My latest Portrait commission from the British Army took place with General Sir Nick Carter, KCB, CBE, DSO, ADC Chief of the General Staff. The General was in need of a portrait to be placed on the wall of former army leaders. The sitting was indeed very historical as the portrait will be viewed by the General’s successors for many years to come. My aim was to capture the General, as the man he is, a leader, no vanity, no pomp of the dress uniform, tall and proud. I’m looking forward to seeing how the portrait is received.
2017 has indeed been a year of serious portraiture seeing some BIG NAMES in front of my lens. From former Prime Minister Sir John Major, to Actors Rufus Sewell, Stephen Graham and Hugh Bonneville. 2017 gave me the opportunity to complete Soldiery. Bringing this mammoth collection of 278 British Army Portraits to a finish. Publishing a book, holding a charity preview evening for the Army Benevolent fund at Armed Forces Day Liverpool raising over £2000,00. Preparing for the Exhibition Proper at the National Army Museum which takes place in January of this year. I’ve received serious recognition as a portrait photographer. Winning the Portrait of Britain, and being commended in the British Life Photography Awards. Two more of my portraits have been acquired by The National Portrait Gallery in London, and my work has received international attention. I have continued to teach workshops across the UK, London, Manchester and Edinburgh, and expanded my practice offering even more Photography Workshops in the USA, Los Angeles, Boston & New York.
2017 was indeed the year of Soldiery portrait sittings. Firstly in January, with the men and women of The British Army’s Attack Helicopter Force in Ipswich, who pilot the truly magnificent Apache Helicopters. Then moving on to the Household Cavalry’s Mechanised Battalion in Windsor. Where I was able to capture the non ceremonial elements of the Regiment. The Battalion sits within the Reactive Force of the British Army and is ready to respond to crises anywhere around the world. Photographing the ceremonial battalion of the regiment in 2016, it was interesting to see the contrast between a working Cavalry Battalion with over 300 horses and a modern mechanised battalion with Armoured Vehicles.
Soldiery Sittings continued in January with The Royal Tank Regiment in Tidworth. The Royal Tank Regiment is the oldest tank unit in the world, forged out of the adversity of the First World War. The regiment is equipped with Challenger 2 tanks. Soldiers of RTR wear a black beret and black overalls, a custom reserved to the Regiment unlike any other tank regiment in the British Army. A black beret was selected as it would not show oil stains. I felt quite at home as many of the soldiers of the Regiment appeared to be from Liverpool. In essence the regiment appeared to be half Liverpudlian and half Glaswegian. Two peoples of a similar sense of humour, the soldiers regiment seemed to get along swimmingly. Again I had the chance to photograph the Soldiers posing with the Powerful Challenger 2 Battle Tank, and create a series of remarkable portraits of all the regiments states of dress. (Behind the Scenes Video Below)
In March Major General Susan Ridge a senior British Army officer and lawyer, and the first women to hold the rank of Major General in the British Army Sat for a Soldiery Portrait. Since September 2015, Ridge has been Director General of the Army Legal Services Branch (DGALS).
In April I returned a second time to the 1st Battalion, The Rifles. As a young teenager I admired the television series Sharpe, and when contemplating the project this loomed large in my mind for quite some time. The soldiers portrayed by the main protagonists, Sean Bean (Major Richard Sharpe) and Daragh O’Malley (Sgt Patrick Harper) belonged to the 95th Rifles, during the Peninsula Campaign of the Napoleonic Wars. Though an heroic fictional portrayal, I endeavoured to lean more of the bravery of these soldiers. When compiling my list of regimental sitting requests the Rifles where on the top of my list. Since the Napoleonic Wars the 95th has seen several amalgamations, now forming The Rifles, the largest regiment in the British Army.
My final Infantry regimental sittings of my Soldiery Portrait Project took place in June with The Coldstream Guards. Formed in 1650 as part of the New Model Army during the English Civil War. The regiment swore allegiance to King Charles II in 1660 and has guarded the country’s monarchs since. The Coldstream Guards have two roles in the British Army. The first is as of an Infantry unit famous for being the oldest regiment in the British Army in continuous service. The second is of a ceremonial Battalion trained to be involved in any state or royal ceremonial tasks.
