Field Marshal The Lord Guthrie Portrait Sitting

Soldiery as a project, has given me the opportunity to indulge my historical ambitions. One of these creative urges has been to photograph a British Field Marshal.

 

Field Marshal is the most senior rank of the British Army. Higher than all the Generals I’ve captured thus far. Considered a five star rank in today’s modern militaries. In the British Army, Field Marshal has been the most senior rank since 1736.

 

Since the end of Empire, the rank has become somewhat redundant, this is due to the reduction in the size of Britain’s Armed Forces. The rank is now ceremonial, a gift of recognition from the sovereign to senior military figures, and bestowed on members of the Royal Family.

 

I wrote to several Field Marshal’s and to my delight a reply, Field Marshal The Lord Guthrie accepted my invitation to sit for a Portrait in London.

 

Field Marshal Guthrie, Baron Guthrie of CraigiebankGCBLVOOBEDL was Chief of the General Staff, the professional head of the British Army, from 1994 to 1997 and Chief of the Defence Staff from 1997 until his retirement in 2001.

Field Marshal The Lord Guthrie Portrait Sitting, London Portrait Photographer Rory Lewis

Guthrie’s military career saw service with the Welsh Guards and the Special Air Service; he was closely involved in military operations in Northern Ireland and provided advice to the British Government during the Bosnian War and the Kosovo War.

 

In 2012 Lord Guthrie was handed his Field Marshal’s Baton, in recognition of his remarkable leadership and service by Her Royal Highness Queen Elizabeth II . You can view a Pathe News Clip of another Field Marshal Jan Smuts being handed his Baton back in 1941.

(Below Field Marshals Baton Presented to Field Marshal Jan Smuts OM, CH, ED, PC, KC, FRS)

The Baton is the main symbol of office, only given to Field Marshals. It stems back to ancient origins; namely those of the Roman Empire. A short heavy white Baton was a symbol of  the Imperial Mandate given to Roman Military Legates. The Legate would hold the baton upon high, proclaiming, “above your head and mine to represent the power of the emperor”.

 

The British Field Marshal’s Baton is a symbol of the magnitude of office. The figure of St George and the Dragon is at the top, and at the bottom an inscription from The Queen to Lord Guthrie. The body of the Baton is covered with red velvet.

 

Field Marshal The Lord Guthrie Portrait Sitting, London Portrait Photographer Rory Lewis

Looking for inspiration I started with Sir Thomas Lawrence, studying his portraits of the Duke of Wellington.  Neo Classical in Style; Lawrence painted the Iron Duke on several occasions. His most vivid depiction, a triumphant portrait of Wellington which dominates the Waterloo Chamber at Windsor Castle. Lawrence’s composition is that of victory, heralding Wellington as the finest of military commanders and the liberator of Europe.

Sir Thomas Lawrence (1769-1830)
Arthur Wellesley, 1st Duke of Wellington (1769-1852) 1814-15

Then I moved on to looking at Singer Sargent’s portrait of Field Marshal Frederick Sleigh Roberts. The work similar to Sir Thomas Lawrence’s neo-classical depictions.  I turned to photography, browsing the National Portrait Gallery archive, I discovered the photographer Alexander Bassano, who photographed Field Marshal Hague. The portrait captured in a solemn and dutiful style, the depictions relay the finery, yet the obligation and commitment of Hague’s role.

Douglas Haig, 1st Earl Haig by Bassano Ltd whole-plate glass negative, 19 July 1921 Alexander Bassano

With all this in mind I set to work, with a desire to create my own interpretation. Using a red velvet backdrop, I aimed to recreate the symbolism of the fire and blood, that is the Red Coat. The British Military Uniform associated with energy, war, danger, strength and Royal power. These words associate with the office of Field Marshal. Full finery was the order of the day, medals, orders, and number one dress uniform. Wanting to portray Lord Guthrie as the man he is; the Commander held in immense regard.

 

The positions directed for the sitting are reflective, shooting from a low angle to make Lord Guthrie look prominent and tall. Harsh lighting is utilised to preserve the detail. To me the Portrait is historical , a document, all the detail must be safeguarded. With this in mind I hope I’ve done my predecessors, proud in this my first portrait sitting with a British Field Marshal. Currently I’m accepting public & private commissions both Military and Non Military for Portrait Sittings so please don’t hesitate to get in touch.

