Chelsea Pensioner Dougie Hassall Portrait Commission

Chelsea Pensioner Dougie Hassall is a very extraordinary pensioner. Reaching the grand old age of 100. The Royal Hospital in London Commissioned me to capture his portrait. It was a very humbling and remarkable experience for me to shake the hands of a 100 year old man. Dougie’s secret to old age, be kind to one another and live each day to the full.

 

Hassall the oldest sitter of my career is a World War Two Veteran, captured by the Japanese Army in 1941, and was a Prisoner of War for three-and-a-half years working at the docks in Saigon.

He remembers VJ Day vividly as the American Forces dropped leaflets over their camps to let them know the war had ended. He said: “We had an idea that it might be over about a week before; the Japanese were preparing to shoot us. We were starting to dig our own graves.

 

“They dropped the second bomb and the Japanese Commander, wisely, had a change of heart. I was quite fortunate as a Japanese Prisoner of War, I was with my friends. We were all in there together which made it easier.

 

“I have made my peace with the Japanese, I believe in forgiving and forgetting.”

 (Rory Lewis)

 (Rory Lewis)

Los Angeles September 2017

Back in Los Angeles for a week of photography tuition and shooting, for the first time I was able to offer my Discounted Actors HeadshotsWorking over the two full day sessions on 14th & 15th September with 27 diverse and immensely talented Actors. Several were very kind enough to leave me reviews and feedback on their experience in front of my lens. I’m looking forward to returning to Los Angeles for one more Discounted Actors Headshot Session on Friday 27th October 2017. If you can’t make this session and would like a more comprehensive session, I now offer my Full Headshot Packages in Los Angeles throughout the year.

“Amazing job. Keeps the artist in motion so you stay loose. Highly recommended.”

 

Dominic Pace Via Facebook Reviews

LA HEADSHOTS FACEBOOK

Jason McBeth LA Actors Headshots

Soren McVay LA Actors Headshots

Rory Lewis is a gem to work with! Both highly professional and easy going, he made me feel comfortable even in the short time I had booked. “He utilizes soft lighting, constant motion, and highlights your prominent/individual features. The result is incredibly unique portraits that showcase exactly who you are, not a generic headshot that could be anyone. I’m extremely grateful that I had the opportunity to work with Rory and recommend him highly!”

 

Soren McVay Via Facebook Reviews

LA HEADSHOTS FACEBOOK

Josh Clark LA Actors Headshots

Fiona Lakeland LA Actors Headshots

Darrett Sanders LA Actors Headshots

“Absolutely LOVED shooting with Rory. His guidance during the shoot is fun and very supportive. He has a very kind and generous spirit and makes the session joyful as well as productive. Definitely coming back for more.”

 

Darrett Sanders Via Facebook Reviews

LA HEADSHOTS FACEBOOK

Weston Meredith LA Headshots

“Such a pleasure working with Rory! He provides an upbeat comfortable shoot and the quality of his shots are always top notch. Would highly highly recommend working with him if you have the opportunity. Very grateful!”

 

Weston Meredith Via Facebook Reviews

 

Headshots Sessions completed it was time to turn my attention to teaching with a Portrait Photography Masterclass on Saturday 16th September. Throughout the day students worked with three different subjects, who modelled throughout the day. Learning lighting, camera technique and direction. I will also be returning to LA with several workshops in October, from Portraiture, to Fine Art Nude.

 

Making use of all my time in LA I was able to fit in a few portrait sittings. The first with Actor Bo Foxworth and Actress Elyse Mirto, capturing a dual portrait for their upcoming theatre production. The siting was very interesting indeed as both Bo and Elyse played around with different characters both serious and comical.

Elyse Mirto & Bo Foxworth

The second sitting with veteran actor Greg Itzin. Itzin has appeared in guest starring roles on various television shows like in “MacGyver”. His most recent major role has been President Charles Logan on the popular television drama 24. He received a Tony Award nomination for his role in the Pulitzer Prize–winning play The Kentucky Cycle. Greg has a stunning facial profile, an actor of incredible skill and talent, Itzin needed very little direction. My idea to capture Greg as the contemptuous villain.

