shout. I’m in LA several times a year and always keen to schedule new assignments.
It’s a big wild world out there when seeking headshots, whether you’re an actor, business leader, politician or anyone seeking a portrait photo for professional purposes. Sorting the wheat from the chaff and being sure you’re going to get exactly what you need, on professional level, can be overwhelming. You need someone who knows your home turf, with a specialist North-West headshot photographer covering Liverpool, Manchester and Leeds, but who knows how to play the headshot game, getting exactly what you are looking for from your final images: professionalism; confidence; your Unique Selling Point conveyed. You need someone who has the confidence and experience of working with both celebrities and those looking to make their name alike, capable of shooting the best of anyone.
Headshot Photography: Why a One Stop Shop, One Man Band?
It’s easy to be bowled over and hoodwinked by a large national photography studio with a corporate image and multiple photographers. The downside is, you don’t know who you’re going to get or the exact quality of their work. With a One Man Band, like Rory Lewis Photographer, globally experienced yet locally based in the North West across Liverpool, Manchester and Leeds, you know exactly what you’re getting. My image as an individual matters, so I capture your image professionally, yet creatively. A One Man Band focusses on you and you alone, each and every client matters.
Headshot Photography North-West UK: Why Rory Lewis?
I am not a general photographer, but a highly experienced Portrait Photographer with over 10 years’ headshot experience. I have a proven track record working with celebrities, corporate clients, models, upcoming actors and actresses, politicians, and all manner of walks of life. Exhibiting at the National Portrait Gallery, with names such as Sir Patrick Stewart, Sir Ian McKellan, Sir Derek Jacobi, David Warner, Iain Glen and Julian Glover, I feel confident in my headshot reputation.
This enables me to ensure that your session is relaxed, and entirely focussed on you and what you need from your shoot. I understand what is needed across the range of headshot requirements, from child actors to leading politicians, so that I can lead the shoot and guide you to portray yourself to the camera in a way that will capture the essence of the look you are striving for. My sessions are relaxed and informal and truly for everyone. I work with you developing styles, emotions and lighting that is appropriate for your headshots.
Headshots: Who Are The Clients
The beauty of choosing a Portraiture Specialist such as Rory Lewis Photography, is that you find a One Stop Shop. Whatever your headshot needs, they can be met. From child actors with their unique needs for easy-going rapport to household names with their well-known personalities, from Corporate Profiles for LinkedIn demonstrating a branded style, to publication-based images for the military, everyone will find a package to suit.
A vast majority of headshot clients are actors looking for their portfolio images. I have worked with a huge range of actors and actresses across the North West UK from celebrities to newcomers, I am in tune with casting director expectations and I understand the industry. I understand the nerve-wracking difference that can be felt between motion and still photography, and put you at your ease to ensure you are photographed at your best, demonstrating the range of your acting abilities, your potential and confidence.
Corporate clients have their own unique requirements. With experience working for large corporate names such as Pepsi, CancerResearch UK, John Lewis and the Ministry of Defence, I understand the need to ensure your corporate headshots seamlessly represent your brand identity and corporate image. The result is polished professional business photos whether the subject is the CEO or entry-level employee. As always, I work to ensure each and every sitting is conducted in a friendly and relaxed manner, bringing out the very best in every photo.
Further headshots are required by many different individuals and groups. Military, political and historical figures bring their own unique set of requirements for portrait headshots demonstrating confidence, leadership and power. With experience photographing such eminent individuals such as William Hague and Iain Duncan Smith as well as key figures from the Army, RAF and Navy. Alongside these I have experience undertaking headshots for sports personalities and individuals from a wide range of professions. I understand headshot: what is required, and how to deliver what you need in an affordable, comprehensive, personal and tailored way.
Headshots: One Stop Shop Package Options
The realm of headshot photography has become highly complex to those looking from the outside in. Knowing exactly what you are getting and what it will cost you can seem an elusive dream. This is why I believe in allowing my reputation, experience and previous shoots to speak for themselves, alongside simple yet comprehensive packages. This means you can easily choose the North West UK Headshot option that suits you best.
To achieve the best looks, you need to be relaxed and at ease. Therefore my sessions are usually around 2 hours: plenty of time to undertake hairstyle and clothing changes as necessary; time to explore studio and natural light (outdoor) shots; relaxed time over a coffee to review images as they are created to repeatedly check-in that we’re getting exactly what we need. The aim of Rory Lewis Portrait Sessions is to give you a tailor-made experience in a straightforward, upfront package. At the end of the session around 500 shots will have been taken, and you’ll quickly receive a reduced amount from which you can choose your favourites. I then believe communication is key and I work with you to touch up these images in line with your headshot requirements.
Rory Lewis Photography: Your One Stop Headshot Stop
If you’re in the North West, in the regions of Liverpool, Manchester or Leeds, and looking for a headshot shoot then I’m your man. I love what I do and that’s conveyed in all my work. I enjoy working with a vast range of individuals, bringing you what you want and need, within a simple, comprehensive, affordable package that is suitable for everyone.
To Book Please Email Me firstname.lastname@example.org or Call 07717 139 637 For Availability