Game of Thrones Portraits

Game of Thrones is a remarkable television extravaganza. George R.R. Martin’s best-selling book series “A Song of Ice and Fire” is brought to the screen as HBO sinks its considerable storytelling teeth into the medieval fantasy epic. It’s the depiction of two powerful families — kings and queens, knights and renegades, liars and honest men — playing a deadly game for control of the Seven Kingdoms of Westeros, and to sit atop the Iron Throne.

Natalie Dormer Portrait Sitting Rory Lewis Photographer London Portrait Photographer

Over the past few years, I’ve had the pleasure of portrait sittings with several members of the cast, Iain Glen, Julien Glover, Natalie Dormer and Ian McShane. See below my portraits along with video clips of each of the Actors in Character on the Television Series.

Iain Glen (Ser Jorah Mormont)

Iain Glen is a Scottish film, television, and stage actor. Iain is best known for his roles in the Resident Evil films and for portraying Ser Jorah Mormont in Game of Thrones. Writing to Iain a few months ago to arrange a Portrait sitting for my ‘Northerners‘ Exhibition. Iain accepted my invitation, and the session took place in London last month. Iain arrived on his Cycle at London Portrait Studio, Cycling being Iain’s favorite pass time. After a chat about Iain’s recent projects, I explained the style of images I wanted to achieve. “I like to learn about each person I photograph, so I do my homework, this helps to start a conversation and put the sitter at ease.

 

Iain admired my recent Portrait Sitting with Sir Patrick Stewart and wanted his images to be lit in the same style. After setting up my equipment, we went to work, creating striking Frames, Iain took over posing without direction towards the end of the session, and we managed to capture a selection of spontaneous images which really stand out.


Julian Glover (Grand Maester Pycelle)

Julian Glover London Portrait Photographer Rory Lewis

I had the esteemed honour of Photographing Veteran Actor Julian Glover at the London Portrait Studio. Julian who Trained at RADA has had a rich illustrious Stage, Film and Television Career. Staring in Star Wars the Empire Strikes Back, Indiana Jones & The Last Crusade, James Bond For Your Eyes Only and of course Game of Thrones to Name a Few. The Prospect of working with Experienced Actors is a real treat for a Portrait Photographer.

 

With so much character and experience, I wanted to bring this through in the Final Images. To begin with we sat down to discuss the session I was interested to learn about Julian and his work. At present Julian is Staring in the Scottsboro Boys a Powerful West End Musical the Story of a Group of Nine Black Teenagers, brought together by fate in a case that sparked the American Civil Rights Movement. Julian has also played a great deal of Villains in his time and through our conversation I decided to create two looks; a Simple Plain Thoughtful Character Portrait, then turn it around and capture a Portrait of the Villain’s Julian has Played.


Natalie Dormer (Margaery Tyrell)

Actress Natalie Dormer, star of Game of Thrones, The Hunger Gamesand The Tudors sat for a portraitat the London Studio this several weeks ago. I wrote to Natalie inviting her to sit for my Expressive Portraits Project just over a year ago; it just goes to show how many letters and requests she receives. Natalie is exceptionally talented with an incredibly natural beauty. As a realist portrait photographer Natalie was a little apprehensive of my style. In the modern world people are obsessed with removing the detail through airbrushing.

 

My style is to preserve even line every mark every mole. I try to present my subjects as they really are, flaws and all, while allowing for moments of candidness and vulnerability. Less austere and more deliberate than a mug shot, my work often brings facial features into high relief, allowing expressiveness to recede and making the sitter seem somehow up-close and removed at the same time. Natalie indulged me, enabling me to capture a series of wonderful frames. Her apprehension turned to excitement when she viewed the final results which edified her unique and Natural Beauty.


Iain McShane (Septon Ray)

Ian McShane is an English Actor, Director, Producer and Voice Artist. From Lovejoy to Deadwood and Pirates of the Caribbean, McShane is a Screen legend.