Greg Itzin Rory Lewis Los Angeles Portrait Photographer

The third and final sitting gave me the opportunity to add to my Caravaggisti Project. In these portraits I have attempted to emulate Caravaggio’s naturalism and dramatic lighting with photographic effect. The subject actor Adrian LaTourelle. Using harsh lighting to create super detail in skin tone, texture and colour and inventive art direction. Adrain screamed in rage, enabling me to capture the energy of the moment.

Adrian LaTourelle Actor Los Angeles Portrait Photographer Rory Lewis

 

Discounted Actors Headshot Session on Friday 27th October 2017

 

Rory Lewis Portrait Selected for Portrait of Britain

Portrait of Britain is presented by British Journal of Photography. Photographer Rory Lewis portrait of Captain Anani-Isaac of The Royal Lancers. Captured for Soldiery (British Army Portraits), has been selected to appear in a Nationwide Exhibition. Shortlisted from 8000 entires, 100 Portraits of the exhibition will go live on Friday 1st September 2017. Portrait of Britain is being billed as the UK’s biggest exhibition of portraiture. Being exhibited across JCDecaux’s nationwide screens, appearing in public places throughout the UK. Limited Edition Prints are also on sale via the Portrait of Britain Website.

 

Simon Bainbridge, editorial director of the British Journal of Photography, said: “The portraits celebrate the unique heritage and diversity of modern Britain, as much as its thriving photography culture and the myriad styles and approaches they employ in their work. Yet, as much as our tribal allegiances are on show in many of the photographs, each image reminds us that, above all, we are a nation of individuals.”

Captain Anani-Isaac The Royal Lancers

Press

Portrait of Britain is presented by British Journal of Photography. Photographer Rory Lewis portrait of Captain Anani-Isaac of The Royal Lancers. Captured for Soldiery (British Army Portraits), has been selected to appear in a Nationwide Exhibition.


The Times

Daily Mail

I News

Amateur Photographer Magazine

Sir John Major Portrait Sitting

Often commissioned by Corporate & Goverment Clients for Portrait Sittings. I’m no stranger to photographing headshots of prominent business, legal and political officials. Non of these sittings have been more unique than a photoshoot with Sir John Major, former Prime Minister of Great Britain.

 

I wrote to Sir John in 2016 to arrange the sitting and we decided to shoot in the Autumn of that year. However, Brexit came upon us and the sitting was postponed. Sir John, being a remain campaigner had to take time out. It wasn’t until July 2018, that the sitting could finally take place.

 

To prepare for my sitting, I began by studying Sir John’s portrait sitting with Yousuf Karsh, before watching his interviews and parliamentary debates on Youtube. I also read Sir John’s Autobiography to get a sense of his character and career as Prime Minister.

 

Preparation complete, my plan was to capture Sir John as the elder statesman, thoughtful and reflective. I found Major to be an extraordinary sitter. Speaking about his career, I was able to direct Sir John as he mediated on the past. One of my aims as a portraitist is to record the figures of our time, and this sitting certainly represents living history.

Sir John Major, KG, CH, PC Rory Lewis London Portrait Photographer

Major became Prime Minister after Thatcher’s reluctant resignation in November 1990. He presided over UK participation in the Gulf War in March 1991, and negotiated the Maastricht Treaty in December 1991. He went on to lead the Conservatives to a fourth consecutive electoral victory, winning the most votes in British electoral history with over 14,000,000 votes in the 1992 general election, albeit with a reduced majority in the House of Commons. Shortly after this, even though a staunch supporter of the Exchange Rate Mechanism (ERM), his government became responsible for British exit from the ERM after Black Wednesday on 16 September 1992. This event led to a loss of confidence in Conservative economic policies and Major was never able to achieve a lead in opinion polls again.