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Princess Patricia’s Canadian Light Infantry London Portrait Sittings

A company of the 2nd Battalion Princess Patricia’s Canadian Light Infantry took up the temporary role of mounting the Queen’s Guard at Buckingham Palace last month. The honour usually falls to the British Army’s Household Division. However, other Commonwealth Nations get a chance at protecting the Queen every now and again. Princess Patricia’s Canadian Light Infantry is based in Shilo, Manitoba, Canada. Named after Princess Patricia of Connaught, daughter of the then-Governor General of Canada. Contacting the regiment upon their arrival in London. I arranged a series of portrait sittings with the company at Wellington Barracks, before they mounted the Queens Guard. The sitting gave me the chance to record living History, Canadian Regiments rarely appear in London for state duties.

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The 2PPCLI uniforms differ slightly to British Soldiers, especially their helmets. They are called Pith helmets, and the choice of helmet style comes down to historical precedent specific to each regiment. You may also notice that the helmets the officers wear are entirely white, while the non-commissioned members have a coloured fabric on theirs. In the case of the Princess Patricia’s Canadian Light Infantry, that colour is ‘French Grey’ which is the colour of the Third Canadian Division.

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Accustomed to photographing British Soldiers for my ‘Soldiery Portrait Exhibition‘ it was refreshing to work with a Canadian Regiment. A real pleasure to work with the chaps. Its true what they say, Canadians are among the most polite people in the world.

 

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The Coldstream Guards Portrait Sittings

My final Infantry regimental sittings of my Soldiery Portrait Project took place with The Coldstream Guards. Formed in 1650 as part of the New Model Army during the English Civil War. The regiment swore allegiance to King Charles II in 1660 and has guarded the country’s monarchs since.

 

The Coldstream Guards have two roles in the British Army. The first is as of an Infantry unit famous for being the oldest regiment in the British Army in continuous service. The second is of a ceremonial Battalion trained to be involved in any state or royal ceremonial tasks. The regiment epitomises the British Army’s values and standards: selfless commitment, respect for others, loyalty, integrity, discipline and courage.

 

Drawing strength from its heritage to face the challenges of the future, the Regiment lives by its motto, ‘Nulli Secundus’ or ‘Second to None’. My sittings with the regiment, took place at the historic Wellington Barracks in London, where I was able to capture the Guardsmen before the changing of the guard.

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Lance Corporal Matthew Croucher, GC, VR

The Victoria Cross & George Cross Portrait Project has been an exceptionally challenging, yet rewarding portraiture project. Individuals who have been awarded the Victoria Cross have been selected because they are worthy of Britain, Australia, Canada and New Zealand’s highest military award for their bravery and conduct in the field. Similarly, those awarded the George Cross are civilians or military personnel who have displayed conspicuous bravery in and away from the field. These awards are not issued lightly. They are the very greatest honour for individual valour and merit. These individuals are the modern day heroes.

 

Over the next few week’s I’ll be posting all the VC & GC recipients in a series of Blog Posts. Here is my Sixth post in the series, recipient Lance Corporal Matthew Croucher GC VR . (View Full Series of Posts).

Rory Lewis London Portrait Photographer

Croucher was recommended for the award for throwing himself on a Taliban tripwire grenade to save his comrades. He was part of a reconnaissance mission near Sangin in Helmand Province in Afghanistan on 9 February 2008. Moving through a compound at night he felt a trip-wire against his leg and saw that he had activated a grenade. He threw himself to the ground, and used his rucksack to pin the grenade to the floor, and tucked his legs up to his body. He was thrown some distance by the explosion, but due to the protection offered by his rucksack and body-armour, suffered only a nose-bleed, perforated ear drums and some disorientation. The pack was ripped from his back by the explosion, and his body armour and helmet were pitted by grenade fragments. Of the other three members of his patrol, the rear man managed to take cover by retreating round the corner of a building; the patrol commander threw himself to ground, and received a superficial face wound from a grenade fragment; and the final team member did not have time to react, and remained on his feet, and would have been within the lethal range of the grenade but for Croucher’s action. The explosion breached a large lithium battery which was in Croucher’s pack to power the patrol’s electronic countermeasures equipment, causing it to burst into flames. A medic recommended that he be evacuated, but he insisted on continuing as the members of the patrol realised that Taliban fighters would probably come to investigate the explosion, and this would give the marines the opportunity to ambush them.