Ian McShane is an English Actor, Director, Producer and Voice Artist. From Lovejoy to Deadwood and Pirates of the Caribbean, McShane is a Screen legend. From a lawless saloon owner to the sexiest of beastly British mobsters, award-winning actor Ian McShane has, time and time again, captured the public’s attention by playing bad guys, scoundrels and thieves. “The devil has the best tunes!” he has said with a gleam in his eye. McShane was named “TV’s Sexiest Villain” by People Magazine, and was one of GQ’s “Men of the Year,” which described his portrayal of Deadwood’s Al Swearengenas “infectious” and “irresistible.” McShane haling from Blackburn, was a must for my Northerners Portrait Exhibition. I wrote to Ian’s agency and touched lucky as he was in London promoting his new Film Cuban Fury.

 

Arriving at Bleeding Heart Yard Photography Studios, Ian had the energy and drive of a man half his age, it’s very easy to forget that he is 71. Before the session I had a good chat with Ian he mentioned he had to skip his last term at RADA to make a movie “The Wild And The Willing”. “They told me, ‘If you do this film, you might not get your certificate.’ What, I need a bit of paper on the wall telling me I’m an actor?” Still, they gave it to him in the end. “Signed by John Gielgud! I spoke to him about it much later on when he did an episode of Lovejoy. I said, ‘Thanks for signing my RADA certificate, John.’ Ooh, dear boy, not at all…‘He kept calling me Loveboy. ‘Loveboy, I say…’ Um, John, it’s Lovejoy.‘‘Lovejoy, Loveboy, who cares?’”

 

It was an amazing experience to photograph Ian. I am a BIG fan of Deadwood, and during the photoshoot I said jokingly “give me the Al Swearengen look“ Ian Replied in his signature voice “You will have to pay me for that.“ Plain simple expression was my theme for the Portrait Session, shot on black backdrops the images really show the texture and character of Ian McShane.

 

Limited Edition Prints Available from Sittings Click Here

Meditations of Sir Patrick Stewart

I had assumed that only sheer luck or destiny would place Sir Patrick Stewart in front of my lens. Somewhat surprisingly though, after 24 years of dreaming about capturing his portrait, it was the sight of a vulgar, pink Hummer that inspired our meeting. The sitting would change my stars from a provincial photographer to an international portraitist working in London & Los Angeles.

 

 

Let me take you back to the beginning

How does one arrange a sitting with a screen icon? I began with Sir Patrick’s acting agency in London with little success. My letter was no doubt buried within a mountain of fan mail. Soon after though, I discovered that Sir Patrick was starring in Waiting for Godot at New York’s Cort Theatre on Broadway. Another letter was dispatched.

 

To my astonishment, a reply came through just a few weeks later. Alas, what I had originally thought to be success was a note from Sir Patrick, declining my invitation. Nevertheless, like the snail setting his sights on the Arc, I composed a compelling reply urging Sir Patrick to reconsider. A few weeks passed by again until, seemingly out of the blue, an email from the man himself appeared in my inbox. Sir Patrick was accepting my offer. His acceptance however, came with one condition – the sitting would have to take place in New York.

 

With no patron or funding to realise my opus, I realised that I would have to fund this trip on my own if I were to realise my dream of photographing such a prestigious, cultural icon.

Sir Patrick Stewart Film Actor Character Actor Portfolios London & Los Angeles

The appearance of the pink Hummer

The decision to bite the bullet and head to New York was made whilst shooting a wedding in Liverpool. As I sat in the hotel waiting for the bridal party to arrive, I wondered if I was actually ready to leave my comfort zone. Would I really be able capture the likeness of such a stalwart thespian, as well as show people what I was capable of? Was I really destined for something greater?

 

With thoughts of Bailey and Beaton in my head, the bride’s pink Hummer pulled into view. Was this what I wanted for the next 50 years? To be a second rate wedding and portrait photographer, capturing nothing but other people’s celebrations and dreams?

Sir Patrick Stewart

I decided enough was enough. A professional photographer is nothing without a compelling portfolio and my passion to create had become an addiction. I booked my plane ticket as soon as the wedding was over.

