2015 Year in Review

Air-Chief-Marshal-Sir-Stuart-CF008962Headshots-SessionThe Year of Portraiture. This year has seen me photographing a range of eminent figures from the world of politics, acting and the military. 2015 has seen me expand from Liverpool to nationwide, with a focus in London, as well as hopping the Atlantic to make my name Stateside. 2015 has been a monumental year for Rory Lewis Photography seeing me grow exponentially as a person through learning and rekindling of creative drive, as well as the business going from strength to strength, up there with the big players. And this is due to my sole enterprise now being Portraiture encompassing commercial, editorial, industrial, entertainment, artistic and cultural purposes.

Commercial Photography Liverpool Rory Lewis Photographer

Commercial Photography Liverpool Rory Lewis Photographer

The year began with two commercial assignments the first with a commercial uniform supplier and the second with impressive costume jewellery designers, Halo & Co. I conducted a series of challenging yet rewarding shoots of models decked out in the most glorious signature costume pieces. I captured the detail in order to delight the viewer, and I’m honoured to have been a part helping to establish this inspiring company on the international jewellery design scene.

 

Michael Thomson Actor Rory Lewis London Actors HeadshotsSpring and Summer saw my diary go crazy as I met an explosion of requests from both established and up-and-coming actors. I lived and breathed headshots for Spotlight and other casting websites. I attribute this success due to 2014’s Northerners Exhibition where I set the trend for modern Portraiture sittings with well-known names like Sir Patrick Stewart and Sir Ian McKellen. I’ve felt privileged to work with such inspiring professionals, both new and old-hands, from pantomime to theatre and film. Memorable sittings include those with Michael Thomson (Pictured Right) (Jonny Maconie in BBC’s Holby City), Luke Bailey (Sam Bateman in TV’s Casualty), Matthew Morley (star of Hollywood Blockbuster “Fury”) and the one to keep an eye on, teenage actor Lewis Hamilton, star of CBBC Comedy Series, The Dumping Ground.

 

Zenith Chambers Barristers Leeds

Zenith Chambers Barristers Leeds

Alongside this I expanded my Corporate Headshot Services. We live in an “instant visual” age, and these headshots are becoming key in identifying and defining commercial and public professionals. I have completed commissions from firms such as Bunzl Retail – requiring shoots of large teams – to Zenith Chambers (Leeds) who required portraits of individual barristers and paralegals. My friendly and professional approach is welcomed across the spectrum of various corporations, from high-powered board members to all members of staff.

 

Famous faces have hit the Rory Lewis lenses again this year. I’ve commenced work on three new exciting exhibition projects, the first of which is entitled “Expressive”. Expressive explores professional actors from all walks of life, from across the globe.

 (Rory Lewis)

The Expressive Project began back in February with a trip to Los Angeles to complete a sitting with Star Trek’s William Shatner (Above). I admit, I have been an avid Trekkie since the age of 7, so I was a little like a kid in a sweet shop. This was an incredible chance to work with a Screen Legend, a dream come true to work with the iconic Captain Kirk and TJ Hooker. It was a speedy sitting owing to time schedules, but worth every second of it. Whilst in Los Angeles I also encompassed a shoot with a star of the future Star Trek Generation, Brent Spiner. (Below) It was an absolute pleasure working with Brent who proved himself to be a natural in front of the camera: making a highly rewarding session for me, creating a vast array of expressions.

