”In need of a new Headshot? British Photographer Rory Lewis will be holding a discounted Introductory Actors Headshot Session in London. Rory has created Actors Headshots for the finest Acting Talent. Stars of Stage and Screen from Sir Patrick Stewart, Sir Ian McKellen, Sir Derek Jacobi, David Warner, Natalie Dormer, Iain Glen, Julian Glover and the list goes on”
“Rory has developed his own unique style of working with actors ensuring their photographic headshot experience is an enjoyable; relaxed session; to create the very best in Headshots.”
Written on: 08/03/2017 by J Derrington
I have had a few headshot sessions and photoshoots before and I hate having my picture taken. I was put immediately at ease and given slight directions to help change stance and also the thought process for each photo. The pictures themselves are of high quality (even before editing) and in terms of value for money, I would say that for photos of this quality and the quantity of images that you can get afterwards, is phenomenally good value.
I can’t wait for 2 years down the line when I will need new ones. Thanks!
Written on: 02/03/2017 by Joel Quinn Via Reviewcentre.com
I contacted Rory for an Actors Headshot Session and I was not disappointed. Rory was extremely pleasant and welcoming . As for the session itself I couldn’t have felt more comfortable about my shots. He kept me visually updated throughout the shoot with how they were turning out so that we could adjust and tweak things to get the final shots I was looking for!
For some actors having their photo taken can be extremely nerve-racking experience after all stills photography is an unnatural concept for actors who as used to moving on stage and screen. For others it’s not such an ordeal. Make the Right Choice for Your Actors Headshots. Professional, Inventive, Expertly Directed, Relaxed Sessions. Rory Lewis Actors Headshots Photographer.
Introductory Package £119.00
Thursday 19th October 2017
Sessions will run from 10:00am-6.30pm
2 Bleeding Heart Yard
EC1N 8SJ London
30 Minute Session with Rory Lewis
150 Images Presented VIA Digital Gallery
2 Images Retouched
(Time Slots Available from 10am – 6.30pm)
BOOK YOUR SLOT BELOW
I shoot in colour and convert into black and white you receive both colour and black and white copies of your retouched images. You will receive your contact sheets on-line via your own private web page within 24 hours.
Once you have chosen your two photos I will re-touch and crop them for you and changes can be made before you receive your final photos.
With regards to airbrushing, I feel this is a very important area as too much can spoil a photo, this is why I spend a great deal of time working on your photos and like to include you in this process via email or your private page so please make sure you pick the right photos.
You will receive all final photos by via your private page.
Can’t Make These Sessions Don’t Worry Check Out My Packages Here Available in London All Year Round.
Creativity is inspired in many ways, but certain genres lend themselves to a more perfect collaboration, and for me this is film and photography. Harking back to the old days, a Photographer’s skill was reliant on interpretation on film, and the blend between Photographic and Cinematic experience makes more sense. The two go hand in hand. Cinema inspired me to take up Photography, and the Art of Cinematography is not lost in Photography. For me, as a Photographer, this inspiration is personified in the actors who are central to the film and its success.
It can be a mysterious world being behind the lens, both in film and photography, but whereas the film has its own dedicated director, for a Portrait Photographer you are both Director and Cameraman rolled in to one. First and foremost, before anything else, the Portrait Photographer needs to be a Director of People. If you don’t direct the shoot, it will show: you can’t fulfil the brief or relay your inspiration. The Portrait is the mirror image of my thoughts and feelings, reflected back for the viewer’s interpretation. It takes a good actor to get the best out of Portrait Photography, to be able to understand direction, feel what I am feeling or trying to say with the Portraiture.
For me this makes for a wonderful experience each and every time I get to work on a sitting with an actor. Portrait Photography and Actors are a marriage made in heaven. Therefore I have made it my business to undertake sittings with many of the talented actors who themselves have inspired my career. Actors who have inspired me include: Sir Lawrence Olivier, Sir John Gielgud, Peter O’Toole…who have their roots in the greatest acting establishments such as RADA, LAMDA and the Italia Conti Academy.