 

The travelling portraitist

The session was arranged for May 5th 2014 and I arrived in New York little more than a day before the shoot. Be it the jetlag from travelling 3,606 miles, or the anticipation of meeting Sir Patrick, I couldn’t sleep the night before. Thankfully, one of my strengths is preparation and I had come to the sitting with ideas and a plan.

 

Ironically, the inspiration behind my work has never flown from photographers, but from portrait painters. In this instance, the foundations of my sitting with Sir Patrick stemmed from a 16th century portrait of Sir Thomas Moore by Hans Holbein the Younger.

Painted in 1527, Sir Thomas More would have been a very compelling and controversial sitter for Holbein. In this three quarter length portrait, the inclusion of a strikingly shallow backdrop intensifies the harshness of Moore’s presence. What makes the portrait even more arresting is Holbein’s use of colour. By incorporating bold areas of green (as a symbol of revelation) and red (signifying power and importance), Holbein was able to perfectly portray his subject’s status as a strong, intellectual figure.

 

Incorporating inspiration

Using Holbein’s painting as a muse, I began to think more about the subject of my own portrait. In recent years I have become accustomed to working with famous faces, but it was my sitting with Sir Patrick that helped to mould my approach and method. Part of this technique is to commit to thorough research. Research is critical when photographing prominent subjects, as more often than not you will find yourself limited to an incredibly short amount of time. After all, these are busy people indeed.

(Left) Holbein’s Portrait of Sir Thomas More, 1527 (Right) Rory Lewis Portrait Sir Patrick Stewart 2014

To begin this pre-emptive research, I look to photographers who have captured the subject previously; grappling with the mathematics of the portrait. (Head shape, good side, bad side. That kind of thing.) If the subject is an actor, I’ll take the time to binge watch any movies and TV Series, watching relentlessly for any details or angles that haven’t caught my attention before.

 

To prepare for my sitting with Sir Patrick, I began by studying his portrait sitting with Nadav Kander, before watching his iconic role of Captain Jean-Luc Picard in Star Trek the Next Generation and looking through a multitude of YouTube clips that captured Sir Patrick’s vast array of stage performances.

 

Studying his profile, I had repeatedly found that Sir Patrick had primarily been photographed as if still embodied by one of his characters. However, Holbein’s portrait had given me the inspiration to portray Sir Patrick quite simply as himself – the thespian. No greens or reds, but simply a black backdrop, pierced by the harsh lighting that I knew would amplify every detail of Sir Patrick’s intense gaze.

 

“By perseverance, the snail reached the ark.”

Charles Spurgeon

 

Waiting in anticipation

My plans and preparation had all led to this moment at Neo Studios in Manhattan; a little jet lagged, but nevertheless ready for one of the most important sittings of my career. Sir Patrick arrived at the studio and (after taking a deep breath) I introduced myself and began to summarise my ideas behind the portrait. I needn’t have been worried. Years of experience with taking direction made for an incredibly smooth start to the session and Sir Patrick remained engaged throughout.

In my style of simplicity, the portrait is all about the ocular. I focused Sir Patricks gaze across the lens, not into it, and an incredibly receptive Sir Patrick rapidly obliged me with a wonderful series of provocatively poised expressions.

 

After working for just 10 minutes, I was already happy with the results I was getting. This then provided me with the opportunity, for the last few minutes, to experiment and, most importantly, to enjoy my time with this compelling and absorbing subject. Rather than looking to the familiar heroic roles that Stewart’s name is inherently synonymous with, I directed Sir Patrick to assume the fierce, vengeful expressions of a calculated villain.

Rory Lewis Photographer Photographing Sir Patrick Stewart London Portrait Photographer

What emerged from this part of the session was a complex and vigorous character, embodied by energy and animation; a side of Sir Patrick that I thoroughly enjoyed watching unfold in front of my lens.