The regiment epitomises the British Army’s values and standards: selfless commitment, respect for others, loyalty, integrity, discipline and courage. Drawing strength from its heritage to face the challenges of the future, the Regiment lives by its motto, ‘Nulli Secundus’ or ‘Second to None’. My sittings with the regiment, took place at the historic Wellington Barracks in London, where I was able to capture the Guardsmen before the changing of the guard. The sitting was also captured on video see below.
Next to the Kings Royal Hussars & Royal Scots Dragoon Guards the Final Regimental Sittings of the Soldiery Project. Based in Tidworth, Wiltshire, The King’s Royal Hussars is a British armoured regiment with a long history and great cavalry traditions. The regiment currently serves in the armoured role, equipped with Challenger 2 tanks. The regiment wears the iconic crimson trousers when in ceremonial, No. 1 or No, 2 dress. As you notice from the portrait the soldiers wear the crossed kukri of the Gurkhas as an arm badge. This relates back to 1945 when C Squadron, 14th/20th King’s Hussars assaulted the town of Medicina in Italy alongside the 2nd Battalion, 6th Gurkha Rifles, inflicting heavy losses on the German defenders despite being outnumbered. In commemoration of this action the 14th/20th King’s Hussars adopted the crossed kukri badge, a tradition maintained by the regiment. My inspiration of the portrait, came from a portrait by Emanuel Leutze,
My final Cavalry Regiment of the Soldiery Project and a trip to Scotland, Fife to be exact. Was to photograph the Troopers of The Royal Scots Dragoon Guards. The Royal Scots Dragoon Guards (Carabineers and Greys) – or SCOTSDG – was formed in 1971 by an amalgamation between 3rd Carabineers and The Royal Scots Greys. The Regiment has been deployed in numerous operations around the world in the forty- five years which have followed.
Having served in Northern Ireland, the Gulf War, Bosnia, Kosovo, three tours in Iraq and three tours in Afghanistan, SCOTSDG is a cavalry Regiment with wide operational experience. One of those troopers who sat for a portrait. Sergeant Keith Mitchell a recipient of the Military Cross. Risked his life to save wounded comrades in Afghanistan was commended for his “courage and selflessness” under re. He stood in open ground to draw enemy re away from his colleagues in an attack in Helmand in March of 2012. It was an honour to meet Sergeant Mitchell, who also gave me a tour of the Barracks and the incredible artefacts the regiment has acquired through their bravery.
Soldiery as a project, has given me the opportunity to indulge my historical ambitions. One of these creative urges has been to photograph a British Field Marshal. The rank is the most senior rank of the British Army. Higher than all the Generals I’ve captured thus far. Considered a five star rank in today’s modern militaries. In the British Army, Field Marshal has been the most senior rank since 1736.
Since the end of Empire, the rank has become somewhat redundant, this is due to the reduction in the size of Britain’s Armed Forces. The rank is now ceremonial, a gift of recognition from the sovereign to senior military figures, and bestowed on members of the Royal Family. I wrote to several Field Marshal’s and to my delight a reply, Field Marshal The Lord Guthrie accepted my invitation to sit for a Portrait in London.
Wrapping up Soldiery, my final sitting took place with the Chief of the General Staff General Sir Nick Carter. Carter assumed the position of Commander Land Forces in November 2013. In September 2014, he became head of the British Army as Chief of the General Staff succeeding General Sir Peter Wall. The portrait will also hang on the wall of all previous Chiefs of the General Staff dating back to Field Marshal Bernard Law Montgomery in 1945.
In June 2017 a company of the 2nd Battalion Princess Patricia’s Canadian Light Infantry took up the temporary role of mounting the Queen’s Guard at Buckingham Palace. The honour usually falls to the British Army’s Household Division. However, other Commonwealth Nations get a chance at protecting the Queen every now and again. Princess Patricia’s Canadian Light Infantry is based in Shilo, Manitoba, Canada. Named after Princess Patricia of Connaught, daughter of the then-Governor General of Canada. Contacting the regiment upon their arrival in London. I arranged a series of portrait sittings with the company at Wellington Barracks, before they mounted the Queens Guard. The sitting gave me the chance to record living History, Canadian Regiments rarely appear in London for state duties. (The sittings captured on video Below).