 

Croucher was initially put forward for the Victoria Cross (VC), the highest decoration for valour in the British Armed Forces. Had he been awarded the Victoria Cross he would have been the first Royal Marine to receive the award since 1945 and only the second living British recipient in the 21st century. The George Cross is awarded for the same level of bravery expected of a VC but is awarded when no enemy is present. Croucher is one of only 22 living recipients of the medal of which only 406 have been awarded.

 

Croucher was presented with the GC by Queen Elizabeth II at a ceremony in Buckingham Palace on 30 October 2008.

 

 

Rambahadur Limbu VC Portrait Sitting

The Victoria Cross & George Cross Portrait Project has been an exceptionally challenging, yet rewarding portraiture project. Individuals who have been awarded the Victoria Cross have been selected because they are worthy of Britain, Australia, Canada and New Zealand’s highest military award for their bravery and conduct in the field. Similarly, those awarded the George Cross are civilians or military personnel who have displayed conspicuous bravery in and away from the field. These awards are not issued lightly. They are the very greatest honour for individual valour and merit. These individuals are the modern day heroes.

 

Over the next few week’s I’ll be posting all the VC & GC recipients in a series of Blog Posts. Here is my Fourth post in the series, recipient Rambahadur Limbu, VC, MVO. (View Full Series of Posts)

 

Rambahadur Limbu VC London Portrait Photographer Rory Lewis

 

Extracts from citation

“On 21st November 1965 in the Bau District of Sarawak Lance Corporal RAMBAHADUR LIMBU was with his Company when they discovered and attacked a strong enemy force located in the Border area… Leading his support group in the van of the attack he could see the nearest trench and in it a sentry manning a machine gun. Determined to gain first blood he inched himself forward until… he was seen and the sentry opened fire, immediately wounding a man to his right. Rushing forward he reached the enemy trench… and killed the sentry, thereby gaining for the attacking force a foothold on the objective… with a complete disregard for the hail of fire he got together and led his fire group to a better fire position…

 

…he saw both men of his own group seriously wounded… and… immediately commenced… to rescue his comrades… he crawled forward, in full view of at least two enemy machine gun posts who concentrated their fire on him… but… was driven back by the accurate and intense… fire… After a pause he started again…

 

Rushing forward he hurled himself on the ground beside one of the wounded and calling for support from two light machine guns… he picked up the man and carried him to safety… Without hesitation he immediately returned… [for the other] wounded man [and] carried him back… through the hail of enemy bullets. It had taken twenty minutes to complete this gallant action and the events leading up to it. For all but a few seconds this Non-Commissioned Officer had been moving alone in full view of the enemy and under the continuous aimed fire of their automatic weapons… His outstanding personal bravery, selfless conduct, complete contempt of the enemy and determination to save the lives of the men of his fire group set an incomparable example and inspired all who saw him.

 

Finally, Lance Corporal Rambahadur was responsible for killing four more enemy as they attempted to escape…

 

He displayed heroism, self sacrifice and a devotion to duty and to his men of the very highest order. His actions on this day reached a zenith of determined, premeditated valour which must count amongst the most notable on record and is deserving of the greatest admiration and the highest praise.”

The Sea Lord’s

Recently I had the honor of photographing a very historic series of portrait sittings. Commissioned by The Royal Navy. To Photograph the outgoing First Sea Lord Admiral Sir George Zambellas. The sittings took place at Admiralty House in Portsmouth. I was also able to capture portraits of the First Sea Lord’s Staff. Second Sea Lord Vice Admiral Jonathan Woodcock, Flag Lieutenant (Capt Sam Shepherd GC) and Master Seaman Rob Martin.

 

Embarrassingly this was my first visit to the Naval Port City. Surrounded by the History, Admiralty House is a stones-throw away from the iconic HMS Victory and the vast array of the Royal Navy’s powerful arsenal of Warships. The Portrait sittings were very enjoyable, and I took inspiration from the feast of Naval Portraits hanging on the walls in Admiralty House.