Brent Jay Spiner (/ˈspaɪnər/, born February 2, 1949) is an American actor, best known for his portrayal of the android Lieutenant Commander Data in the television series Star Trek: The Next Generation and four subsequent films. His portrayal of Data in Star Trek: First Contact and of Dr. Brackish Okun in Independence Day, both in 1996, earned him a Saturn Award and Saturn Award nomination respectively. Editorial Photographer, Syndication Rory Lewis Photography (Rory Lewis)

These two sittings were a fantastic springboard for the Expressive Project. Back on English soil I arranged sittings in London with Steven Berkoff. Infamous for being a difficult character to work with, I entered the shoot feeling somewhat intimidated. However, he’s nothing like the villainous creation of many of his movies, but in fact I found him to be a warm and thoughtful man whose essence I was able to capture completely as well as an amazingly evil portrait that instils drama and suspicion in the eye of the beholder. (Below)

 (Rory Lewis)

Jumping back across The Pond once again in September I undertook Portrait sitting with Actor and Star of Star Trek Deep Space Nine René Auberjonois (a descendant of Napoleon no less) and a Prince whose family gave up their title when they moved to America at the turn of the century. Additionally, this trip involved sittings with Armin Shimerman, Robert Picardo and Breaking Bad’s Mark Margolis (Below) who I simply bumped in to in my hotel.

 (Rory Lewis)

Andrew J Robinson Rory Lewis LA Portrait PhotographerOne of my most enjoyable Expressive sittings was with Andy Robinson,(Right) famed for playing the Scorpio Killer in Dirty Harry, the first psychopathic killer to hit our screens. Capturing this incredible evil expression with piercing fierce eyes was truly a memorable moment. Having admired his work once for with my Trekkie hat on when he played Garak the Cardassian Tailor in Star Trek’s Deep Space Nine, I was once again thrilled to be working with such a personality. Expressive was exhibited in Liverpool and London in October. Proving itself a success, I gained sponsorship from the exhibition from Calumet Photographic, Mamiya and Hahnemühle. I was delighted that the Exhibition was featured in both Local and National Press and Television, making my accomplishment all the more enjoyable.

Expressive Photography Exhibition London Portrait Photographer

Expressive Photography Exhibition London Portrait Photographer

I was commissioned by Cancer Research UK to undertake pictures for their campaign promoting Bowel Cancer Awareness. Knowing I was involved in such a worthwhile and much much-needed campaign was humbling and exhilarating in equal measure. Working with individuals who have suffered with such greatness, yet thrived in recovery, was a shoot I won’t forget. Additionally, smaller commissions flooded in for product and clothing photography.

Cellist Jonathan Dormond Portrait Sitting

Cellist Jonathan Dormond Portrait Sitting

Word spreads in the World of Photography: it matters deeply to people that they feel comfortable behind the lens and in the resulting images. Therefore, as my reputation has grown I am seeing more and more commissions from Actors, Singers, Dancers, Models, Musicians and Entertainers to be used for promotional material. Following in the groove I set in 2014 I continue to move further away from the sphere of fashion to deeper work, concentrating on my love of all things Portraiture. I love helping aspiring talent to promote their faces and will continue to do so throughout 2016.

Additionally, I’m looking to continue to offer model portfolio services with limited monthly sessions in Liverpool, Manchester, Leeds and London. Again, I love knowing I’ve played a part in helping models take their first steps in to the industry by providing them with powerful portfolio pieces.

 

Sir Bernard Hogan-Howe Rory Lewis Photographer London PortraitistMy background as a History Graduate continues to drive my passion for capturing Historical Portraiture, combining my knowledge and ability as a historian with my skills as a Portrait Photographer. I have such a passion for this area of my work, blending the different aspects of my interests and abilities. Therefore I began a new project entitled Portraitist. This fascinating project combined by love of renaissance portraiture with my love of photography in to one exceptional outcome, capturing the faces of power from the Military to Political spheres. The project has seen me walking the Halls of Power with sittings in Whitehall, the DWP, Army HQ (Andover), Royal Air Force HQ (High Wycombe) and New Scotland Yard. The project is gaining success all the time, and following letters of invitation, has included eminent figures including Baron William Hague, Iain Duncan Smith, Air Chief Marshal Sir Stuart Peach, Lt. General James Everard and Sir Bernard Hogan Howe (Left).