2017 was been a very busy year Stateside, I made four trips to Los Angeles, in February, May, September and October. For the first time I began to offer Actors Headshots Sessions with a great deal of success and will continue to do so in 2018, with even more trips to LA planned. I’ve enjoyed working with household names like Josh Clark and Greg Itzin, creating new Headshots for Hollywood Stars.
In February during a trip Los Angeles to teach a Portrait Masterclass at Samy’s Cameras Photo School. I was able to fit in a Portrait Sitting with Actor John De Lancie. De Lancie is an American stand-up comedian, actor, director, producer, writer, singer, musician, and voice artist, best known for his roles as Q in Star Trek: The Next Generation and Donald Margolis in Breaking Bad.
I wrote to John last year and was finally able to arrange the sitting in Studio City. De Lancie a very talented actor was a joy to work with. Using inventive scenarios, I directed John as to assume a series of characters.
I was also able to fit in a few portrait sittings of my own. Caravaggio has been of great inspiration to my recent Portrait Photoshoots. Recreating the animation and religious tones of his work has been a challenge. Thus I invited three actors to help me recreate this style of portraiture. Firstly the remarkable film and stage presence Tony Amendola, who took upon the role of a fallen priest. Ripping the collar from his neck with a wonderful vigorous expression; captured profile, whilst reciting a powerful soliloquy to camera.
Back in London in March, actor Stephen Graham and fellow scouser. Who is best known for his roles as Tommy in the film Snatch(2000), Andrew “Combo” Gascoigne in This Is England (2006), Billy Bremner in The Damned United (2009), notorious bank robber Baby Face Nelson in Public Enemies (2009), Scrum in the Pirates of the Caribbeanfilms and he starred as Al Capone in the HBO series Boardwalk Empire.
Stephen accepted my invitation to sit for a portrait at the London Studio last week. I’ve admired his work for many years. Graham is a screen icon, exceptionally talented and known for playing no-nonsense gritty characters. I aimed to capture Stephens métier in my portraits, asking him to pose as emotionless, then changing to capture fierce and angry expressions.
Hugh Bonneville was next in May 2017 at the London Studio. Bonneville is a remarkably talented British actor. Best known for playing Robert Crawley in the ITV period drama series Downton Abbey. On the day of the sitting my Phase One Body was somewhat acting up. Being resourceful I always carry a backup. Therefore I reached into my Peli Case for my Fuji X100F and TCL-X100, 50mm Teleconverter Lens. The Fuji performed swimmingly in the studio environment, not outperforming my Phase One XF, but still providing amazingly detailed results.
Often commissioned by Corporate & Government Clients for Portrait Sittings. I’m no stranger to photographing headshots of prominent business, legal and political officials. Non of these sittings have been more unique than a photoshoot with Sir John Major, former Prime Minister of Great Britain.
I wrote to Sir John in 2016 to arrange the sitting and we decided to shoot in the Autumn of that year. However, Brexit came upon us and the sitting was postponed. Sir John, being a remain campaigner had to take time out. It wasn’t until July 2017, that the sitting could finally take place.
To prepare for my sitting, I began by studying Sir John’s portrait sitting with Yousuf Karsh, before watching his interviews and parliamentary debates on Youtube. I also read Sir John’s Autobiography to get a sense of his character and career as Prime Minister.
Preparation complete, my plan was to capture Sir John as the elder statesman, thoughtful and reflective. I found Major to be an extraordinary sitter. Speaking about his career, I was able to direct Sir John as he mediated on the past. One of my aims as a portraitist is to record the figures of our time, and this sitting certainly represents living history.
Chelsea Pensioner Dougie Hassall is a very extraordinary pensioner. Reaching the grand old age of 100. The Royal Hospital in London Commissioned me to capture his portrait. It was a very humbling and remarkable experience for me to shake the hands of a 100 year old man. Dougie’s secret to old age, be kind to one another and live each day to the full. Hassall the oldest sitter of my career is a World War Two Veteran, captured by the Japanese Army in 1941, and was a Prisoner of War for three-and-a-half years working at the docks in Saigon.
Portrait of Britain is presented by British Journal of Photography. Photographer Rory Lewis portrait of Captain Anani-Isaac of The Royal Lancers. Captured for Soldiery (British Army Portraits), has been selected to appear in a Nationwide Exhibition. Shortlisted from 8000 entires, 100 Portraits of the exhibition will go live on Friday 1st September 2017. Portrait of Britain is being billed as the UK’s biggest exhibition of portraiture. Being exhibited across JCDecaux’s nationwide screens, appearing in public places throughout the UK. Limited Edition Prints are also on sale via the Portrait of Britain Website.