 

Though just a short 20 minutes, my sitting with Sir Patrick has been one of the most rewarding of my career so far. The chance to show what I can do and influence other photographers with my style of portraiture; to work with a level of client that consistently interests and inspires my work; and, above all, to work with a true British icon.

 

Limited Edition Prints Available From the Sitting Click Here

 

Portraitist Book Now Onsale

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Power & Portraiture Video Blog Post

In this video Rory Lewis London Portrait Photographer talks about his inspiration from Fine Art in his Power Portraits, of British Soldiers, and Politicians. Talking about the Portrait Painters such as, Sir Thomas Lawrence, George Dawe, Hans Holbein The Younger, Titian, and Photographers such as Yosef Karsh.

Princess Patricia’s Canadian Light Infantry London Portrait Sittings

A company of the 2nd Battalion Princess Patricia’s Canadian Light Infantry took up the temporary role of mounting the Queen’s Guard at Buckingham Palace last month. The honour usually falls to the British Army’s Household Division. However, other Commonwealth Nations get a chance at protecting the Queen every now and again. Princess Patricia’s Canadian Light Infantry is based in Shilo, Manitoba, Canada. Named after Princess Patricia of Connaught, daughter of the then-Governor General of Canada. Contacting the regiment upon their arrival in London. I arranged a series of portrait sittings with the company at Wellington Barracks, before they mounted the Queens Guard. The sitting gave me the chance to record living History, Canadian Regiments rarely appear in London for state duties.

HyperFocal: 0 (Rory Lewis)

 

The 2PPCLI uniforms differ slightly to British Soldiers, especially their helmets. They are called Pith helmets, and the choice of helmet style comes down to historical precedent specific to each regiment. You may also notice that the helmets the officers wear are entirely white, while the non-commissioned members have a coloured fabric on theirs. In the case of the Princess Patricia’s Canadian Light Infantry, that colour is ‘French Grey’ which is the colour of the Third Canadian Division.

HyperFocal: 0 (Rory Lewis)

Accustomed to photographing British Soldiers for my ‘Soldiery Portrait Exhibition‘ it was refreshing to work with a Canadian Regiment. A real pleasure to work with the chaps. Its true what they say, Canadians are among the most polite people in the world.

 

HyperFocal: 0 (Rory Lewis)HyperFocal: 0 (Rory Lewis)HyperFocal: 0 (Rory Lewis)HyperFocal: 0 (Rory Lewis)HyperFocal: 0 (Rory Lewis)

Jim Beaton, GC, CVO

The Victoria Cross & George Cross Portrait Project has been an exceptionally challenging, yet rewarding portraiture project. Individuals who have been awarded the Victoria Cross have been selected because they are worthy of Britain, Australia, Canada and New Zealand’s highest military award for their bravery and conduct in the field. Similarly, those awarded the George Cross are civilians or military personnel who have displayed conspicuous bravery in and away from the field. These awards are not issued lightly. They are the very greatest honour for individual valour and merit. These individuals are the modern day heroes.

 

Over the next few week’s I’ll be posting all the VC & GC recipients in a series of Blog Posts. Here is my Seventh post in the series, recipient Jim Beaton, GC, CVO. (View Full Series of Posts).

Jim Beaton GC London Portrait Photographer Rory Lewis

In March 1973, Beaton was transferred to the Royalty Protection Squad, A Division, and from 14 November served as a Personal Protection Officer to Princess Anne. He was given the number 11 in the small team responsible for protecting members of the Royal Family. On 20 March 1974 the princess and her husband Captain Mark Phillips were returning to Buckingham Palace from a royal engagement. Their car was stopped in the Mall by another vehicle driven into its path. The car was driven by Ian Ball, who was later declared to be mentally ill; Ball jumped out of his vehicle and tried to force the Princess from her car. He shot the royal chauffeur, Alex Callender, and a passing journalist, Brian McConnell, who tried to assist. Inspector Beaton was shot three times, including serious wounds in the chest and abdomen, and a gunshot wound to his hand, sustained when he tried to block Ball’s weapon with his own body, after his own gun had jammed. Beaton also sustained injuries to his pelvis while trying to disarm Ball. For his bravery Beaton was awarded the George Cross; Callender and McConnell were each awarded the Queen’s Gallantry MedalBeaton remained with the Princess until February 1979.