Admiral Sir George Michael Zambellas, GCB, DSC, ADC, DL, FRAeS Rory Lewis London Portrait Photographer

Admiral Sir George Michael Zambellas, GCB, DSC, ADC, DL, FRAeS Rory Lewis London Portrait Photographer

Vice Admiral Simon Jonathan Woodcock, OBE, Rory Lewis London Portrait Photographer

Vice Admiral Simon Jonathan Woodcock, OBE, Rory Lewis London Portrait Photographer

Flag Lieutenant (Capt Sam Shepherd GC) London Portrait Photographer Rory Lewis

Flag Lieutenant (Capt Sam Shepherd GC) London Portrait Photographer Rory Lewis

Master Seaman Rob Martin, London Portrait Photographer Rory Lewis

Master Seaman Rob Martin, London Portrait Photographer Rory Lewis

Victoria & George Cross Portraits

Recently I was honored to be commissioned by the Victoria & George Cross Association to capture portraits of those who have been decorated with Britain and the Commonwealths Highest Orders for Bravery for both Military and Civilian actions. The commission has been exceptionally challenging; the recipients who live all over the globe from Nepal and Canada to New Zealand & Australia. The project is underway and has clocked up the air miles taking me across the globe to capture the men and women who have been posthumously decorated for exceptional bravery.

 

The stories of valor; selfless courage and fearlessness I have read are incredible and to meet living heroes is indescribable. These men and women have saved lives at the risk of their own; held their ground under immense pressure and injury to themselves. I wanted to post just a few of the tales of valor, if you would like to view the full collection please see my project page.

 

Johnson Beharry VC

Lance Sergeant Johnson Gideon Beharry VC (born 26 July 1979) is a British Army soldier who, on 18 March 2005, was awarded the Victoria Cross. On 1 May 2004, Beharry was driving a Warrior tracked armoured vehicle that had been called to the assistance of a foot patrol caught in a series of ambushes. The Warrior was hit by multiple rocket propelled grenades, causing damage and resulting in the loss of radio communications. The platoon commander, the vehicle’s gunner and a number of other soldiers in the vehicle were injured. Due to damage to his periscope optics, Pte. Beharry was forced to open his hatch to steer his vehicle, exposing his face and head to withering small arms fire. Beharry drove the crippled Warrior through the ambush, taking his own crew and leading five other Warriors to safety. He then extracted his wounded comrades from the vehicle, all the time exposed to further enemy fire. He was cited on this occasion for “valour of the highest order”.

 

While back on duty on 11 June 2004, Beharry was again driving the lead Warrior of his platoon through Al Amarah when his vehicle was ambushed. A rocket propelled grenade hit the vehicle six inches from Beharry’s head, and he received serious shrapnel injuries to his face and brain. Other rockets then hit the vehicle, incapacitating his commander and injuring several of the crew. Despite his life-threatening injuries, Beharry retained control of his vehicle and drove it out of the ambush area before losing consciousness. He required brain surgery for his head injuries, and he was still recovering in March 2005 when he was awarded the Victoria Cross.

 

Peter Norton (GC)

Peter Norton (GC) London Portrait Photographer Rory Lewis

Peter Norton (GC) London Portrait Photographer Rory Lewis

Norton was second-in-command of the American Combined Explosives Exploitation Cell (CEXC) based in the outskirts of Baghdad. Going to the aid of a United States Army patrol that had been attacked by an improvised explosive device (IED) on 24 July 2005, he was checking for the presence of further devices when a secondary victim-operated IED exploded. He lost his left leg and part of his left arm, and he sustained serious injuries to his other leg and lower back. Despite his injuries, he continued to give instructions to his team, suspecting that further devices might be in the vicinity. He refused to be evacuated until he was certain that all personnel on the ground were aware of the danger. A third device was subsequently located and dealt with the following day. He was promoted to major on 31 July 2008. On 1 August 2013, Norton retired from the army on medical grounds.

 

Margaret Vaughan GC

Margaret Vaughan GC London Portrait Photographer Rory Lewis

Margaret Vaughan GC London Portrait Photographer Rory Lewis

May 28th, 1949, a party of Scouts, aged between 11 and 15 years, visiting Sully Island were cut off by the rising tide from a causeway which led to the mainland. Most of the boys got safely across, but two of them were forced off the causeway by the strong tide. The leader of the party returned to help the elder boy but in the struggle he too became exhausted. Margaret Vaughan (aged 14 years) saw from the beach the difficulties they were in. She undressed and swam towards them over a distance of some 30 yards in cold, rough water and against strong currents due to the rising tide. On reaching them she towed the boy to the shore while he supported himself by grasping the straps of her costume and his leader’s coat. At about ten feet from the shore a life belt was thrown in which the boy was placed by the other two and the three reached the shore safely. Margaret Vaughan’s action probably saved the life of the Scout leader as well as that of the elder boy.