William Jefferson Hague FRSL (born 26 March 1961)[1] is a British Conservative politician who was the Member of Parliament (MP) for Richmond (Yorks) from 1989 to 2015. He also served as Leader of the House of Commons from 2014 to 2015, as Secretary of State for Foreign and Commonwealth Affairs from 2010 to 2014,[2] and as Leader of the Conservative Party and Leader of the Opposition from 1997 to 2001. (Rory Lewis)

The sitting with William Hague (Above) was incredibly rewarding. I have yearned for the chance to work with a truly significant British historical character. Hague’s name is synonymous with modern political discourse and assertions of power and influence, but to meet him in person you would not think it. Incredibly ‘human’ and real, he is a very witty man who was reeling off jokes throughout the sitting. He held himself beautifully for the portrait, so well in fact that I was able to capture the essence of one of my favourite Holbein pieces, dignified and full of grace and authority.

 

On the back of the sitting with William Hague, I did another portrait photo-shoot with Iain Duncan Smith. (Below) Working once more with a veteran of power and controversy was both inspiring and rewarding. I’m hoping to build on this type of sitting in 2016, avidly looking forward to another addition to the Portraitist Exhibition which will see me directing a shoot with former Prime Minister, Sir John Major, as well as other political and military figures’ sessions that I have in the pipeline.

Rory Lewis London Portrait Sitting with George Iain Duncan Smith (born 9 April 1954), often referred to by his initials IDS, is a British Conservative Party politician. The Secretary of State for Work and Pensions since 2010, he was previously the Leader of the Conservative Party and Leader of the Opposition from 2001 to 2003. He was first elected to Parliament in 1992 as the MP for Chingford, and he has represented its successor constituency of Chingford and Woodford Green since 1997. Duncan Smith was born in Edinburgh and served in the Scots Guards from 1975 to 1981, seeing tours in Northern Ireland and Rhodesia. He joined the Conservative Party in 1981, and was elected as a Member of Parliament in 1992. Duncan Smith succeeded William Hague as Conservative Leader in 2001, winning the leadership election partly on the support of Margaret Thatcher for his Eurosceptic ideology. Duncan Smith was the first Catholic to serve as a Conservative Leader, and the first to be born in Scotland since Arthur Balfour. In 2010, The Tablet named him one of Britain’s most influential Catholics.[1] His time as Conservative Leader saw his party fall in opinion polls, and many Conservative MPs came to consider him incapable of winning an election. In 2003 his MPs passed a vote of no confidence in his leadership; he immediately resigned, and was succeeded by Michael Howard. As a backbencher, he founded the centre-right Centre for Social Justice, a think tank independent of the Conservative Party, and became a published novelist, though his novel The Devil's Tune was savaged by critics. On 12 May 2010, Prime Minister David Cameron appointed Duncan Smith to serve in the Cabinet as Secretary of State for Work and Pensions. (Rory Lewis)

The third project that I commenced in 2015 I have entitled Ambassadors, inspired by the intrigue of Holbein’s Ambassadors Portrait. London is a city home to hundreds of political missions and I have long harboured the desire to meet and work with important figures from many different countries and backgrounds. The Ambassadors Project saw me visit the Mexican (Below), Italian, Estonian, Danish, Austrian and Swiss Embassies in a bid to photograph each Ambassador. More Embassy sittings are booked for 2016 and I’ve looking forward to adding to this project with commissions from Attachés and members of political commissions.

 (Rory Lewis)

The three projects, Expressive, Portraitist and Ambassadors, have enabled me to expand my knowledge of portraiture, allowing me to try new methods and ways of working, building on my already successful skill-base. Working in such a creative profession, I consider it essential to test myself and push forward expanding my limits. Projects enable me personally, to document my growth as a professional. This has been particularly rewarding as I have seen a blend of all my personal passions combining science fiction and history in an eclectic mix in my work.