 

Beaton served in the Metropolitan Police from 1962 to 1992. He spent the first years of his career as a Constable on the beat at Notting Hill from 1962 to 1966. In 1966 he was promoted to Sergeant at Harrow Road, and then in 1971 to Station Sergeant at Wembley. He became an Inspector in 1974, whilst serving in Royal Protection, and was subsequently promoted to Chief Inspector in August 1979, Superintendent in 1983, and Chief Superintendent in 1985. In 1982 he became the Queen’s Police Officer. He retired in 1992.

Lance Corporal Matthew Croucher, GC, VR

The Victoria Cross & George Cross Portrait Project has been an exceptionally challenging, yet rewarding portraiture project. Individuals who have been awarded the Victoria Cross have been selected because they are worthy of Britain, Australia, Canada and New Zealand’s highest military award for their bravery and conduct in the field. Similarly, those awarded the George Cross are civilians or military personnel who have displayed conspicuous bravery in and away from the field. These awards are not issued lightly. They are the very greatest honour for individual valour and merit. These individuals are the modern day heroes.

 

Over the next few week’s I’ll be posting all the VC & GC recipients in a series of Blog Posts. Here is my Sixth post in the series, recipient Lance Corporal Matthew Croucher GC VR . (View Full Series of Posts).

Rory Lewis London Portrait Photographer

Croucher was recommended for the award for throwing himself on a Taliban tripwire grenade to save his comrades. He was part of a reconnaissance mission near Sangin in Helmand Province in Afghanistan on 9 February 2008. Moving through a compound at night he felt a trip-wire against his leg and saw that he had activated a grenade. He threw himself to the ground, and used his rucksack to pin the grenade to the floor, and tucked his legs up to his body. He was thrown some distance by the explosion, but due to the protection offered by his rucksack and body-armour, suffered only a nose-bleed, perforated ear drums and some disorientation. The pack was ripped from his back by the explosion, and his body armour and helmet were pitted by grenade fragments. Of the other three members of his patrol, the rear man managed to take cover by retreating round the corner of a building; the patrol commander threw himself to ground, and received a superficial face wound from a grenade fragment; and the final team member did not have time to react, and remained on his feet, and would have been within the lethal range of the grenade but for Croucher’s action. The explosion breached a large lithium battery which was in Croucher’s pack to power the patrol’s electronic countermeasures equipment, causing it to burst into flames. A medic recommended that he be evacuated, but he insisted on continuing as the members of the patrol realised that Taliban fighters would probably come to investigate the explosion, and this would give the marines the opportunity to ambush them.

 

Croucher was initially put forward for the Victoria Cross (VC), the highest decoration for valour in the British Armed Forces. Had he been awarded the Victoria Cross he would have been the first Royal Marine to receive the award since 1945 and only the second living British recipient in the 21st century. The George Cross is awarded for the same level of bravery expected of a VC but is awarded when no enemy is present. Croucher is one of only 22 living recipients of the medal of which only 406 have been awarded.

 

Croucher was presented with the GC by Queen Elizabeth II at a ceremony in Buckingham Palace on 30 October 2008.

 

 

Rambahadur Limbu VC Portrait Sitting

The Victoria Cross & George Cross Portrait Project has been an exceptionally challenging, yet rewarding portraiture project. Individuals who have been awarded the Victoria Cross have been selected because they are worthy of Britain, Australia, Canada and New Zealand’s highest military award for their bravery and conduct in the field. Similarly, those awarded the George Cross are civilians or military personnel who have displayed conspicuous bravery in and away from the field. These awards are not issued lightly. They are the very greatest honour for individual valour and merit. These individuals are the modern day heroes.