 

Jim Beaton VC

Jim Beaton GC London Portrait Photographer Rory Lewis

Jim Beaton GC London Portrait Photographer Rory Lewis

Beaton received the George Cross in 1974 for protecting The Princess Anne from the would-be kidnapper Ian Ball during an attack in The Mall, London. He received the Director’s Honor Award of the United States Secret Service in the same year. He was made an LVO in 1987 and promoted to CVO in 1992.

 

In March 1973, Beaton was transferred to the Royalty Protection Squad, A Division, and from 14 November served as a Personal Protection Officer to Princess Anne. He was given the number 11 in the small team responsible for protecting members of the Royal Family. On 20 March 1974 the princess and her husband Captain Mark Phillips were returning to Buckingham Palace from a royal engagement. Their car was stopped in the Mall by another vehicle driven into its path.The car was driven by Ian Ball, who was later declared to be mentally ill; Ball jumped out of his vehicle and tried to force the Princess from her car. He shot the royal chauffeur, Alex Callender, and a passing journalist, Brian McConnell, who tried to assist. Inspector Beaton was shot three times, including serious wounds in the chest and abdomen, and a gunshot wound to his hand, sustained when he tried to block Ball’s weapon with his own body, after his own gun had jammed. Beaton also sustained injuries to his pelvis while trying to disarm Ball. For his bravery Beaton was awarded the George Cross; Callender and McConnell were each awarded the Queen’s Gallantry Medal. Beaton remained with the Princess until February 1979.

 

Captain Rambahadur Limbu VC 

Captain Rambahadur Limbu VC London Portrait Photographer Rory Lewis

Captain Rambahadur Limbu VC London Portrait Photographer Rory Lewis

Limbu was 26 years old, and was a lance corporal in the 2nd Battalion, 10th Princess Mary’s Own Gurkha Rifles, British Army during the Indonesian Confrontation when, on 21 November 1965 in Sarawak, Borneo, Lance Corporal Rambahadur Limbu was in an advance party of 16 Gurkhas when they encountered about 30 Indonesians holding a position on the top of a jungle-covered hill. The lance-corporal went forward with two men, but when they were only 10 yards from the enemy machine-gun position, the sentry opened fire on them, whereupon Limbu rushed forward and killed him with a grenade. The remaining enemy combatants then opened fire on the small party, wounding the two men with the lance-corporal who, under heavy fire, made three journeys into the open, two to drag his comrades to safety and one to retrieve their Bren gun, with which he charged down and killed many of the enemy.

 

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Soldiery – Capturing British Army Generals


One of my current projects is entitled ‘Soldiery’. It’s an exciting, interesting and challenging project in which I’m working in collaboration with the British Army to capture a truly unique collection of military portraiture.

 

Soldiery has taken a year to complete and has seen me visiting a dozen regiments from the Queen’s Royal Lancers, to the Household Cavalry, Gurkhas and Parachute Regiment. There have been over 250 portrait sittings that have seen me march the length and breadth of the country. Over this past year, I’ve been in military bases as far apart as Scotland’s Fort George in Inverness, to Catterick Yorkshire, Buckingham Palace, Horse Guards, the MOD Headquarters in Whitehall and Army Headquarters in Andover.

Kings Royal Hussars

The aim of Soldiery has been to capture the ‘greats’ of our military in a portrait collection which will serve as historical record of the British Army in the early 21st Century. This is living history, and includes several of the Army’s Generals and the senior staff of the British Army.

Major General Tim Robinson CBE

The Challenges 

I asked myself, as a humble civilian, how best to approach the portrait sittings. These figures are eminent people of stature and rank. What was the protocol? What style of portraiture would be best suited?

Lieutenant Colonel James Gaselee LG

Photographers are, in many ways, like a chameleon. We adapt to our environment as we are a facilitator. As you may know, my inspiration is often drawn from historical portrait paintings of the past. I went back to my roots, channelled my inner history buff, and began reminding myself of military paintings of the Napoleonic period. 