This has led to me, over the last two years, dedicating nearly a third of my time to personal Portrait Projects. I am continuously striving to set up new shoots with the people who have fuelled my own inspiration. The result is some incredible experiences and incredible work representing some of the most notable portrait sittings and finding their essence in the movie clips that gave me a hunger for portraiture. I strongly believe that all Photographers should take time out to watch these films and discover the feelings they evoke.
Hoping I’m not hiding an inner-psychopath, it’s the villainous characters that seem to hold the most allure for me. When I was younger I found an ability to relate to intellectual villains with a thirst for power, often with pasts strewn with tragedy and abandonment. As a child I would become attached to these fictional characters as if they were comrades. I’d become genuinely upset if they were killed. I was the ‘odd kid’ who wasn’t automatically drawn to the hero. I think I was drawn to the charismatic and empathy-inducing villains as they had so many more layers to their characters. The dramatic effect worked on me. To be an actor playing a villain also requires a degree of complexity rarely found elsewhere, and therefore their acting is likely to have inspired both stage and screen, making them the very people I want to work with.
Accolades don’t get much greater than those poured on this screen legend. Twice nominated for an Oscar, and a recipient of every major theatrical award in the UK and US, he is exceptionally regarded as the single most acclaimed British theatrical talent of our time. I am transported back for inspiration to his portrayal of Richard III. Juxtaposed on a 1930’s timeline, the movie uses the play to evoke the fascism of that time, and the cinematography of Peter Biziou is simply awe-inspiring. McKellen as this legendary Shakespearian villain occupies this dastardly role like a poisonous spider in its web luring in its prey. This tortured villain comes to life in the embodiment of Sir Ian McKellen. Universally loathed, while loathing himself. A hunchback, he looks in the mirror in the play’s first scene and describes himself:
“Deformed, unfinished, sent before my time in to this breathing world, scarce half made up, and that so lamely and unfashionable that dogs bark at me as I halt by them.”
I invited Sir Ian to sit for me at a Portrait Session whilst he and Sir Patrick Stewart were performing Waiting for Godot in the Cort Theatre in New York. I was most definitely flabbergasted when he accepted. I was fortunate enough to travel to his home in London where I felt truly humbled to photograph this titan of the stage in his own surroundings. The little boy in me was jumping up and down with glee to see Gandalf’s sword hanging on a clothing rack like an umbrella! The enormity of the task and sense of responsibility before me hit me. I drew inspiration from his prominence as a Shakespearian performer and decided on a style of Portraiture reminiscent of the Renaissance Artist, Holbein, using lighting in such a way to preserve the intimate detail and wisdom found in his expression.
Steven Berkhoff is a well-renowned genius of the stage as well as being a successful playwright and director, continually setting the benchmark for stunning and intense performances on both the stage and screen. Known best for his villainous roles, I was inspired by his stellar performance as Hitler in 1988’s War and Remembrance. He fought off stiff competition for the role, and ultimately it was the right casting choice. He recalls: “As soon as I put on that strange little moustache, everything clicked. I look astonishingly like him and after my audition, Dan Curtis, the director, just sat there stunned. He more or less gave me the part on the spot.” (The Guardian Desperately Seeking Hitler)
The result is that Berkoff’s portrait of the psychotic and demonic Hitler is breath-taking. Viewers are shockingly mesmerised as they watch this psychopathic tale of history unfold. I was particularly struck by the intensely compelling scene where Rommel (Hardy Krüger) accuses Hitler in regard to the Concentration Camps. Berkoff inhabits the role of Hitler is a vicious and despotic response. You can’t fail but be struck by it.
As for my Portrait Sitting with Berkhoff, I arrived at Steven’s London home a little apprehensive over what to expect, this psychopathic portrayal lingering in my subconscious mixing with rumours that he was difficult to work with. His reputation as the ‘go-to bad guy’ had in all reality put the fear of God in to me! It soon became apparent that my nervousness was unfounded, and it was an absolute treat to sit and work with this seasoned veteran.