 

Rory Lewis Photography WorkshopsLearning and sharing continues to fuel my desires, and I’m proud and delighted to be continuing to offer a vast array of Photography Workshops as well as one-to-one Portrait Tuitions in Liverpool, Manchester, London and Edinburgh. Meeting with new students and sharing my love of portrait photography, techniques, direction and lighting, is enjoyable not only because I get to share my joy for this expressive profession, but also because it enables me to self-reflect on how something works, and why I choose it. I enjoy inspiring photographers to create thought-provoking portraiture of their own by incorporating my professional techniques honed over years in the business. This in turn enables them to hone and develop their own skills, whether amateur or professional, working with both the latest equipment and amazing professional models.

 

Learning and Development via Rory Lewis Photography throughout 2015 has been partnered with Calumet Photographic. I have taken great pleasure delivering seminars throughout their network of branches. I have also enjoyed leading Calumet’s official Blog, reviewing equipment and writing about tips and techniques. I was thrilled to be asked to judge Calumet’s Student Photographer of the Year Competition. It was an honour to help select the winner of this prestigious prize which was presented at the Photography Show.

 

Portraitist by Rory Lewis Photographer, learn lighting setups & all the secrets behind the shoots, view unseen portraits.

Portraitist by Rory Lewis Photographer, learn lighting setups & all the secrets behind the shoots, view unseen portraits.

Building on my desire to ‘spread the word’ both within the field of Photography and to a wider audience, 2015 has seen me publish two books: Portraitist and Expressive. The first sees me passing on my thoughts surrounding Photographic Portraiture by offering lighting techniques and the stories behind my many, and varied, Portrait Sittings. Expressive is my first coffee table book, designed to be perused and dipped in to showcasing some of my favourite Portrait Sittings from the year including Brent Spiner, Steven Berkoff, Andy Robinson, Robert Picardo and many other renowned male thespians.

Rory Lewis Photography Workshops Portraiture

Additionally, I have enjoyed having both my images and reviews of my work published in several magazines and trade editorials including Photo Professional Magazine, the RPS London, Profoto’s Blog, and Photo Plus magazine (Above). I’ve thoroughly enjoyed sharing my latest work, tricks, and techniques with such a diverse readership base. My work has also been acquired by newspapers and editorials through Image Syndication, it was fun and rewarding to see my portraits of Luis Suarez (Below) in the Shortlist Magazine, and my image of Sir Ian McKellen in the Mirror.

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2016 looks set to be another exciting year. I will be returning to Los Angeles for a month in April to undertake more Portrait Sittings. Fuelling my Trekkie passions I have started another Project looking to exhibit portraits of Star Trek actors in order to celebrate the 50th Anniversary of the show. Through using a Kickstarter to help fund the project, I have raised over £2500 enabling me to devote more time in 2016 to additional Star Trek actor sittings, including one with Walter Koenig who played Chekov, as well as many other names from the TV series and movies.

 

2016 is also going to be the year I look to expand my Portrait Practice in London. Building a growing reputation for Portraiture in the capital is my number-one goal for the forthcoming year. Of course, my devotion to Learning and Development will continue with tours of both the UK and USA offering Portrait Photography Masterclasses and One-to-One tuition.

 

Wherever and however you run into Rory Lewis Photography in 2016, you can be sure that something exciting is afoot. Wishing all my supporters and followers a very Happy New year, with 2016 set to be even bigger and momentous than my thoroughly enjoyable 2015.

 

 

London Portrait Photographer– Capturing the Essence of Power

William Jefferson Hague FRSL (born 26 March 1961)[1] is a British Conservative politician who was the Member of Parliament (MP) for Richmond (Yorks) from 1989 to 2015. He also served as Leader of the House of Commons from 2014 to 2015, as Secretary of State for Foreign and Commonwealth Affairs from 2010 to 2014,[2] and as Leader of the Conservative Party and Leader of the Opposition from 1997 to 2001. (Rory Lewis)

William Jefferson Hague Baron Of Richmond (Rory Lewis Photographer 2015)

As a London Portrait Photographer you learn very quickly. A picture does speak a thousand words, but not so when it comes to History Portrait Photography. These pictures need only speak two words: authenticity and power. When it comes to this style of photography the photographer needs to play by the rules: rules that are subtle to grasp, comprehend and activate, making the game difficult to play. Yet the end result needs to look effortless. Such photos are one of the truest documents of history and society, particularly for those holding positions of power and influence in the beating power centre of London – but also elsewhere.