Very quickly I stumbled upon the works of the celebrated George Dawe. His style laid the foundations of my style for the project. With a staggering 342 portraits of Russian Generals to peruse I wasn’t short of inspiration. He was a busy and incredibly talented artist – in an 18 month period he had painted 80 Generals to be displayed at the Winter Palace having gained the commission during a tour of Europe with his Patrons the Duke and Duchess of Kent.

Alexander-Bibikov & Dmitry Levin George Daw Portrait Artist

Alexander-Bibikov & Dmitry Levin George Dawe Portrait Artist

George Dawe – Inspiration for Modern Military Portraiture

From British shores, Dawe relocated to St Petersburg in 1819. He rapidly won acclaim for his work and also received complimentary poetry verses by Pushkin entitled ‘To Dawe Esq.’ His work is on display at the Hermitage in St Petersburg.  In fact, he became somewhat of a celebrity throughout Europe, mixing with the Russian intellectual elite, even gaining an invitation to the coronation of Nicholas I in 1826. By 1828 he had been officially appointed First Portrait Painter of the Imperial Court. 

For me, perusing his work, it’s the subject’s heroism and responsibility that left its mark. This is what I wanted to capture in my project with a lens, rather than a brush.

Alexander Balashov & Alexander Seslavin George Dawe Portrait Artist

Alexander Balashov & Alexander Seslavin George Dawe Portrait Artist

Military Sittings Began – Lt. General Mark Poffley

 First up was Lt. General Mark Poffley O.B.E at the M.O.D London Headquarters in White Hall. Poffley was commissioned into the Royal Army Ordnance Corps in 1985 and has since served in the British Army for 31 years. He has been deployed in every major conflict in the past three decades from The Gulf War, Bosnian War, Insurgency in the Republic of Macedonia, War in Afghanistan and the Iraq War.

Lieutenant-General Mark Poffley, OBE

So began my aim to capture the General as a leader, an implacable Napoleonic Hero in Dawe’s inspirational style. Once the shoot was underway I requested the General to clutch his sword as I shot from a lower angle. With eyes to the camera I was able to direct, and capture, a fierce yet responsible expression.

General Sir James Everard KCB CBE

 

My second sitting took place with Lt General Sir James Everard Commander Army Land Forces, this time at Army Head Quarters in Andover. Everard is a veteran of many campaigns and has seen action in Bosnia, Kosovo, Iraq & Afghanistan. With Dawe’s inspiration at my fingertips I directed the General to pose profile allowing a full display of his medals and battle honours, with sword held close. I requested a responsible yet solemn expression looking to provoke the same thoughts in the viewers of my photographs as Dawe succeeded with his painting.

 

For historical recording, the sword is of critical importance. It is only part of the dress uniform for Generals who have received a 3-Star rank or above. The swords come from the Sovereign.

Lieutenant General James Bashall CBE

A tall and imposing man, Lt. General Bashall was photographed at the General’s Headquarters in Aldershot. The General is one of the British Army’s most veteran combat commanders, justifiably proud of his service with the Parachute Regiment.

In order to fully capture and capitalise upon the General’s stature, I opted for a half-length portrait. Key this time was to capture his ‘wings’, the symbol of the Paratroopers.

 

The Major-General commanding the Household Division commands the Household Division of the British Army. He is also General Officer Commanding London District. The Major- General has sole responsibility for the Service aspect of all State and ceremonial occasions within London District, having executive command of the Household Division and of any other units brought into London for ceremonial purposes and is the main channel of communication between the Household Division and the Monarch. He or she is appointed by The Queen, and will previously have commanded a Regiment or Battalion within the Household Division.

Major General Benjamin Bathurst CBE

The incumbent Major General Benjamin Bathurst CBE of the Welsh Guards, now occupies the role. The sitting took place at Horse Guards London. In the historic office, the Duke of Wellington once occupied, now used by the Major General of the Household Division. I couldn’t resist but to capture a portrait of Bathurst, sitting behind the desk once belonging to the Iron Duke.

 

It is known that the desk itself has been in the o ce of the Major- General since the late 1700s when the room was once known as the Courts Martial Room and then the Levee Room. It became the sole o ce of the Commander in Chief of the British Army sometime in the early 19th century. The desk itself was commissioned and purchased by Frederick Duke of York the second son of King George III, a truly historic sitting.