Diversely building an acting career known for playing both romantic leads and sinister villainous characters, on both stage and screen, David Warner had been top of my list for a portrait sitting for many years. Simply put, he is my favourite actor. As a child, I recall falling in love with the movie Time Bandits, in which David played ‘Evil’. Somewhat later, my father introduced me to his love of Western movies and I was introduced to The Ballad of Cable Hogue. In this, David played the character or a wandering minister named Reverend Joshua Duncan Sloan under the direction of Sam Peckinpah – known for his explicit depiction of action and violence – in this instance through the medium of a western filled with music and comedy. The role played by Warner was a Minister of his own volition through which Joshua pursues his passion ruthlessly seducing emotionally vulnerable women.
Warner himself has successfully avoided sitting for a portrait since Cecil Beaton had coaxed him in to it back in 1964 when Warner was just 24 years old. Now at 72, with his acting career firmly under his belt, I wanted to capture this more seasoned and experienced persona for my Northerners Portrait Exhibition. I was treated to a memorable sitting whereby Warner rose to the challenge in astonishing fashion, creating expressions with emotions that entrance the viewer. I was thrilled when, after the session, the National Portrait Gallery acquired one of the images for their permanent collection.
From Lovejoy to Deadwood, from a lawless saloon owner to the sexiest of beastly British mobsters, award-winning actor Ian McShane has, time and again, captured the public’s attention by playing bad guys, scoundrels and thieves. His enthusiasm for villainous parts was summed up when he ardently declared “The devil has the best tunes!” His Lancastrian voice, described as “syrup on sandpaper”, is instantly recognisable and transports you to a dastardly portrayal of whichever character he is turning his hand to now.
Personally, I most admire Ian for his role as the late 19th Century brothel-keeper and bar owner, Al Swearengen, in the HBO series Deadwood. For me this was McShane’s best and most complex role which he inhabited with utmost gusto.
With his strong Blackburn roots, McShane was a must for my Northerners Portrait Exhibition. I made contact with Ian’s agency and struck lucky as he was currently in London promoting his new film Cuban Fury. It was an amazing experience to photograph him, with quips and jibes such as “You’ll have to pay me for that!” when I jokingly asked him to give me the Al Swearengen look. Plain, simple expression was my theme for the Portrait Session, shot on black backdrops, to truly capture the texture and character of Ian McShane.
Being the self-confessed Sci-Fi nerd that I am, capturing Julian Glover in Portrait was essential. A screen-legend, we can reel off a list of roles including great names such as Star Wars; Bond Films; Indiana Jones. Since 2011 he has played the ongoing role of Grand Maester Pycelle in Game of Thrones. This is his role that fascinates me the most. Here is a complex character who appears weak and fragile, yet a true fan is treated to deleted scenes showing there is more to him that we think.
With such a strong and diverse acting background, I wanted to bring this through in my work with him. At the beginning of the session we sat down to discuss the shoot and the direction it would take. We decided to draw on his role at the time where he was starring in the Scottsboro Boys, a powerful West-End musical charting the story of a group of nine black teenagers, brought together by fate in a case which sparked the American Civil Rights movement. Adding this to his vast number of villainous roles over the year, I decided to focus on two juxtaposing looks: the plain, simple and thoughtful character portrait, and the villainous opposite side of the coin.
With Scots roots in film, television and stage, Iain Glen is an actor of domineering proportions. Best known for his roles in the Resident Evil film, and for portraying Ser Jorah Mormont in Game of Thrones, his is no stranger to our screens. Admiring his career over many years, his dark portrayal of Resident Evil’s Dr Alexander Isaacs stands out most to me. In charge of the Nemesis Program of the Umbrella Corporation, Glen plays an eminently cool, yet evil, scientist. I was thrilled that Iain accepted my invitation for a shoot and the session took place in London last month with Iain arriving, by bike, at the London Portrait Studio. As always, I had done my ‘homework’ in order to start conversation, put him at ease, and get the best from the shoot. Iain in respect conveyed his admiration of my recent portraits of Sir Patrick Stewart and wanted his images to be lit in the same style.