 

Lt General James Everard (Rory Lewis Photographer 2015) Normally two characters are displayed in portraiture: the character of the subject and the character of the photographer. The photographer is aiming to capture the mood, expression and personality of subject. With History Portraiture, the photographer needs to take an apparent backseat, becoming invisible to the end result, presenting objectivity which enables the viewer their own subjectivity. This is a skill, an art form in itself – to appear to effortlessly capture through artistic ability the true appearance of the sitter, the authentic appearance, whilst exuding power. The result should be a deep and detailed portrait, yet a blank slate on which can rest the viewer’s own opinions. (Lt General James Everard Left)

 

I have an understated passion for Modern History Portrait Photography. In my time studying History at Kings College, London, I spent my days pondering on numerous historical figures gazing down on me and providing the inner voice of judgement on my student-lifestyle. I became fascinated by the pictures, searching for the 1000 words but finding just the two. I -had to do the understanding, the opinion-forming, no lazy back-of-the lecture-theatre effort allowed here. I found myself asking: what motivated the artist? Did the sitter approve, like, or dislike the artist’s representation? Were the portraits politically driven for propaganda or were they true to history?

 

I feel privileged to combine this passion, this appreciation of these individual’s place in history by becoming a photographer, called upon to utilise my expertise in lighting techniques, direction and even inventive scenarios to capture some of the most key people of our age.

Military Portrait Photographer Rory Lewis Lt General Mark Poffley British Army

Military Portrait Photographer Rory Lewis Lt General Mark Poffley British Army

Baron William Hague (Rory Lewis London Portrait PhotographerIn these shoots, here is a clear need to guarantee authority, the exemplary status, and in some cases the immortality of the sitter. These portraits need to stand the test of time like no other. To achieve this air of power and authority, the photographer needs to set the individual in a plain, yet solemn expression. The photographer is neutral, the sitter a vessel of unadorned vigour. How does this look in reality? This portrait of Baron William Hague of Richmond, commissioned just after the General Election of 2015 when Hague announced his retirement from politics, is a perfect example. The usually affable and jovial character portrayed in the media has instead been replaced with true authenticity and exudes the aura of a powerful political figure with a career spanning 30 years. I have kept the portrait neutral to allow you, the viewer, to make up your own mind and to form your own opinions.

 

Rory Lewis Photographer, London Portrait Photographer, General Nick HoughtonSimilarly this atmosphere of power can be seen in my portrait of General Sir Nicholas Houghton, Chief of Defence Staff, which was published in the Telegraph Newspaper. The commission came from the Ministry of Defence, looking for a portrait which can be used across a range official publications. As is often important when working with subjects who have busy agendas and high-profile responsibilities, the shoot was brought to the heart of power in Whitehall itself. My role, the game I needed to play, involved directing the General in order to project an air of solemnity whilst holding a plain expression. The result is an authoritative yet commanding portrait of this modern day historical figure. The image fits the historical context of military portraiture: a juxtaposition of simplicity and complexity.

 

Iain Duncan Smith London Portrait Photographer Rory LewisAt a recent London Portrait Sitting with Iain Duncan-Smith I dodged the ball of political controversy to remain true to the elements of the history portrait. The public, along with current and future historians, will have their own opinion, my role is to allow this judgement to be formed and to sit comfortably with the image portrayed. The viewer can subconsciously overlay their own viewpoint on the portrait.My aim is to allow my integral presence in the shoot become invisible in the end result, allowing the portrait to become a blank canvas for the viewer’s opinion. I aim, from behind the camera and through directing the shoot, to place these eminent figures elegantly yet timelessly in to their place in history.