 

Major General Sanders is commander of the 3rd UK Division or ‘Iron Division’. It is the job of the Iron Division to respond to the call to field an army, whenever needed. The result is that General Sanders plays a crucial role as a combat commander. Previously a member of the Rifle Regiment, the General is no stranger to the field of combat. Direction this time involved instructing his eyes to focus on the camera with me shooting from a lower point. The result is a portrait capturing a powerful yet thoughtful figure.

Major General Patrick Sanders, London Portrait Photographer Rory Lewis

Major General Patrick Sanders, London Portrait Photographer Rory Lewis

Major General Susan Ridge is a senior British Army officer and lawyer. Since September 2015, she has been Director General of the Army Legal Services Branch (DGALS). She is the first woman to hold the rank of major general in the British Army.

Major General Susan Ridge

The final General of the collection was Major General Bob Bruce, commander of the Royal Regiment of Scotland. I needed to display tradition in this portrait with Bruce captured in his traditional Scottish uniform. Profile to camera enabled me to capture his regimental badge and his feather plume in all its glory. I used lighting techniques to separate him from the backdrop, creating a split of light on the unseen part of his facial profile.

Major General Bob Bruce

From these sittings with senior military figures I have learned a great deal about capturing leadership. I have found myself directing prominent individuals who are used to themselves giving direction to the men and women they command. I have relished the chance to take responsibility and ownership for these historical images of senior military leaders. These portraits will stand the test of time.

 

Relying once again on my confidence as a portrait photographer, I was able to bring to the sittings the direction needed to draw on Dawe’s inspiration. This confidence is key to any of my sittings, both military and in other fields where I need to capture leaders: from business to government.  Whilst Soldiery is complete, the lessons I’ve learned will follow through to all my future portrait sittings.

 

Major John Melville Military Portrait Sitting

Major John Melville late of the Commandos and now serving in The Royal Artillery commissioned a Military Portrait at Barracks in Liverpool. It was wonderful to meet John and great to speak to him about his incredible career. Melville is a soldier of considerable experience serving through the ranks as an enlisted man all the way to becoming an officer. His service in the military spanning from the Falklands Conflict in 1982 to the Gulf War in 1990 and even the recent conflicts in Iraq 2003 & Afghanistan 2001–14.

 

Portraits are very important to military personal, to be captured in Uniform looking ones best and in full finery can fill one with pride for the service. John is a genuine British Hero and I wanted to capture him as thus, opting for tall, solemn yet dutiful poses. He was very proud of his service in the Commandos and opted for his portrait in the Iconic Green Commando Beret.

 

If you are a member of the armed forces looking for a portrait siting please check out my comprehensive service available UK wide and several times a year in Los Angeles USA.

HyperFocal: 0 (Rory Lewis)

HyperFocal: 0 (Rory Lewis)

Rory Lewis: The One Stop Shop for Headshots

Beth Tweddle Portrait Rory Lewis PhotographerIt’s a big wild world out there when seeking headshots, whether you’re an actor, business leader, politician or anyone seeking a portrait photo for professional purposes. Sorting the wheat from the chaff and being sure you’re going to get exactly what you need, on professional level, can be overwhelming. You need someone who knows your home turf, with a specialist North-West headshot photographer covering Liverpool, Manchester and Leeds, but who knows how to play the headshot game, getting exactly what you are looking for from your final images: professionalism; confidence; your Unique Selling Point conveyed. You need someone who has the confidence and experience of working with both celebrities and those looking to make their name alike, capable of shooting the best of anyone.

Headshot Photography: Why a One Stop Shop, One Man Band?

 

Corporate Headshots Liverpool, London, Manchester, Leeds, Glasgow

It’s easy to be bowled over and hoodwinked by a large national photography studio with a corporate image and multiple photographers. The downside is, you don’t know who you’re going to get or the exact quality of their work. With a One Man Band, like Rory Lewis Photographer, globally experienced yet locally based in the North West across Liverpool, Manchester and Leeds, you know exactly what you’re getting. My image as an individual matters, so I capture your image professionally, yet creatively. A One Man Band focusses on you and you alone, each and every client matters.

Political Portrait Photographer Rory Lewis

Political Portrait Photographer Rory Lewis

Headshot Photography North-West UK: Why Rory Lewis?

