Soldiery as a project, has given me the opportunity to indulge my historical ambitions. One of these creative urges has been to photograph a British Field Marshal.
Field Marshal is the most senior rank of the British Army. Higher than all the Generals I’ve captured thus far. Considered a five star rank in today’s modern militaries. In the British Army, Field Marshal has been the most senior rank since 1736.
Since the end of Empire, the rank has become somewhat redundant, this is due to the reduction in the size of Britain’s Armed Forces. The rank is now ceremonial, a gift of recognition from the sovereign to senior military figures, and bestowed on members of the Royal Family.
I wrote to several Field Marshal’s and to my delight a reply, Field Marshal The Lord Guthrie accepted my invitation to sit for a Portrait in London.
Field Marshal Guthrie, Baron Guthrie of Craigiebank, GCB, LVO, OBE, DL was Chief of the General Staff, the professional head of the British Army, from 1994 to 1997 and Chief of the Defence Staff from 1997 until his retirement in 2001.
Guthrie’s military career saw service with the Welsh Guards and the Special Air Service; he was closely involved in military operations in Northern Ireland and provided advice to the British Government during the Bosnian War and the Kosovo War.
In 2012 Lord Guthrie was handed his Field Marshal’s Baton, in recognition of his remarkable leadership and service by Her Royal Highness Queen Elizabeth II . You can view a Pathe News Clip of another Field Marshal Jan Smuts being handed his Baton back in 1941.
(Below Field Marshals Baton Presented to Field Marshal Jan Smuts OM, CH, ED, PC, KC, FRS)
The Baton is the main symbol of office, only given to Field Marshals. It stems back to ancient origins; namely those of the Roman Empire. A short heavy white Baton was a symbol of the Imperial Mandate given to Roman Military Legates. The Legate would hold the baton upon high, proclaiming, “above your head and mine to represent the power of the emperor”.
The British Field Marshal’s Baton is a symbol of the magnitude of office. The figure of St George and the Dragon is at the top, and at the bottom an inscription from The Queen to Lord Guthrie. The body of the Baton is covered with red velvet.
Looking for inspiration I started with Sir Thomas Lawrence, studying his portraits of the Duke of Wellington. Neo Classical in Style; Lawrence painted the Iron Duke on several occasions. His most vivid depiction, a triumphant portrait of Wellington which dominates the Waterloo Chamber at Windsor Castle. Lawrence’s composition is that of victory, heralding Wellington as the finest of military commanders and the liberator of Europe.
Then I moved on to looking at Singer Sargent’s portrait of Field Marshal Frederick Sleigh Roberts. The work similar to Sir Thomas Lawrence’s neo-classical depictions. I turned to photography, browsing the National Portrait Gallery archive, I discovered the photographer Alexander Bassano, who photographed Field Marshal Hague. The portrait captured in a solemn and dutiful style, the depictions relay the finery, yet the obligation and commitment of Hague’s role.
With all this in mind I set to work, with a desire to create my own interpretation. Using a red velvet backdrop, I aimed to recreate the symbolism of the fire and blood, that is the Red Coat. The British Military Uniform associated with energy, war, danger, strength and Royal power. These words associate with the office of Field Marshal. Full finery was the order of the day, medals, orders, and number one dress uniform. Wanting to portray Lord Guthrie as the man he is; the Commander held in immense regard.
The positions directed for the sitting are reflective, shooting from a low angle to make Lord Guthrie look prominent and tall. Harsh lighting is utilised to preserve the detail. To me the Portrait is historical , a document, all the detail must be safeguarded. With this in mind I hope I’ve done my predecessors, proud in this my first portrait sitting with a British Field Marshal. Currently I’m accepting public & private commissions both Military and Non Military for Portrait Sittings so please don’t hesitate to get in touch.
A company of the 2nd Battalion Princess Patricia’s Canadian Light Infantry took up the temporary role of mounting the Queen’s Guard at Buckingham Palace last month. The honour usually falls to the British Army’s Household Division. However, other Commonwealth Nations get a chance at protecting the Queen every now and again. Princess Patricia’s Canadian Light Infantry is based in Shilo, Manitoba, Canada. Named after Princess Patricia of Connaught, daughter of the then-Governor General of Canada. Contacting the regiment upon their arrival in London. I arranged a series of portrait sittings with the company at Wellington Barracks, before they mounted the Queens Guard. The sitting gave me the chance to record living History, Canadian Regiments rarely appear in London for state duties.
The 2PPCLI uniforms differ slightly to British Soldiers, especially their helmets. They are called Pith helmets, and the choice of helmet style comes down to historical precedent specific to each regiment. You may also notice that the helmets the officers wear are entirely white, while the non-commissioned members have a coloured fabric on theirs. In the case of the Princess Patricia’s Canadian Light Infantry, that colour is ‘French Grey’ which is the colour of the Third Canadian Division.
Accustomed to photographing British Soldiers for my ‘Soldiery Portrait Exhibition‘ it was refreshing to work with a Canadian Regiment. A real pleasure to work with the chaps. Its true what they say, Canadians are among the most polite people in the world.