 

 

Iain Duncan-Smith Portrait Sitting

 

Iain Duncan-Smith Rory Lewis London Portrait PhotographerAs a Historical Portrait Photographer, I felt privileged to undertake a sitting with Iain Duncan-Smith. Renowned as a veteran soldier, Member of Parliament and Cabinet Minister, Former Leader of the Conservative Party, and Secretary for Work and Pensions, his political career rivals many, and as such earns him a place of historical significance in British Politics. For me, I was therefore delighted when he accepted my invitation to sit for a portrait at Caxton House, London. I have long had an avid interest in socio-political history and as such have been aware of Iain Duncan-Smith’s presence on the political scene since my own childhood. Over the past few years, as the country has gone through a period of austerity, he has become a somewhat controversial politician eliciting different opinions from various walks of life.

 

Certain Portrait Sittings can weigh on a Photographer with a sense of trepidation. After all, the rapport and interaction between Photographer and Sitter is often notable in the finished images. The sitter needs to be on board with taking guidance and direction from the Photographer. When the sitter is someone as famous and eminent, as well as a natural figure-head and powerful, it can be somewhat daunting. Before the sitting I viewed various clips on YouTube, read opinions in newspapers and on social networking to gauge public opinion. In some instances he was described as “cruel” and, conversely, “just” in others. There is no doubt he splits opinion, and I wondered what the man would be like to work with.

Iain Duncan-Smith Rory Lewis London Portrait Photographer

When taking Historical Portraits I am keen that they should represent historical fact and not be a political statement in themselves. Effectively, the viewer should be able to overlay their own opinion of the character of the person in the picture. Iain Duncan-Smith is well known amongst photographers for creating a neutral portrait, ideal for history itself to become the judge of character.

 

Once I arrived at Caxton House, I was able to explain the type of Historical Portrait I hoped to achieve. I began by capturing a plain and determined expression. This naturally fed through to Duncan-Smith’s accustomed political stance and stature that we know from his rousing political speeches and broadcasts. These images portray the sense of power of the man speaking with authority and determination on the floor of the Commons.

 

Any trepidation I had soon melted away, as in person Iain Duncan-Smith is both kind and easy to work with. He is used to having his portrait taken and as such was at ease taking my direction and guidance for the shoot. Timed shortly after the failure of the Universal Credit Bill, pushed by IDS, it was ideally timed to represent the cross-roads which faced him as Secretary.

 

Iain Duncan-Smith Rory Lewis London Portrait PhotographerAs opinions have come in to me following the images I am able to inwardly smile at my ability to create a portrait ready for the viewer’s opinion and not weighed down with my own political sentiment. Some feel I have captured the “essence of evil” while others have determined I’ve captured “a proud and well-respected politician”. Two sides of a coin: both correct in the eye of the beholder, both upholding those individual viewers’ opinions. If I can obtain varying opinions, both positive and negative, then I have achieved what I set out to achieve: impartiality. I have remained true to, and delivered on, the essence of the Historical Portrait.

 

Photographing Iain Duncan-Smith was both inspiring and rewarding, paving the way for many more political sittings and the challenges they bring.

 

Holbein’s Inspiration: His Place in Portraiture

Subliminally, without really knowing, we’re all exposed to art – as well as impressions – that shape our unconscious and our ability to think, perceive and feel. As we move through life, art that was once a staple of our history books takes on a greater meaning, and perhaps this is none more true than for Renaissance Art and our assimilation with it as being what portraiture with power is about. The essence of the best portrait photography is mirrored in these Renaissance pieces. For me this is especially true of the Tudor Portrait Artist Hans Holbein ‘the Younger’.