 

I am not a general photographer, but a highly experienced Portrait Photographer with over 10 years’ headshot experience. I have a proven track record working with celebrities, corporate clients, models, upcoming actors and actresses, politicians, and all manner of walks of life. Exhibiting at the National Portrait Gallery, with names such as Sir Patrick Stewart, Sir Ian McKellan, Sir Derek Jacobi, David Warner, Iain Glen and Julian Glover, I feel confident in my headshot reputation.

This enables me to ensure that your session is relaxed, and entirely focussed on you and what you need from your shoot. I understand what is needed across the range of headshot requirements, from child actors to leading politicians, so that I can lead the shoot and guide you to portray yourself to the camera in a way that will capture the essence of the look you are striving for. My sessions are relaxed and informal and truly for everyone. I work with you developing styles, emotions and lighting that is appropriate for your headshots.

Legends of the Stage Portraits Rory Lewis Photographer

Legends of the Stage Portraits Rory Lewis Photographer

Headshots: Who Are The Clients

 

The beauty of choosing a Portraiture Specialist such as Rory Lewis Photography, is that you find a One Stop Shop. Whatever your headshot needs, they can be met. From child actors with their unique needs for easy-going rapport to household names with their well-known personalities, from Corporate Profiles for LinkedIn demonstrating a branded style, to publication-based images for the military, everyone will find a package to suit.

Liverpool Cheap/Discounted Actors Headshot Session Affordable

A vast majority of headshot clients are actors looking for their portfolio images. I have worked with a huge range of actors and actresses across the North West UK from celebrities to newcomers, I am in tune with casting director expectations and I understand the industry. I understand the nerve-wracking difference that can be felt between motion and still photography, and put you at your ease to ensure you are photographed at your best, demonstrating the range of your acting abilities, your potential and confidence.

Lord Mayors of Liverpool Portrait Photographer Rory Lewis

Lord Mayors of Liverpool Portrait Photographer Rory Lewis

Corporate clients have their own unique requirements. With experience working for large corporate names such as Pepsi, CancerResearch UK, John Lewis and the Ministry of Defence, I understand the need to ensure your corporate headshots seamlessly represent your brand identity and corporate image. The result is polished professional business photos whether the subject is the CEO or entry-level employee. As always, I work to ensure each and every sitting is conducted in a friendly and relaxed manner, bringing out the very best in every photo.

 

Further headshots are required by many different individuals and groups. Military, political and historical figures bring their own unique set of requirements for portrait headshots demonstrating confidence, leadership and power. With experience photographing such eminent individuals such as William Hague and Iain Duncan Smith as well as key figures from the Army, RAF and Navy. Alongside these I have experience undertaking headshots for sports personalities and individuals from a wide range of professions. I understand headshot: what is required, and how to deliver what you need in an affordable, comprehensive, personal and tailored way.

Military Portrait Photographer Liverpool & London

Headshots: One Stop Shop Package Options

 

The realm of headshot photography has become highly complex to those looking from the outside in. Knowing exactly what you are getting and what it will cost you can seem an elusive dream. This is why I believe in allowing my reputation, experience and previous shoots to speak for themselves, alongside simple yet comprehensive packages. This means you can easily choose the North West UK Headshot option that suits you best.

 

To achieve the best looks, you need to be relaxed and at ease. Therefore my sessions are usually around 2 hours: plenty of time to undertake hairstyle and clothing changes as necessary; time to explore studio and natural light (outdoor) shots; relaxed time over a coffee to review images as they are created to repeatedly check-in that we’re getting exactly what we need. The aim of Rory Lewis Portrait Sessions is to give you a tailor-made experience in a straightforward, upfront package. At the end of the session around 500 shots will have been taken, and you’ll quickly receive a reduced amount from which you can choose your favourites. I then believe communication is key and I work with you to touch up these images in line with your headshot requirements.

Portraitist copy

Rory Lewis Photography: Your One Stop Headshot Stop

 

If you’re in the North West, in the regions of Liverpool, Manchester or Leeds, and looking for a headshot shoot then I’m your man. I love what I do and that’s conveyed in all my work. I enjoy working with a vast range of individuals, bringing you what you want and need, within a simple, comprehensive, affordable package that is suitable for everyone.

 

To Book Please Email Me rorylewis@me.com or Call 07717 139 637  For Availability