The shoot commenced, creating striking frames, with Iain enthusiastically posing without requiring direction towards the end. The result was that I was able to capture a selection of truly spontaneous images which really stand out as unique and capturing this essence of this prominent actor.
It’s no secret that I am a Trekkie. Therefore, as a Portrait Photographer, I was desperate to undertake a shoot with William Shatner, famous for his role as Captain Kirk. From the age of 7 this is an actor who has captured my imagination through his screen-presence.
One of his lesser-known roles was as Adam Cramer in the 1962 American film ‘The Intruder’ where Shatner played a mischievously villainous part where he powerfully and manipulatively incites townspeople to racial violence. The introductory scene to the character of Cramer has him confidently stepping off a bus: the self-assurance is innate and stays with him throughout. The audience sees a charmer and begins to be drawn in to his thrall before it becomes apparent this is a tool achieve an end, ultimately to politically affect masses and incite racial violence. This role struck me with power through Shatner’s depiction.
Therefore, when I was afforded the opportunity to work with Shatner in Los Angeles, I could barely contain my glee let alone my professional image. It took a few deep breaths on spotting him at his office, to commence the task of setting up my Portable Studio Kit. With a number of different ideas floating in my mind, I explained to Bill that I was aiming to achieve a simple expressive look. His reply “I don’t do plain” jokingly left me re-describing it as ‘emotionless’. The result was a series of wonderful expressions that capture his essence perfectly.
With a lighting change, I then directed Shatner to a more fierce look. In the majority of his roles he has been the hero, instead I wanted to capture the inner villain. Joking that playing the hero won him the girl, we had fun turning the expectations on their head, and photographing a different side.
This was a remarkable shoot for me and a wonderful experience. Having the opportunity to photograph an icon is indescribable.
Continuing in the Trekkie theme, Andrew Robinson was a strong contender for my Expressive Portraits Exhibition following his role as Garak in Deep Space Nine. For me, this desire was strengthened by his notoriety for his role at the first psychopathic killer, Scorpio, from Dirty Harry, as well as playing the part of Larry Cotton in the horror film Hellraiser.
On a personal level, the role in Dirty Harry struck me most profoundly. The film begins with one of the coolest opening sequences in any thriller. Perched on the roof of a San Francisco skyscraper, Scorpio with wild hair and piercing blue eyes takes aim as a sniper targeting a young woman in a rooftop pool. With the unforgettable theme tune standing as a backdrop, the anticipation building for the inevitable shot creates a sense of dread, and once delivered we receive a real gut-punch.
This scene played in my mind as a met Andy. I discovered he had once shared a room at LAMDA with Brian Cox who I had photographed last year. The sense was one of completeness that these two eminent figures had been captured in my Portrait Photography. The shoot with Robinson was one of ease and achievement: he is a natural in front of the camera and at ease with the non-transient nature of Portrait Photography, a complete change from his usual depiction on film. The result is that the images capture the essence of this incredible actor as a true reflection of all he is and has achieved.
A talented thespian, he has also made a solid name for himself in major Hollywood productions such as X-Men 2, Troy and Rise of the Planet of the Apes. He was also the first man to play Hannibal Lector on-screen, in the 1986 Michael Mann film, Manhunter. The role which stands out the most in my eyes was Cox’s portrait of Nazi War Criminal Goering in the TV dramatisation of The Nuremberg Trials. Cox had to learn what drives some men to carry out unspeakable deeds, and portray an unrelenting man.
I cannot begin to state the awe I felt when Brian Cox – even more so when he turned up for our London shoot on the back of a scooter. Having the star of my favourite episode of Hammer House of Horror, the Silent Scream, sitting and posing for me was such a treat – it really makes your job as a photographer that little bit easier when you work with an actor who can tell a whole story with just one look. He is such a funny and pleasant man who, at the same time, has such a commanding aura about him. I had an absolute blast working with him in what was a truly humbling experience.