 

Despite the eventual revival of economic growth amongst other successes such as the beginnings of the Northern Ireland peace process, by the mid-1990s, the Conservative Party was embroiled in scandals involving various MPs (including cabinet ministers). Criticism of Major’s leadership reached such a pitch that he chose to resign as party leader in June 1995, challenging his critics to either back him or challenge him; he was duly challenged by John Redwood but was easily re-elected. By this time, the Labour Party had abandoned its socialist ideology and moved to the centre under the leadership of Tony Blair and won a large number of by-elections, eventually depriving Major’s government of a parliamentary majority in December 1996. Major went on to lose the 1997 general election five months later, in one of the largest electoral defeats since the Great Reform Act of 1832.

Sir John Major, KG, CH, PC Rory Lewis London Portrait Photographer

Sir John Major, KG, CH, PC Rory Lewis London Portrait Photographer

Field Marshal The Lord Guthrie Portrait Sitting

Soldiery as a project, has given me the opportunity to indulge my historical ambitions. One of these creative urges has been to photograph a British Field Marshal.

 

Field Marshal is the most senior rank of the British Army. Higher than all the Generals I’ve captured thus far. Considered a five star rank in today’s modern militaries. In the British Army, Field Marshal has been the most senior rank since 1736.

 

Since the end of Empire, the rank has become somewhat redundant, this is due to the reduction in the size of Britain’s Armed Forces. The rank is now ceremonial, a gift of recognition from the sovereign to senior military figures, and bestowed on members of the Royal Family.

 

I wrote to several Field Marshal’s and to my delight a reply, Field Marshal The Lord Guthrie accepted my invitation to sit for a Portrait in London.

 

Field Marshal Guthrie, Baron Guthrie of CraigiebankGCBLVOOBEDL was Chief of the General Staff, the professional head of the British Army, from 1994 to 1997 and Chief of the Defence Staff from 1997 until his retirement in 2001.

Field Marshal The Lord Guthrie Portrait Sitting, London Portrait Photographer Rory Lewis

Guthrie’s military career saw service with the Welsh Guards and the Special Air Service; he was closely involved in military operations in Northern Ireland and provided advice to the British Government during the Bosnian War and the Kosovo War.

 

In 2012 Lord Guthrie was handed his Field Marshal’s Baton, in recognition of his remarkable leadership and service by Her Royal Highness Queen Elizabeth II . You can view a Pathe News Clip of another Field Marshal Jan Smuts being handed his Baton back in 1941.

(Below Field Marshals Baton Presented to Field Marshal Jan Smuts OM, CH, ED, PC, KC, FRS)

The Baton is the main symbol of office, only given to Field Marshals. It stems back to ancient origins; namely those of the Roman Empire. A short heavy white Baton was a symbol of  the Imperial Mandate given to Roman Military Legates. The Legate would hold the baton upon high, proclaiming, “above your head and mine to represent the power of the emperor”.

 

The British Field Marshal’s Baton is a symbol of the magnitude of office. The figure of St George and the Dragon is at the top, and at the bottom an inscription from The Queen to Lord Guthrie. The body of the Baton is covered with red velvet.

 

Field Marshal The Lord Guthrie Portrait Sitting, London Portrait Photographer Rory Lewis

Looking for inspiration I started with Sir Thomas Lawrence, studying his portraits of the Duke of Wellington.  Neo Classical in Style; Lawrence painted the Iron Duke on several occasions. His most vivid depiction, a triumphant portrait of Wellington which dominates the Waterloo Chamber at Windsor Castle. Lawrence’s composition is that of victory, heralding Wellington as the finest of military commanders and the liberator of Europe.