(Left) Holbein's Portrait Portrait of the Merchant Georg Gisze 1532 (Right) Rory Lewis Portrait Lord Mayor of Liverpool Erica Kemp 2014

(Above) Holbein’s Portrait Portrait of the Merchant Georg Gisze 1532 (Right) Rory Lewis Portrait Lord Mayor of Liverpool Erica Kemp 2014 (London Portrait Photographer)

In the works of Holbein lies the heart of my portraiture inspiration. I loved history as a child, its permanence and transience all at once, reflected through the eyes of cultural and societal change, how it has been documented and therefore how it is recalled. I was fortunate to live near to Liverpool’s Walker Art Gallery, a treasure trove of pieces that began to unconsciously inspire and challenge me. The Gallery exhibits several of Holbein’s Works, which reflect not only the Renaissance period but exude a timeless quality as records of history.

 

With Holbein we gaze upon solemn yet intensely powerful expression. His subjects are painted as though frozen in that moment in time, the essence of their being, authority and personality captured forever from that one moment. Holbein took his interpretation of his sitters seriously, knowing they were the testaments of time, and this has inspired me to adapt a similar style for my own Photographic Portraiture.

(Left Holbein's Portrait of Sir Richard Southwell 1536 (Right) Rory Lewis Portrait Lord Mayor Liverpool Gary Millar 2013

(Above Holbein’s Portrait of Sir Richard Southwell 1536 (Right) Rory Lewis Portrait Lord Mayor Liverpool Gary Millar 2013 (London Portrait Photographer )

My work calls me to photograph many high-profile corporate individuals and political figures, and over time I am continually drawn to Holbein’s influence in my own interpretations of the subject of portraiture. I believe Holbein’s style and timeless authority easily sits alongside the modern portrait – I aim to imbue my viewers with the same thought provocation that he succeeded in creating.

 

(Left) Holbein's Portrait of Sir Thomas More, 1527 (Right) Rory Lewis Portrait Sir Patrick Stewart  2014

(Above) Holbein’s Portrait of Sir Thomas More, 1527 (Right) Rory Lewis Portrait Sir Patrick Stewart 2014 (London Portrait Photographer)

Detail, in the eye of an artist, is everything. As a viewer you don’t realise how the tiny intricacies of art combine to leave you with a bigger picture, a bigger sense. For Holbein, his portrait of Sir Thomas More illustrates this ability to focus on detail. There are the slightest imperfections that reflect in themselves perfect definition, making it appear almost like a photograph itself. There is no Renaissance ‘air-brushing’ away of imperfections, there is no place in portraiture for the Death of Real. What you see is a true likeness of the subject at that moment in time. Real is everything – it is the tiniest of imperfections that define a person as the character they are. This can be seen in my portrait of Sir Patrick Stewart where I encouraged and captured the true facial tones and imperfections, capturing the essence of the man, just as Holbein did with More.

 

Objectivity is crucial in portraiture: for Holbein and for me. The outward appearance of his subjects directly reflects the inner character, personality and mood without an over-layering or obscuring of this essential essence by the artist himself. I endeavour to follow this same style, bringing an integrity to the final portrait that allows the viewer to reflect on their own opinion and understanding of what they see.

Portrait of Sir Henry Guildford & Iain Duncan-Smith  (London Portrait Photographer)

(Above) Hans Holbein Portrait of Sir Henry Guildford (1527) & Iain Duncan-Smith Rory Lewis (2015) (London Portrait Photographer)

Having worked in fashion photography, I know and understand the drive to create perfection that renders an image false. In portraiture, Holbein teaches us, it is the imperfections that make perfection. Models are directed on what to be, how to act, how to represent emotion: for portraiture this is simply wrong. A true representation and a guiding and directing to the true inner person is what makes a portrait thought-provoking and an accurate historical record that exudes timeless quality.

 

The greatest collection of Holbein’s work is on display at the National Portrait Gallery in London. His works provide inspirations to historians, art-lovers and passers-by alike. His viewers are drawn to a naturally level-playing field that allows interpretation and true-understanding. It’s this timeless quality I seek to recreate and learn from.