 

Over the next few week’s I’ll be posting all the VC & GC recipients in a series of Blog Posts. Here is my Fourth post in the series, recipient Rambahadur Limbu, VC, MVO. (View Full Series of Posts)

 

Rambahadur Limbu VC London Portrait Photographer Rory Lewis

 

Extracts from citation

“On 21st November 1965 in the Bau District of Sarawak Lance Corporal RAMBAHADUR LIMBU was with his Company when they discovered and attacked a strong enemy force located in the Border area… Leading his support group in the van of the attack he could see the nearest trench and in it a sentry manning a machine gun. Determined to gain first blood he inched himself forward until… he was seen and the sentry opened fire, immediately wounding a man to his right. Rushing forward he reached the enemy trench… and killed the sentry, thereby gaining for the attacking force a foothold on the objective… with a complete disregard for the hail of fire he got together and led his fire group to a better fire position…

 

…he saw both men of his own group seriously wounded… and… immediately commenced… to rescue his comrades… he crawled forward, in full view of at least two enemy machine gun posts who concentrated their fire on him… but… was driven back by the accurate and intense… fire… After a pause he started again…

 

Rushing forward he hurled himself on the ground beside one of the wounded and calling for support from two light machine guns… he picked up the man and carried him to safety… Without hesitation he immediately returned… [for the other] wounded man [and] carried him back… through the hail of enemy bullets. It had taken twenty minutes to complete this gallant action and the events leading up to it. For all but a few seconds this Non-Commissioned Officer had been moving alone in full view of the enemy and under the continuous aimed fire of their automatic weapons… His outstanding personal bravery, selfless conduct, complete contempt of the enemy and determination to save the lives of the men of his fire group set an incomparable example and inspired all who saw him.

 

Finally, Lance Corporal Rambahadur was responsible for killing four more enemy as they attempted to escape…

 

He displayed heroism, self sacrifice and a devotion to duty and to his men of the very highest order. His actions on this day reached a zenith of determined, premeditated valour which must count amongst the most notable on record and is deserving of the greatest admiration and the highest praise.”

Willie Apiata VC Portrait Sitting

The Victoria Cross & George Cross Portrait Project has been an exceptionally challenging, yet rewarding portraiture project. Individuals who have been awarded the Victoria Cross have been selected because they are worthy of Britain, Australia, Canada and New Zealand’s highest military award for their bravery and conduct in the field. Similarly, those awarded the George Cross are civilians or military personnel who have displayed conspicuous bravery in and away from the field. These awards are not issued lightly. They are the very greatest honour for individual valour and merit. These individuals are the modern day heroes.

 

Over the next few week’s I’ll be posting all the VC & GC recipients in a series of Blog Posts. Here is my third post in the series, New Zealand, recipient Willie Apiata VC. (View Full Series of Posts)

Apiata (then a lance corporal) was part of a New Zealand Special Air Service (NZSAS) Troop in Afghanistan in 2004 that was attacked by about 20 enemy fighters while holed-up for the night in a rocky rural area. Enemy rocket propelled grenades destroyed one of the troop’s vehicles and immobilised another. This was followed by sustained machine gun and automatic rifle fire from close range.

 

A grenade explosion blew Apiata off the bonnet of his vehicle, where he had been sleeping. Two other soldiers in or near the vehicle were wounded by shrapnel, one of them seriously (Corporal D). After finding cover, it was seen that Corporal D had life-threatening arterial bleeding and was deteriorating rapidly.

 

Apiata assumed command of the situation, deciding all three would need to rejoin the troop which was about 70 metres to the rear. Apiata decided his only option was to carry Corporal D to safety, and none of the three were hit during the retreat. After getting Corporal D to shelter, Apiata rejoined the firefight.

 

He became one of the very few living holders of the Victoria Cross. In part the citation reads:

 

“In total disregard of his own safety, Lance Corporal Apiata stood up and lifted his comrade bodily. He then carried him across the seventy metres of broken, rocky and fire swept ground, fully exposed in the glare of battle to heavy enemy fire and into the face of returning fire from the main Troop position. That neither he nor his colleague were hit is scarcely possible. Having delivered his wounded companion to relative shelter with the remainder of the patrol, Lance Corporal Apiata re-armed himself and rejoined the fight in counter-attack.”