Sir Thomas Lawrence (1769-1830)
Arthur Wellesley, 1st Duke of Wellington (1769-1852) 1814-15

Then I moved on to looking at Singer Sargent’s portrait of Field Marshal Frederick Sleigh Roberts. The work similar to Sir Thomas Lawrence’s neo-classical depictions.  I turned to photography, browsing the National Portrait Gallery archive, I discovered the photographer Alexander Bassano, who photographed Field Marshal Hague. The portrait captured in a solemn and dutiful style, the depictions relay the finery, yet the obligation and commitment of Hague’s role.

Douglas Haig, 1st Earl Haig by Bassano Ltd whole-plate glass negative, 19 July 1921 Alexander Bassano

With all this in mind I set to work, with a desire to create my own interpretation. Using a red velvet backdrop, I aimed to recreate the symbolism of the fire and blood, that is the Red Coat. The British Military Uniform associated with energy, war, danger, strength and Royal power. These words associate with the office of Field Marshal. Full finery was the order of the day, medals, orders, and number one dress uniform. Wanting to portray Lord Guthrie as the man he is; the Commander held in immense regard.

 

The positions directed for the sitting are reflective, shooting from a low angle to make Lord Guthrie look prominent and tall. Harsh lighting is utilised to preserve the detail. To me the Portrait is historical , a document, all the detail must be safeguarded. With this in mind I hope I’ve done my predecessors, proud in this my first portrait sitting with a British Field Marshal. Currently I’m accepting public & private commissions both Military and Non Military for Portrait Sittings so please don’t hesitate to get in touch.

HyperFocal: 0 (Rory Lewis)

Meditations of Sir Patrick Stewart

I had assumed that only sheer luck or destiny would place Sir Patrick Stewart in front of my lens. Somewhat surprisingly though, after 24 years of dreaming about capturing his portrait, it was the sight of a vulgar, pink Hummer that inspired our meeting. The sitting would change my stars from a provincial photographer to an international portraitist working in London & Los Angeles.

 

 

Let me take you back to the beginning

How does one arrange a sitting with a screen icon? I began with Sir Patrick’s acting agency in London with little success. My letter was no doubt buried within a mountain of fan mail. Soon after though, I discovered that Sir Patrick was starring in Waiting for Godot at New York’s Cort Theatre on Broadway. Another letter was dispatched.

 

To my astonishment, a reply came through just a few weeks later. Alas, what I had originally thought to be success was a note from Sir Patrick, declining my invitation. Nevertheless, like the snail setting his sights on the Arc, I composed a compelling reply urging Sir Patrick to reconsider. A few weeks passed by again until, seemingly out of the blue, an email from the man himself appeared in my inbox. Sir Patrick was accepting my offer. His acceptance however, came with one condition – the sitting would have to take place in New York.

 

With no patron or funding to realise my opus, I realised that I would have to fund this trip on my own if I were to realise my dream of photographing such a prestigious, cultural icon.

Sir Patrick Stewart Film Actor Character Actor Portfolios London & Los Angeles

The appearance of the pink Hummer

The decision to bite the bullet and head to New York was made whilst shooting a wedding in Liverpool. As I sat in the hotel waiting for the bridal party to arrive, I wondered if I was actually ready to leave my comfort zone. Would I really be able capture the likeness of such a stalwart thespian, as well as show people what I was capable of? Was I really destined for something greater?

 

With thoughts of Bailey and Beaton in my head, the bride’s pink Hummer pulled into view. Was this what I wanted for the next 50 years? To be a second rate wedding and portrait photographer, capturing nothing but other people’s celebrations and dreams?

Sir Patrick Stewart

I decided enough was enough. A professional photographer is nothing without a compelling portfolio and my passion to create had become an addiction. I booked my plane ticket as soon as the wedding was over.

 

The travelling portraitist

The session was arranged for May 5th 2014 and I arrived in New York little more than a day before the shoot. Be it the jetlag from travelling 3,606 miles, or the anticipation of meeting Sir Patrick, I couldn’t sleep the night before. Thankfully, one of my strengths is preparation and I had come to the sitting with ideas and a plan.

