H.R.H Prince Michael of Kent, GCVO, KStJ, CD is a member of the British Royal Family. He is a paternal first cousin of Queen Elizabeth II, being a grandson of King George V and Queen Mary. His Royal Highness commissioned a portrait at the London Studio. The Prince does have an uncanny resemblance to his great grand father Edward VII, in researching his lineage I did come across a portrait which gave me a great deal of inspiration for the sitting. I decided on a profile shot similar to that of Edward VII’s ceremonial portraits. Whilst still maintaining a harshness of lighting. Left (King Edward VII in state robes, about 1905, W. & D. Downey) Prince Michael was born during the Second World War on 4 July 1942, at Coppins, Iver, Buckinghamshire. He was the third child of Prince George, Duke of Kent, who was a younger brother of King George VI. At the time of his birth Michael was seventh in the line of Succession to the British throne.
Being Colonel of the Kings Royal Hussars, for the first set Prince Michael adorned his regimental uniform. Opting for the Crimson backdrop, I wanted to achieve two things. The first, red is the colour of Royalty, the second crimson is the colour of the Kings Royal Hussars trousers and peak cap.
This distinctive feature, which is unique in the British Army, derives from the honour accorded to the 11th Hussars by Prince Albert. The regiment, then based at Canterbury, formed the escort for the Prince from his arrival at Dover, en route to his wedding in London. The Prince so impressed with the bearing and turnout of the troops, he ordered that they should henceforth wear his livery as a mark of distinction.
For the second set, His Royal Highness changed into his Household frock coat. Opting for a black backdrop, and harsher lighting, I wanted to create a more ambient and vivid portrait. Using intense chiaroscuro to add both mystery and dutiful emotion. This my first Royal portrait sitting, was a smooth and enjoyable experience. To capture history and tradition are two aims I wanted to achieve as a portraitist, in this special sitting I believe I achieved these goals.
We are pleased to announce that a portrait of Actor Rufus Sewell (Dark City, The Man in the High Castle & Victoria) captured by Rory Lewis Photographer in Los Angeles last month, has been acquired by the National Portrait Gallery London. The Portrait represents Rory Lewis SIXTH National Portrait Gallery Acquisition.
Founded in 1856, the aim of the National Portrait Gallery, London is ‘to promote through the medium of portraits the appreciation and understanding of the men and women who have made and are making British history and culture, and …to promote the appreciation and understanding of portraiture in all media’. It is an absolute honour to have SIX of my Portraits included in the collection.
A company of the 2nd Battalion Princess Patricia’s Canadian Light Infantry took up the temporary role of mounting the Queen’s Guard at Buckingham Palace last month. The honour usually falls to the British Army’s Household Division. However, other Commonwealth Nations get a chance at protecting the Queen every now and again. Princess Patricia’s Canadian Light Infantry is based in Shilo, Manitoba, Canada. Named after Princess Patricia of Connaught, daughter of the then-Governor General of Canada. Contacting the regiment upon their arrival in London. I arranged a series of portrait sittings with the company at Wellington Barracks, before they mounted the Queens Guard. The sitting gave me the chance to record living History, Canadian Regiments rarely appear in London for state duties.
The 2PPCLI uniforms differ slightly to British Soldiers, especially their helmets. They are called Pith helmets, and the choice of helmet style comes down to historical precedent specific to each regiment. You may also notice that the helmets the officers wear are entirely white, while the non-commissioned members have a coloured fabric on theirs. In the case of the Princess Patricia’s Canadian Light Infantry, that colour is ‘French Grey’ which is the colour of the Third Canadian Division.
Accustomed to photographing British Soldiers for my ‘Soldiery Portrait Exhibition‘ it was refreshing to work with a Canadian Regiment. A real pleasure to work with the chaps. Its true what they say, Canadians are among the most polite people in the world.
Renaissance portraiture and the use of chiaroscuro by the masters has been of immense inspiration to my photographic style. For those unfamiliar, chiaroscuro is an oil painting technique, developed during the Renaissance. The technique uses strong tonal contrasts between light and dark to model three-dimensional forms. Artists such as Caravaggio used chiaroscuro for dramatic effect. Painting vivid religious depictions of light and shadow.
Recently I captured a series of exceptionally detailed chiaroscuro portraits inspired by Caravaggio of actors René Auberjonois, Sir Patrick Stewart & Iain Glen. In these portraits I have attempted to emulate Caravaggio’s naturalism and dramatic lighting with photographic effect. Creating super detail of skin tone, texture and colour. Using inventive art direction I opted for vivid and stark expressions from the contemplation of René Auberjonois to the emotionless Sir Patrick Stewart and the wicked smile of Iain Glen.
Actor James Podmore arranged his Actors Headshots at the Liverpool studio last week. Opting for Package One, James wanted to update his Headshot portfolio with a fresh look. It is important to update your headshots at-least once every year. As an actor your image and style changes continuously, your always learning and need a good photographer to demonstrate your acting ability in still photography. This is no easy feat as Actors are so used to moving on stage and screen.