In October making use of all my time in LA I was able to fit in a Portrait Sitting with Actor Rufus Sewell. The sitting had been on the cards for quite some time and I was lucky Rufus was in town on a break from filming The Man In The High Castle. I’m only sharing one portrait from the sitting as the below has been acquired by The National Portrait Gallery in London. The shoot was very memorable, I’ve admired his work for many years and the chance to direct and photograph Rufus was a wonderful experience. The other portraits will be displayed at an exhibition of my work in 2018 so stay tuned.
In December I was pleased to announce that a Portrait of British Army Soldier Sergeant Seeto, captured as part of Soldiery British Army Portraits Exhibition. Entered into the British Life Photography Awards received a commendation. The Awards are a showcase of contemporary and imaginative images that capture the essence and spirit of British life. Winners and commended entrants will have their work on show at the Royal Albert Hall,Kirkleatham Museum, Redcar, and be included in a full colour book.
Also in December a portrait of British Army Soldier Warrant Officer Class 2 Deborah Penny captured in November 2017 in London, was acquired by the National Portrait Gallery London. Deborah serving 30 years in the British Army’s Royal Logistic Corps as a Bomb disposal expert; made Army history as the first transgender Soldier to serve in the front line. The Portrait captured as part of my Soldiery Exhibition Soldiery British Army Portraits, represents my SEVENTH National Portrait Gallery Acquisition.
“The British Army is a wonderfully diverse organisation and I’m pleased that my portrait has helped to recognise a true British Army Hero. Deborah will take her rightful place in the National Portrait Gallery’s perminant collection.”
Finally in finishing this hastily put together Blog Post, these have been the highlights of a gigantic year in Portraiture. I look forward to picking up my camera tomorrow for my first portrait sitting of 2018. Lastly my biggest moment of 2017 the unveiling Soldiery for one Preview evening in my home town of Liverpool, captured on video please take a look below.
We are pleased to announce that a portrait of British Army Soldier Warrant Officer Class 2 Deborah Penny captured by Rory Lewis Photographer November 2017 in London, has been acquired by the National Portrait Gallery London. Deborah serving 30 years in the British Army’s Royal Logistic Corps as a Bomb disposal expert; made Army history as the first transgender Soldier to serve in the front line. The Portrait captured as part of Rory Lewis Exhibition Soldiery British Army Portraits, represents Lewis’s SEVENTH National Portrait Gallery Acquisition.
“The British Army is a wonderfully diverse organisation and I’m pleased that my portrait has helped to recognise a true British Army Hero. Deborah will take her rightful place in the National Portrait Gallery’s perminant collection.”
Founded in 1856, the aim of the National Portrait Gallery, London is ‘to promote through the medium of portraits the appreciation and understanding of the men and women who have made and are making British history and culture, and …to promote the appreciation and understanding of portraiture in all media. It is an absolute honour to have SEVEN of my Portraits included in the collection.
We are pleased to announce that a portrait of Actor Rufus Sewell (Dark City, The Man in the High Castle & Victoria) captured by Rory Lewis Photographer in Los Angeles last month, has been acquired by the National Portrait Gallery London. The Portrait represents Rory Lewis SIXTH National Portrait Gallery Acquisition.
Founded in 1856, the aim of the National Portrait Gallery, London is ‘to promote through the medium of portraits the appreciation and understanding of the men and women who have made and are making British history and culture, and …to promote the appreciation and understanding of portraiture in all media’. It is an absolute honour to have SIX of my Portraits included in the collection.
Thank you to the Team at Professional Photo Magazine, for publishing a feature on Soldiery British Army Portraits. Soldiery has been a long term project which has taken over 2 years to photograph. The exhibition will be coming to the National Army Musuem from the 31st January – 6th February 2018. Don’t miss the opportunity to see the collection which has captured the tradition and diversity of the Modern British Army.
Portraits from a recent London Portrait Commission with Rona Fairhead, Baroness Fairhead, CBE Minister of State at the Department for International Trade. She is a former Chairman of the BBC Trust and was the first woman to hold the post. Really enjoyed capturing these portraits visiting the Ministry with my portable equipment, I was able to setup in a conference room utilising a portable grey backdrop and lighting equipment. If you are in need of Corporate Headshots, please check out my packages.