 

Ironically, the inspiration behind my work has never flown from photographers, but from portrait painters. In this instance, the foundations of my sitting with Sir Patrick stemmed from a 16th century portrait of Sir Thomas Moore by Hans Holbein the Younger.

Painted in 1527, Sir Thomas More would have been a very compelling and controversial sitter for Holbein. In this three quarter length portrait, the inclusion of a strikingly shallow backdrop intensifies the harshness of Moore’s presence. What makes the portrait even more arresting is Holbein’s use of colour. By incorporating bold areas of green (as a symbol of revelation) and red (signifying power and importance), Holbein was able to perfectly portray his subject’s status as a strong, intellectual figure.

 

Incorporating inspiration

Using Holbein’s painting as a muse, I began to think more about the subject of my own portrait. In recent years I have become accustomed to working with famous faces, but it was my sitting with Sir Patrick that helped to mould my approach and method. Part of this technique is to commit to thorough research. Research is critical when photographing prominent subjects, as more often than not you will find yourself limited to an incredibly short amount of time. After all, these are busy people indeed.

(Left) Holbein’s Portrait of Sir Thomas More, 1527 (Right) Rory Lewis Portrait Sir Patrick Stewart 2014

To begin this pre-emptive research, I look to photographers who have captured the subject previously; grappling with the mathematics of the portrait. (Head shape, good side, bad side. That kind of thing.) If the subject is an actor, I’ll take the time to binge watch any movies and TV Series, watching relentlessly for any details or angles that haven’t caught my attention before.

 

To prepare for my sitting with Sir Patrick, I began by studying his portrait sitting with Nadav Kander, before watching his iconic role of Captain Jean-Luc Picard in Star Trek the Next Generation and looking through a multitude of YouTube clips that captured Sir Patrick’s vast array of stage performances.

 

Studying his profile, I had repeatedly found that Sir Patrick had primarily been photographed as if still embodied by one of his characters. However, Holbein’s portrait had given me the inspiration to portray Sir Patrick quite simply as himself – the thespian. No greens or reds, but simply a black backdrop, pierced by the harsh lighting that I knew would amplify every detail of Sir Patrick’s intense gaze.

 

“By perseverance, the snail reached the ark.”

Charles Spurgeon

 

Waiting in anticipation

My plans and preparation had all led to this moment at Neo Studios in Manhattan; a little jet lagged, but nevertheless ready for one of the most important sittings of my career. Sir Patrick arrived at the studio and (after taking a deep breath) I introduced myself and began to summarise my ideas behind the portrait. I needn’t have been worried. Years of experience with taking direction made for an incredibly smooth start to the session and Sir Patrick remained engaged throughout.

In my style of simplicity, the portrait is all about the ocular. I focused Sir Patricks gaze across the lens, not into it, and an incredibly receptive Sir Patrick rapidly obliged me with a wonderful series of provocatively poised expressions.

 

After working for just 10 minutes, I was already happy with the results I was getting. This then provided me with the opportunity, for the last few minutes, to experiment and, most importantly, to enjoy my time with this compelling and absorbing subject. Rather than looking to the familiar heroic roles that Stewart’s name is inherently synonymous with, I directed Sir Patrick to assume the fierce, vengeful expressions of a calculated villain.

Rory Lewis Photographer Photographing Sir Patrick Stewart London Portrait Photographer

What emerged from this part of the session was a complex and vigorous character, embodied by energy and animation; a side of Sir Patrick that I thoroughly enjoyed watching unfold in front of my lens.

 

Though just a short 20 minutes, my sitting with Sir Patrick has been one of the most rewarding of my career so far. The chance to show what I can do and influence other photographers with my style of portraiture; to work with a level of client that consistently interests and inspires my work; and, above all, to work with a true British icon.