When I was an 8 year old boy, Captain Jean Luc Picard was my boyhood hero. As I grew up, but retained my love of all things Star Trek, I became more and more enamoured with this legend that I not only saw in my childhood’s favourite series, but also on stage and screen, a true stalwart of British acting talent.
Looking back, two of Star Trek’s The Next Generation’s episodes particularly inspired me. The first titled ‘The Best of Both Worlds’ in which Picard is taken captive by the Borg, and the second, ‘Chain of Command’ in which Stewart stars alongside my screen idol David Warner when Picard is taken to Gul Madred for interrogation. This is an incredibly powerful episode with torture methods including sensory deprivation and bombardment, forced nakedness, stress positions, dehydration and starvation and physical pain.
Leading up to the shoot, I became somewhat star-struck. As I waited in the Neo Studios in Manhattan the fanboy inside me was jostling for prime position and ran the risk of overshadowing Rory Lewis the Photographer. Drawing on reserves I wasn’t aware I had, I managed to shake Sir Patrick’s hand and move forward on a professional basis with my inner Trekkie firmly at bay.
Before the shoot, I was aware that there are in fact very few photos of Sir Patrick where he is not in character. It therefore became my desire to capture who he was as a person. I staged a few photos to determine the best facial positions and the appropriate height for the camera, and from there the shoot commenced with ease. Drawing on his time and experience as an actor of long-standing, he effortlessly adopted the expressions and emotions we, together, thought suitable. The result was a marriage of natural kindness and fierce intensity.
Enabling me to keep the Trekkie-Rory in his box, I found Sir Patrick to be curious, warm and extremely polite. This shoot will stay with me forever, both professionally as a Portrait Photographer, but also personally to have met this stalwart of my life’s screen-based inspiration.
The Cinematic Inspiration, Full Circle:
As my career and success develops, my Cinematic Inspiration not only now draws on what I have seen, witnessed and been moved by as a young child, teen, and adult…It now also draws on the experience of meeting some of these screen legends in the flesh and working with them on a professional level. Whilst my cinematic inspiration is a work in progress, and my Portrait Sittings will always be driven and guided by this, I am also honoured that this inspiration can now grow knowing that I have captured the essence of these great giants of our screens.
I feel driven to continue drawing on my cinematic inspiration and therefore am striving to secure shoots with Anthony Hopkins, Al Pacino, Jack Nicholson, Clint Eastwood and even Arnold Schwarzenegger. I can now not only draw on my specialist knowledge of actor’s headshots, directional and photographic skills, but I can draw on my cinematic inspiration that has fuelled real productive and successful sittings. Through identifying – and capturing on film – the je ne sais quoi of McKellen, Stewart, Berkhoff and the likes, I feel confident I can portray personas with power, poise and a sense of the timeless characters screen-legends are known to play.
‘Expressive‘ Portrait Exhibition moved from Liverpool and opened in London last night. It was wonderful to meet everyone share stories from the sittings and preview my latest portraits. The exhibition will be open to the public at Calumet Photographic’s Gallery space on Drummond Street until 22nd November 2015. Pop along and have a closer look at some of the worlds most recognised acting talent, including Sir Patrick Stewart, Sir Ian McKellen, Mark Margolis, Ian McShane and many more. Don’t forget to tweet your favourites and opinions #rorylewisexpressive.
Thank you to everyone who attended open evening of my Northerners Edinburgh Portrait Exhibition. It was wonderful to meet so many new people, and talk about my recent Northerners Project. Thank you to Calumet Photographic and the team at Edinburgh for all their help with the evening. Northerners will be at Calumet Photographic in Edinburgh throughout the Fringe Festival till 29th August 2015. You can view a video from Open Evening Below.