Chelsea Pensioner Dougie Hassall is a very extraordinary pensioner. Reaching the grand old age of 100. The Royal Hospital in London Commissioned me to capture his portrait. It was a very humbling and remarkable experience for me to shake the hands of a 100 year old man. Dougie’s secret to old age, be kind to one another and live each day to the full.
Hassall the oldest sitter of my career is a World War Two Veteran, captured by the Japanese Army in 1941, and was a Prisoner of War for three-and-a-half years working at the docks in Saigon.
He remembers VJ Day vividly as the American Forces dropped leaflets over their camps to let them know the war had ended. He said: “We had an idea that it might be over about a week before; the Japanese were preparing to shoot us. We were starting to dig our own graves.
“They dropped the second bomb and the Japanese Commander, wisely, had a change of heart. I was quite fortunate as a Japanese Prisoner of War, I was with my friends. We were all in there together which made it easier.
“I have made my peace with the Japanese, I believe in forgiving and forgetting.”
Black History Month has been marked in the UK for more than 30 years. It takes place during the month of October. It is held to highlight and celebrate the achievements and contributions of the black community in the UK. My own family stems from Black roots originating from Africa, Sierra Leone to be exact. My African Great Grandfather settling in the UK 1908, nearly 110 years ago. For my own contribution to Black History Month a blog post on just a hand full of the culturally and historically important Black Britain’s I’ve photographed over the years.
Craig Charles (born 11 July 1964) is a British actor, comedian, author, poet, television presenter and DJ. He is best known for playing Dave Lister in the science fiction sitcom Red Dwarf and Lloyd Mullaney in the soap opera Coronation Street, as a funk and soul DJ on BBC Radio 6 Music and BBC Radio 2, and as the presenter of the gladiator-style game show Robot Wars from 1998 to 2004.
The Portrait Sitting took place back in 2014 for my ‘Northerners Photography Exhibition‘. Charles first appeared on television as a performance poet, which led to minor presenting roles. After finding fame in Red Dwarf, he regularly featured on national television with celebrity appearances on many popular shows while he continued to host a wide variety of programmes.
Charles is also known for narrating the comedy endurance show Takeshi’s Castle. From 2017, he has hosted The Gadget Show for Channel 5. His acting credits include playing inmate Eugene Buffy in the ITV drama The Governor, and leading roles in the British films Fated and Clubbing to Death. He has toured the UK extensively as a stand-up comedian.
Charles has hosted The Craig Charles Funk and Soul Show on BBC radio since 2002, and performs DJ sets at numerous clubs and festivals, nationally and internationally. In September 2015, he left Coronation Street after ten years, to film new episodes of Red Dwarf.
Paul Barber is an English Actor from Liverpool, with a career spanning more than 30 years. Barber has worked extensively in British TV, such as in To the Manor Born (1979) as a Jamaican steel band musician, Minder (1980) as Willie Reynolds in episode Don’t Tell Them Willie Boy Was Here, Only Fools and Horses (1981–2003), Boys from the Blackstuff (1982), Malcolm in The Front Line, and Cracker and played Greg Salter in Brookside (1994).
He is best known for his role in Only Fools and Horses playing Denzil. Barber had small roles in the big-screen version of Porridge(1979) and The Long Good Friday(1980). In 1991, he plays a football coach in the ‘Screen One’ television play, Alive and Kicking. However Barber’s best known role was playing one of the stripping steelworkers in the popular 1997 film The Full Monty (1997) set in Sheffield. He reunited with Full Monty co-star Robert Carlyle and Samuel L Jacksonin the Liverpool-based crime film The 51st State (2001). The Portrait was again taken for my ‘Northerners Photography Exhibition‘.
Back in 2016, I had to honour to photograph British Victoria Cross recipient Johnson Beharry VC. On 1 May 2004, Beharry was driving a Warrior tracked armoured vehicle that had been called to the assistance of a foot patrol caught in a series of ambushes. The Warrior was hit by multiple rocket-propelled grenades, causing damage and resulting in the loss of radio communications. The platoon commander, the vehicle’s gunner and a number of other soldiers in the vehicle were injured. Due to damage to his periscope optics, Pte. Beharry was forced to open his hatch to steer his vehicle, exposing his face and head to withering small arms fire. Beharry drove the crippled Warrior through the ambush, taking his own crew and leading five other Warriors to safety. He then extracted his wounded comrades from the vehicle, all the time exposed to further enemy fire. He was cited on this occasion for “valour of the highest order”.