 

Limited Edition Prints Available From the Sitting Click Here

 

Portraitist Book Now Onsale

£11.99 From Amazon

Soldiery (British Army Portraits) Liverpool Private View 24/06/17

Thank you to everyone who attended the open evening of Soldiery (British Army Portraits) at the historical Athenaeum Club in Liverpool. The evening held in aid of the Army Benevolent Fund raised over £2500.00 for the charity, which helps veterans and their families in need of support. I was delighted to show the work to the public for the first time. Many of those who sat for portraits where also in attendance.

 

The exhibition began with a talk about the work, followed by a speech by the projects patron General Sir James Everard, KCB, CBE. I’m now looking forward to taking the work to London, for a full public exhibition at the National Army Museum. If you missed the event, don’t worry the evening was captured on video, please take a look at below.


Soldiery (British Army Portraits Book)


Soldiery (British Army Portraits Book)

The British Army is a diverse and proud organisation with a cherished heritage. ‘Soldiery’, has been a project focusing on historically documenting the modern British Army in a contemporary reflection of historical portraiture of days gone by. Photographed by Professional Portraitist Rory Lewis. Foreword by General Sir James Everard, KCB, CBE NATO’s Deputy Supreme Allied Commander Europe. This book features portraiture of the Army’s Leaders and Soldiers from a range of iconic regiments. Each depicts the unique identity of the soldier, regiment and rank. Rory also explains his inspirations from the master portraitists of the past and the story behind the project.

£32.99

By Rory Lewis Photographer

Foreword by General Sir James Everard, KCB, CBE Deputy Supreme Allied Commander Europe

 

  • Paperback: 188 pages
  • Publisher: CreateSpace Independent Publishing Platform; 1 edition (1 April 2017)
  • Language: English
  • ISBN-10: 1542989256
  • ISBN-13: 978-1542989251
  • Product Dimensions: 21.6 x 1.1 x 27.9 cm

 

Book Preview

 

This volume is about the images themselves telling their own story. However, behind each sitting there is something greater than the individual alone. This record of the project shapes the context, aims, and achievements. It speaks of inspiration and the key factors behind each image. It is not a history of the British Army. In the words of military historian, Sir John Fortescue: “the civilian who attempts to write a military history is of necessity guilty of an act of presumption.” Instead this book is a document: Of stories.

 

These portraits represent 12 months of one man’s work to represent others. The result is a remarkable collection of portraits. Perhaps it is my own coming of age. This way of life, as a photographer with passion, combining art and portraiture, hasn’t been a straightforward journey.

 

 

 

London Photography Workshops

Rory Lewis Photographer has made an outstanding contribution to photography and the visual arts, creating consistently imaginative and thought-provoking portraits. Sir Ian McKellen, Sir Patrick Stewart, Ian McShane, Sir Derek Jacobi, Natalie Dormer, and many others have sat for Rory and his unique style is becoming renown.

London! Five Photography Workshops on their way over the Summer/Autumn. From Portraiture, to Fine Art Nude. You can learn more in one day than months of reading about photographic technique.

 

Whether you are a total beginner or a semi-professional photographer. Rory’s Professional Digital Photography Courses will give you the knowledge and hands-on practical experience to succeed as a Freelance Photographer or to simply make better photos as a Hobby.

 

ALL courses are practical tuition sessions giving you plenty of time to learn hands on the skills taught. Enabling you to work with professional models on the day and capture amazing photography for your portfolio. Group sizes are kept small to 10-15 delegates so you can get hands on in the practical tutorials. Rory uses fun, practical learning techniques for all his digital photography courses. You will work professional models to hone your skills and walk away with new photography techniques.

London Portrait Masterclass Rory Lewis Photography School Tuition

Delegate Feedback

” In one word “Inspiring” “Rory was open to and encouraged all questions, which were answered in detail. Rory shared his extensive lighting knowledge in addition to how to bring out the character in a portrait subject in a fun. informal, enjoyable manner. Would recommend this course to any portrait photographer wanting to improve their craft.” 