 

Three other SAS soldiers also received bravery awards for actions during the same mission. Two received the New Zealand Gallantry Decoration and one the New Zealand Gallantry Medal.

Willie Apiata VC Rory Lewis London Portrait Photographer

Help me to turn the Victoria & George Cross Project Into a Book Click Here

Johnson Beharry VC Portrait Sitting

The Victoria Cross & George Cross Portrait Project has been an exceptionally challenging, yet rewarding portraiture project.  Individuals who have been awarded the Victoria Cross have been selected because they are worthy of Britain, Australia, Canada and New Zealand’s highest military award for their bravery and conduct in the field. Similarly, those awarded the George Cross are civilians or military personnel who have displayed conspicuous bravery in and away from the field. These awards are not issued lightly. They are the very greatest honour for individual valour and merit. These individuals are the modern day heroes.

 

Over the next few week’s I’ll be posting all the VC & GC recipients in a series of Blog Posts. Here is my second post in the series, British, recipient Johnson Beharry VC. (View Full Series of Posts)

On 1 May 2004, Beharry was driving a Warrior tracked armoured vehicle that had been called to the assistance of a foot patrol caught in a series of ambushes. The Warrior was hit by multiple rocket-propelled grenades, causing damage and resulting in the loss of radio communications. The platoon commander, the vehicle’s gunner and a number of other soldiers in the vehicle were injured. Due to damage to his periscope optics, Pte. Beharry was forced to open his hatch to steer his vehicle, exposing his face and head to withering small arms fire. Beharry drove the crippled Warrior through the ambush, taking his own crew and leading five other Warriors to safety. He then extracted his wounded comrades from the vehicle, all the time exposed to further enemy fire. He was cited on this occasion for “valour of the highest order”.

 

While back on duty on 11 June 2004, Beharry was again driving the lead Warrior of his platoon through Al Amarah when his vehicle was ambushed. A rocket-propelled grenade hit the vehicle six inches from Beharry’s head, and he received serious shrapnel injuries to his face and brain. Other rockets then hit the vehicle, incapacitating his commander and injuring several of the crew. Despite his life-threatening injuries, Beharry retained control of his vehicle and drove it out of the ambush area before losing consciousness. He required brain surgery for his head injuries, and he was still recovering in March 2005 when he was awarded the Victoria Cross.

Johnson-Beharry-VC (Rory Lewis Photographer 2016)

Help me to turn the Victoria & George Cross Project Into a Book Click Here

Daniel Keighran VC Portrait Sitting

The Victoria Cross & George Cross Portrait Project has been an exceptionally challenging, yet rewarding portraiture project.  Individuals who have been awarded the Victoria Cross have been selected because they are worthy of Britain, Australia, Canada and New Zealand’s highest military award for their bravery and conduct in the field. Similarly, those awarded the George Cross are civilians or military personnel who have displayed conspicuous bravery in and away from the field. These awards are not issued lightly. They are the very greatest honour for individual valour and merit. These individuals are the modern day heroes.

 

Over the next few week’s I’ll be posting all the VC & GC recipients in a series of Blog Posts. Let’s begin with Australian recipient Daniel Alan Keighran, VC.

 

Daniel Alan Keighran, VC  is an Australian soldier and a recipient of the Victoria Cross for Australia, Keighran was awarded the Victoria Cross for his actions while serving with the 6th Battalion, Royal Australian Regiment, in a fire-fight with insurgents during the Battle of Derapet on 24 August 2010, an action of Operation Slipper.

During the battle, Keighran “with complete disregard for his own safety” repeatedly exposed himself to enemy fire to draw fire away from a team treating a battle casualty (Keighran’s friend Lance Corporal Jared MacKinney). Keighran’s actions were key in allowing the Coalition forces to withdraw without further casualties.

 (Rory Lewis)

Help me to turn the Victoria & George Cross Project Into a Book Click Here