While back on duty on 11 June 2004, Beharry was again driving the lead Warrior of his platoon through Al Amarah when his vehicle was ambushed. A rocket-propelled grenade hit the vehicle six inches from Beharry’s head, and he received serious shrapnel injuries to his face and brain. Other rockets then hit the vehicle, incapacitating his commander and injuring several of the crew. Despite his life-threatening injuries, Beharry retained control of his vehicle and drove it out of the ambush area before losing consciousness. He required brain surgery for his head injuries, and he was still recovering in March 2005 when he was awarded the Victoria Cross (View Full Series of Posts)
Soldiery as a project, has given me the opportunity to indulge my historical ambitions. One of these creative urges has been to photograph a British Field Marshal.
Field Marshal is the most senior rank of the British Army. Higher than all the Generals I’ve captured thus far. Considered a five star rank in today’s modern militaries. In the British Army, Field Marshal has been the most senior rank since 1736.
Since the end of Empire, the rank has become somewhat redundant, this is due to the reduction in the size of Britain’s Armed Forces. The rank is now ceremonial, a gift of recognition from the sovereign to senior military figures, and bestowed on members of the Royal Family.
I wrote to several Field Marshal’s and to my delight a reply, Field Marshal The Lord Guthrie accepted my invitation to sit for a Portrait in London.
Field Marshal Guthrie, Baron Guthrie of Craigiebank, GCB, LVO, OBE, DL was Chief of the General Staff, the professional head of the British Army, from 1994 to 1997 and Chief of the Defence Staff from 1997 until his retirement in 2001.
Guthrie’s military career saw service with the Welsh Guards and the Special Air Service; he was closely involved in military operations in Northern Ireland and provided advice to the British Government during the Bosnian War and the Kosovo War.
In 2012 Lord Guthrie was handed his Field Marshal’s Baton, in recognition of his remarkable leadership and service by Her Royal Highness Queen Elizabeth II . You can view a Pathe News Clip of another Field Marshal Jan Smuts being handed his Baton back in 1941.
(Below Field Marshals Baton Presented to Field Marshal Jan Smuts OM, CH, ED, PC, KC, FRS)
The Baton is the main symbol of office, only given to Field Marshals. It stems back to ancient origins; namely those of the Roman Empire. A short heavy white Baton was a symbol of the Imperial Mandate given to Roman Military Legates. The Legate would hold the baton upon high, proclaiming, “above your head and mine to represent the power of the emperor”.
The British Field Marshal’s Baton is a symbol of the magnitude of office. The figure of St George and the Dragon is at the top, and at the bottom an inscription from The Queen to Lord Guthrie. The body of the Baton is covered with red velvet.
Looking for inspiration I started with Sir Thomas Lawrence, studying his portraits of the Duke of Wellington. Neo Classical in Style; Lawrence painted the Iron Duke on several occasions. His most vivid depiction, a triumphant portrait of Wellington which dominates the Waterloo Chamber at Windsor Castle. Lawrence’s composition is that of victory, heralding Wellington as the finest of military commanders and the liberator of Europe.
Then I moved on to looking at Singer Sargent’s portrait of Field Marshal Frederick Sleigh Roberts. The work similar to Sir Thomas Lawrence’s neo-classical depictions. I turned to photography, browsing the National Portrait Gallery archive, I discovered the photographer Alexander Bassano, who photographed Field Marshal Hague. The portrait captured in a solemn and dutiful style, the depictions relay the finery, yet the obligation and commitment of Hague’s role.
With all this in mind I set to work, with a desire to create my own interpretation. Using a red velvet backdrop, I aimed to recreate the symbolism of the fire and blood, that is the Red Coat. The British Military Uniform associated with energy, war, danger, strength and Royal power. These words associate with the office of Field Marshal. Full finery was the order of the day, medals, orders, and number one dress uniform. Wanting to portray Lord Guthrie as the man he is; the Commander held in immense regard.