Rory Lewis Northerners Exhibition, will be featured from 12th-29th August 2015 in an Edinburgh Fringe Exhibition. Open evening will take place on the 12th August 2015 from 7-9pm at Calumet Photographic in Edinburgh. Tickets to the open evening are free of charge, please register below.
Rory Lewis Photographer has made an outstanding contribution to photography and the visual arts, creating consistently imaginative and thought-provoking portraits. Rory’s ‘Northerners Exhibition’ is an entirely new collection of portraits from a cross section of Scottish & Northern Celebrities, Sports Personalities, Actors, Politicians and people encountered. Featuring Sittings with Sir Ian McKellen, Sir Patrick Stewart, Ian McShane, Emma Rigby, Claire Sweeney and many others.
3 Bonnington Business Centre,
Tennant Street, Leith,
Edinburgh, EH6 5HG
Wed 12 August Open Evening 7pm-9pm, With a talk by Rory Lewis Photographer
Open to the Public Friday 14 August 2015 – to – Saturday 29 Aug 2015
Two years in the making my Book “Portraitist” is now on-sale. Portraitist, brings together a retrospective of portraits; along with a comprehensive guide, including diagrams on how to create stunning portraiture of your own.
Portraitist passes on years of expertise, working with some of the worlds most famous acting talent, such as Sir Ian McKellen, Sir Patrick Stewart, David Warner and many more.
Portraitist is available on Amazon £15.99 and available at all good book stores.
This question torments a great deal of lens buyers- Should I purchase a zoom lens or a fixed prime lens? When it comes to versatility and convenience, zoom lenses deliver a wide range of focal lengths at the flick of your wrist; without having to constantly change lenses. Quickly enabling you to frame and capture a moment with the appropriate focal length. This is a advantage for zoom lenses but also their biggest weakness. Their is a compromise in image quality. Complex arrangements of large groups of elements inside the lens moving back and forth to enable the zoom, reduce the optical quality of your images.
Despite their versatility Zoom lenses can cause a several issues with your photography. The Sharpness of your images is the first victim, barrel and pin cushion distortions can often appear at the wide-angle and telephoto ends of your lens zoom range. Zoom lenses can also cause vignetting, a reduction of an image’s brightness or saturation. You can also expect an increase in chromatic aberration (known as colour fringing around high-contrast edges in a scene). This effect is most commonly seen when you’re using large apertures at the wide-angle end. Zoom lenses are also more susceptible to ghosting and flare.
If you choose a high-quality prime lens, distortion and vignetting will be much less noticeable. Their are fewer moving parts; prime lenses are optimised to a specific focal length or purpose. Which means optical performance is generally better and lenses an be made with larger apertures. The Sharpness of your images will also be unparalleled, so you can really make the most of the high-resolution sensors fitted to current digital cameras.
Another advantage of using prime lenses is that they’re generally ‘faster’. Which means they have a larger maximum aperture, which enables faster shutter speeds. For example, a typical 18-55mm zoom lens has a maximum aperture of roughly f/4 at the wide-angle end, shrinking to a mere f/5.6 at about 50mm. If you Switch to a 50mm f/1.4 prime lens the largest available aperture is four stops faster. In low light you’d be limited to a shutter speed of, say, 1/15 sec with a typical zoom (unless you increase your ISO setting). However, an f/1.4 lens will enable a much faster shutter speed of 1/250 sec. An f/1.8 lens is 3.3 stops faster than an f/5.6 lens, and even an f/2.8 model is two stops faster.
One more big advantage is that you can get a much concentrated depth of field, enabling you to isolate the main point of interest in a shot by blurring the background. It’s common practice in portraiture, especially when the background is cluttered and would otherwise be a distraction.