Dorothy Via ReviewCentre.com


“Excellent photography workshop. We went through 8 different light set ups starting with a single light source and ending up with two light sources with the tightest control of the light. There was a lot to take in and was very happy with the photos I took. The breadth of the material covered was excellent. Very pleased to have attended. Thanks Rory!”

Adrian Via ReviewCentre.com

 

 Early Bird Offer Save 15% if you book before 11th July 2017.

USE PROMO CODE (SAVE15)


PORTRAIT PHOTOGRAPHY MASTERCLASS

Saturday 29th July 2017

10:00am-16:00pm

Calumet Photographic, 93-103 Drummond Street, London NW1 2HJ

Ultra Sharp Fixed Prime Nikon D300s & 50mm F1.8 Rory Lewis Photographer

You will walk away from this course with the skill to develop and improve your portrait photography techniques. From Beginners to Intermediate Photographers, these sessions cater for the amateur and semi-professional. Learn studio flash lighting, develop your understanding of studio technique and test using photographic models.


Low Key (Chiaroscuro Lighting) Portrait Masterclass

Saturday, 26th August, 2017

10:00am-16:00pm

Calumet Photographic, 93-103 Drummond Street, London NW1 2HJ

HyperFocal: 0

In this practical workshop you will learn how to use the correct lighting methods to sculpt the light perfectly illuminating your subjects in low key. We will utilise different modifiers including barn doors, snoots, reflectors, and Flags. Working with a Professional Model with amazing bone structure and facial expression. This course is a MUST for all those enthusiastic portrait photographers who want to improve their low key lighting technique and capture amazing shots for their portfolios.

 


PORTRAIT PHOTOGRAPHY MASTERCLASS

Saturday 30th September 2017

10:00am-16:00pm

Calumet Photographic, 93-103 Drummond Street, London NW1 2HJ

You will walk away from this course with the skill to develop and improve your portrait photography techniques. From Beginners to Intermediate Photographers, these sessions cater for the amateur and semi-professional. Learn studio flash lighting, develop your understanding of studio technique and test using photographic models.

 


FINE ART NUDE MASTERCLASS

Saturday, October 21st, 2017

10:00am-16:00pm

Calumet Photographic, 93-103 Drummond Street, London NW1 2HJ

 

“This Course is a Must for the Art Nude Photographer, On the Day a published art nude model will be modelling throughout the Workshop” Great chance to capture a diverse portfolio.


LOW KEY/INTERMEDIATE PORTRAIT MASTERCLASS

Saturday 28th October 2017

10:00am-16:00pm

Calumet Photographic, 93-103 Drummond Street, London NW1 2HJ

In this practical workshop you will learn how to use the correct lighting methods to sculpt the light perfectly illuminating your subjects in low key. We will utilise different modifiers including barn doors, snoots, reflectors, and Flags. Working with a Professional Model with amazing bone structure and facial expression. This course is a MUST for all those enthusiastic portrait photographers who want to improve their low key lighting technique and capture amazing shots for their portfolios.


Hugh Bonneville Portrait Sitting

Hugh Bonneville was the subject of my latest Portrait Sitting at the London Studio. Bonneville is a remarkably talented British actor. Best known for playing Robert Crawley in the ITV period drama series Downton Abbey. On the day of the sitting my Phase One Body was somewhat acting up. Being resourceful I always carry a backup. Therefore I reached into my Peli Case for my Fuji X100F and TCL-X100, 50mm Teleconverter Lens. The Fuji performed swimmingly in the studio environment, not outperforming my Phase One XF, but still providing amazingly detailed results.

Now to the sitting, so much of the portraiture commissioned in the press and print industry is reluctant to take risks. I’d love to challenge that safety and introduce moments of spontaneity and awkwardness into my portraiture. In this instance I gave Hugh a character of a fallen hero. Hugh obliged me with a performance of tiny nuances creating a series of remarkable expressions.

Hugh Bonneville London Portrait Photographer Rory Lewis

Hugh Bonneville London Portrait Photographer Rory Lewis