An important factor to consider when you’re buying a prime lens is which focal length to choose. Back in the old days of 35mm film, a 50mm prime was considered a ‘standard’ lens. That’s because it gives the same perspective as viewing a scene with the human eye, without the magnification of a telephoto lens or the shrinkage a wide-angle lens uses to squeeze more into the frame. I would recommend the following lenses, for landscapes the, 18mm or 21mm, full body fashion/editorial shots 35mm, for portraiture half length a 50mm is great but for tightly framed head and shoulders an 80mm, 85mm, 100mm or 110mm is best. As a professional portrait photographer, currently in my bag I wield an 80mm F2.8 and 110mm F2.8, these are the best two portrait prime options. The 80mm great for editorial portrait photography, capturing the person and some of the setting, and the 110mm for closely framed head-shots.
The difference a year makes: Generals, Actors, Sports Personalities and Politicians. Photographing the essence of character.
Portraiture is now the name of my game: 2014 has certainly been an incredible journey of discovery and growth as well as artistic truth and relevance. I feel refreshed in my work and have enjoyed the wonderful success of the last 12 months, I’m looking forward to the ‘onwards and upwards’ both professionally and personally – these are exciting times for Rory Lewis Photography. Thank you to my wife, family and colleagues for their support as I’ve made these developments. The beauty of an artist is the ability to experiment and ‘play’. I have been more determined than ever to realise this – that through experimentation I can learn, and most importantly deliver at a higher level. In the continual bid to hone my own Unique Style I am continually refining my ideas, my inspiration and my direction. Beginning the year with a ‘make or break’ attitude having spent too long spreading myself too thinly professionally and knowing something had to change. 2014 has been that year, seeing a more balanced but more worthwhile focus, by concentrating on where my passion lies – Portraiture.
I was ecstatic when my Portrait of Actor David Warner was acquired by the National Portrait Gallery in London. I built on this public recognition of my work by having a wide range of Celebrity Portrait Sessions throughout the year. Expansion was essential, no longer am I just to be found in the North West UK, but in both London and New York. Back in 2004, when I began my career in Fashion Photography, it was the way forward, the path to photography and career success. I enjoyed the recognition of publication, in magazines, newspapers and catalogues, often being called upon by various Fashion Labels to photography their collection. But with maturity and artistic credibility, I gradually fell out of love with the ‘easy’ road. It no longer sits easily on my personal character, and the discomfort grew as I was struggling to be myself in what I felt was an elitist superficial world of photography. I was failing to be true to myself, my personality, and importantly, my artistic style. Artistically I wanted my work to be a reflection of reality, a mirror of truth.
This led me to real people leading real lives and portraying them in a real way. I can become absorbed in the story of someone and relish the challenge of reflecting their emotions and character through Portraiture. So farewell Fashion Photographing, and welcome to Portraiture, of Generals, Actors, Artists, Sports Personalities, and Politicians.
I began to conceive the idea of my Northern Portrait Exhibition very early in the year and was thrilled with its ultimate success. Northerners started out as a small local project yet soon became a National Exhibition featuring actors, sports personalities, artists and politicians from the North. A blend of story, history and personality, drawn together by Northern Roots, now transcending the globe, offered an opportunity to travel to bring this unique collection together. Big names, big characters, big achievements such as Sir Patrick Stewart, Sir Ian McKellen, Craig Charles, Emma Rigby, General Sir Nicholas Houghton, and many other prominent figures.
This was a truly fascinating project. Sponsored by Calumet Photographic and held in aid of the worthwhile cause UNICEF, the exhibition moved from Liverpool in July, to Manchester in October, and finally to London in November. The project was not only a developmental and artistic learning curve for me, but led to me feeling more comfortable in my own Unique Style, and this is now reflected in my work. I was thrilled when the BBC, various other television companies and the National Press all featured the Project giving the project not just local, but national recognition.
For clients such as Pepsi, I have enjoyed a wide range of Commercial Photography assignments, which have included Portraiture such as a commission to photograph successful and advertorial big-name footballer, Luis Suarez. Knowing that Rory Lewis images are being used in such high profile promotional campaigns, including posters as well as drinks bottles and cans, has been a fun and enjoyable part of my year. With the brief to create fierce portraits blended with Rock Star Style stills, I couldn’t wait to get started. It was an opportunity to direct and create a shoot in tune with my artistic desires
Travel has been an inevitable, but enjoyable, by-product of the shift in my photographic direction. My passport has been ranking up the miles with trips to Spain, Morocco, Italy, New York, Ireland and the USA. Good Old Blighty is home, but these trips have been enriching and given my work influence both cultural and socially. Take a quick peek at some of my travel snaps here.
On a personal level I haven’t just seen a seismic shift in the nature of my work and my creative style, but 2014 has been a year of highs as it was also the year I married my incredible wife, Alexandra, who has supported and nurtured my professional change. Still based in Liverpool despite spreading my wings, this year also brought the opportunity to extend my home-grown roots by opening my new Photographic Studio in the heart of Liverpool.
2014 saw a continuation of my desire to offer Photography Workshops. A key joy for any creative person is to share and nurture a passion in others. I am grateful to be able to do this, whilst partnered with Calumet Academy, as well as extending the locations of my Courses to additionally include not only Liverpool, but London, Birmingham, Bristol, Glasgow, Edinburgh and Belfast. Wherever you are in the UK, Rory Lewis Photography Courses can be there! I enjoy imparting what I have learned and discovered to others: from lighting techniques to directional skills, it really is a joy to work with aspiring photographers, and the feedback has been nice to hear too! It’s been good for my ego, knowing I can use my skill and self-development to help develop others. I’ll be forever grateful for reviews such as the following from Amateur Photographer Denis Dame who attended one of my Portraiture Workshops:
“Rory is a fantastic and patient instructor and answered all our questions no matter how basic or advanced. I took nearly 400 images throughout the day and was mentally drained and excited because we covered so much. A fantastic value for the amount of hands-on course work and topics we covered. Rory was able to get us all taking great images.
I have been an amateur photographer for years, but this was my first time using studio lighting for portraits with models. I had expected only one model, but Rory had hired three fantastic models. All had their own great characteristics, which allowed us to experiment with lighting to see the effects given different facial features. Rory demonstrated the use of several one and two light set-ups, and allowed us to take several images from each. Additionally, we used different back drops, and reflectors. We had hands-on opportunities to use a light meter and set up the studio lights to the proper power and distance. We learned about how to diffuse the lighting and control it with a honeycomb.
He also demonstrated how he captured many famous actors that are a part of his Northerners Portrait Project to support UNICEF. A noble effort. We were able to create similar images during the course.
We learned how to work with models and direct them to help create amazing images and moods. By the end of the course we all had gained confidence in working with good models.
I would highly recommend the course to people that have never worked with models, or studio lights. If you have worked with models and were not quite sure how to direct the scene, then this is also a great course.
Well done and I hope to take another class in the near future.”
So here’s to 2015 and my onwards and upwards! I am looking forward to extending my programme of courses to make them more extensive whilst focusing on my true love of Portraiture, from Beginners, to Intermediate, as well as a course in advanced Location Portraiture Lighting. You’ll still find me offering Art Nude Photography Courses, with a special Hasselblad Art Nude Session, allowing delegates to try out the superb Hasselblad H5D Camera System, an opportunity not to be missed.
Whilst also arranging photoshoots with models, dancers and actors throughout 2014, I’ve loved the new creative and practical expansion and vision of Rory Lewis Photography. From helping new models and actors find their first footings in their chosen fields. I’m glad to still be the photographer of choice for many of the UK’s top agencies. I’ve come to learn that I can still be true to myself in all shoots by offering a comprehensive service based on high quality pictures achieved through my no-time-limit ethos. My clients are not rushed, nor do they receive a hard sell, just good honest portraiture at its best. From sessions with Game of Thrones actors, screen legends Julian Glover and Iain Glen, to the industry newbies, my heart now truly resides in Portraiture.
See you in 2015, but before I go, take a sneak peek at my new Exhibition Expressive that will take place at the end of the year. Whether Stateside or on home turf, I look forward to seeing you there.